Abstract
Abstract
French
Jan Klata directed his version of Hamlet (2004) in the historic Gdańsk Shipyard, famous for the strikes of the workers and the rise of the Solidarity movement, as a result of which Poland became a democracy, rapidly changing its economy, manners and values. It has become a different country and a different society. Staged in the derelict shipyard, used here also as a symbolic stage set, this particular production seems to present the views of the new generation, for whom the past is just a myth, and the present offers just a simulacrum of well-being.
Get full access to this article
View all access options for this article.
