This paper examines the role of formal, aesthetic elements in motivating moral action. It proposes that Blumenbergās analysis of the existential settings of myth and metaphor provide a useful framework to consider the conception and function of the aesthetic symbol in Kantian moral philosophy. In particular, it explores the hypothesis that Blumenbergās analysis of āpregnanceā and ārhetoricā are useful for identifying and evaluating the processes involved in self-persuasion to the moral perspective.
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