| Page 1, 1st column & 3rd line of “Introduction” section |
(Blinded for review)
|
“Blinded” texts updated to “Ireland” |
| Page 1, 1st column & 13th line of “Introduction” |
most competitions open to me. |
Changed to “numerous competitions.” |
| Page 1, 2nd column & 13th line of “Introduction” |
and political. |
Changed to “cultural and familial.” |
| Page 5, 2nd column, 4th stanza of poem, line 1 |
Taking away the instrument now |
Changed to “Taking away the instrument” |
| Page 5, 2nd column, 4th stanza of poem, line 2 |
I am left with the movement |
Changed to “I am left with just the movement” |
| Page 5, 2nd column, 4th stanza of poem, line 3 |
I am left with the feelings |
Changed to “left with just the feelings” |
| Page 5, 2nd column, 4th stanza of poem, line 4 |
I am left with the naked truth |
Changed to “I am left with only raw naked truth” |
| Page 11, 2nd column, 2nd paragraph – 6th line |
laid on top of them (Daly, 2019). |
Changed to “laid on top of them, an “artistic unearthing” (Daly, 2021, p. 2473).” |
| Page 12, 1st column |
– |
Inserted two new references: Daly, D. K. (2021). Unearthing the artist: An autoethnographic investigation. The Qualitative Report, 26(8), 2467–2478. https://doi.org/10.46743/2160-3715/2021.4796
Daly, D. K. (2021a). Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration. International Journal of Music Education. https://doi.org/10.1177/02557614211028600 |