BlanchardE.MartiniJ.-M.MorenoE., & SezerA. (2003). L'épreuve du temps: Photographies originales en tirage d'époque—catalogue illustré et commenté. Paris: Librairie Serge Plantureux
2.
CollenH. (1854). Earliest stereoscopic portraits. Journal of the Photographic Society, 1, 200
3.
EmersonE. (1864). The Chimenti pictures: A reply to Sir David Brewster. No. IV. British Journal of Photography, 11, 202–204
4.
KlooswijkA. I. J. (1991). The first stereo photograph. Stereo World, May/June, 6–11
5.
NewhallB. (1982). The history of photography. London: Secker & Warburg
6.
PisaniR. C. P.NataliA.SisiC., & TestaferrataE. (2004). Jacopo da Empoli 1551–1640: Pittore d'eleganza e devozione. Milan: Silvana Editoriale
7.
WadeN. J. (Ed.). (1983). Brewster and Wheatstone on vision. London: Academic Press
8.
WadeN. J. (2003). The Chimenti controversy. Perception, 32, 185–200
9.
WadeN. J. (2012). Wheatstone and the origins of moving stereoscopic images. Perception, 41, 901–924
10.
WheatstoneC. (1838). Contributions to the physiology of vision: Part the first. On some remarkable, and hitherto unobserved, phenomena of binocular vision. Philosophical Transactions of the Royal Society of London, 128, 371–394
11.
WheatstoneC. (1852). Contributions to the physiology of vision: Part the second. On some remarkable, and hitherto unobserved, phenomena of binocular vision. Philosophical Transactions of the Royal Society of London, 142, 1–17