Tune Recognition with Reduced Pitch and Interval Information

Twenty subjects were tested on their ability to recognize simple tunes from which rhythm information had been removed. Only the first phrase of each tune was presented. The purpose of the experiment was (a) to determine whether stimuli containing only high harmonics can evoke a sense of musical pitch, and (b) to provide a set of data in normal subjects with which the performance of deaf subjects whose auditory nerve is stimulated electrically can be compared. Each subject was tested on five sets of stimuli presented in a counterbalanced order. These stimuli were (I) pulse trains high-pass filtered at 2 kHz, with repetition rates in the range of 100–200 p.p.s.; (2) as in (I) but high-pass filtered at 4 kHz; (3) sinusoids with musical intervals compressed, so that the “octave” was a ratio of I:I·3; (4) sinusoids with the musical intervals expanded, so that the “octave” was a ratio of I:4; (5) sinusoids of a constant frequency in which the normal frequency changes were translated into intensity changes, each semitone being represented by a 3 dB change in level. The results indicate that a pattern of intensity changes does not support tune recognition, and that, although the pitch contour alone allows reasonable performance, subjects do use musical interval information in recognizing tunes. Stimuli containing only high harmonics can provide such interval information, and thus can evoke a sense of musical pitch. Preliminary results from a deaf subject stimulated electrically with an electrode on the surface of the cochlea indicate that such stimulation can also evoke a sense of musical pitch. It is concluded that musical pitch information can be carried in the time-pattern of nerve impulses in the auditory nerve.