Abstract
This critical content analysis draws on a dataset of contemporary young adult texts receiving awards between 2012 and 2023 to examine opportunities for religiously informed alterity for readers, which we argue can be a productive experience for building critical religious literacy in young adult readers. We argue that young adult literature can serve as models of critical religious literacies when authors, characters, and historical figures engage in conflicted meaning-making as they experience slippages between their lived experiences and their religious and secular beliefs. The study aims to develop a framework for developing religious literacy that draws specifically on identity-laden and critical theories of literacy common within the English language arts. Furthermore, this study provides literacy scholars and practitioners with a robust set of textual resources that can be employed to support critical religious literacies.
In Toliver's (2018) article about alterity, innocence, and the character of Rue in The Hunger Games (Collins, 2008), she outlined how some readers reacted negatively to the casting of a Black actor to play the part of Rue, even though the text describes Rue in multiple places as Black. Because Rue is portrayed as innocent, sweet, and agentive, many readers have been so conditioned by racist stereotypes of Black girls as promiscuous, loud, or incapable that they couldn’t reconcile those qualities with Rue's Blackness. Toliver (2018) defined alterity as being created when texts ask readers “to push beyond their comfort zones in order to understand concepts that require them to expand their beliefs” (p. 6). Other scholars (e.g., Levinas, 1999; Spivak, 2013) note that fundamentally, alterity asks readers to attend to difference, particularly focusing on “the other of the other,” which “exceeds the logic of the self/other binary” (Bray, 2003, p. 74). Readers’ responses to the discomfort inherent in experiencing alterity is individual in nature: in Toliver's example, some readers reacted to their experience with alterity by taking to social media with racist rants against the casting choices for the movies. However, other research (e.g., Ivey & Johnston, 2023) suggests that some readers who experience alterity undergo emotional, social, and intellectual growth.
Historically and currently, religion works as a powerful sociopolitical force in global conflicts and events. Currently, in the United States, where the authors live and teach, the rise in white Christian nationalist rhetoric—which prioritizes a vision of the United States as a Christian nation with God-ordained hierarchies that privilege white, Christian men—continues to spill into public school spaces in school board elections (Prins et al., 2024) and (importantly for English language arts [ELA] teachers and literacy researchers) in moves to ban books from public school classrooms and libraries that challenge this vision. Groups like Moms for Liberty have quite successfully used religiopolitical and parents’ rights rhetoric to pressure school boards to ban books in public school classrooms and libraries in record numbers (PEN America, 2023; Prins et al., 2024), and most often, these banned books feature characters who have diverse gender, race, and sexual identities (PEN America, 2023)—leading us to believe that such movements are a reactive response to the alterity readers may experience when they encounter “the other of the other” (Bray, 2003, p. 74). The increasing ascendance of white Christian nationalist rhetoric in U.S. public schools has serious implications for all students (Johnson et al., 2024), but especially for students who are part of religiously or racially marginalized communities (Edwards, 2024; Hsu/Chhî, 2024), who are being increasingly positioned as an unwelcome and undesirable “other” in their own schools.
Why some readers respond to alterity with defensiveness, while others’ experiences with alterity result in increased empathy and expansiveness, is beyond the scope of this study; however, we highlight the crucial role the text plays in such encounters. We consider in this study how the stories told in young adult literature (YAL) might support readers as they build the skills, attitudes, and understandings to respond to alterity—particularly religious alterity—in ways that encourage their emotional, social, and intellectual growth. YAL has long been positioned (Ginsberg & Glenn, 2019; Hays, 2021) as a resource for teachers, librarians, and youth who wish to notice and name societal and systemic inequities through humanizing narratives (Paris & Winn, 2013) that portray youth who are affected by systems of power and harm as more than just stereotypes (Toliver & Timmons-Long, 2023). Social media movements like We Need Diverse Books (n.d.) and #DisruptTexts (n.d.) highlight the potential of relevant, representative, and diverse YAL to disrupt dominant narratives. These movements assert that YAL can be a powerful tool in consciousness-raising projects that build empathy and understanding and seek to explore how societal inequities around constructions of race, gender, class, and ability influence youth's ability to construct their own identity and read the word and the world around them (Freire & Macedo, 1987).
Scholars have noted that religion's influences on youth identity have been understudied in YAL scholarship (Campbell, 2015; DeWalt, 2018), even as there is a growing interest in how religious practices and religious identities intersect and influence youths’ literacy practices (Rackley, 2014; Skerrett, 2014). Anderson (2016) noted that “the imbrication of politics and religion is becoming a matter of growing interest for young adult writers and readers” (p. 182). Examinations of religious identity and literacy practices have both personal, social, and political implications for young readers, and thus warrant the attention of literacy scholars.
In this critical content analysis of 107 award-winning or honored young adult (YA) books, our research questions were these:
How might the representation of religious identities, beliefs, and practices in award-winning YA books support critical religious literacy skills? What models of religiously informed meaning-making are available to readers of these YA books?
Religious Literacy and Critical Religious Literacy
For many scholars, religious literacy in the United States is a response to concerns about “how little Americans know about religion” (Soules & Jafralie, 2021). Prothero (2007) argued that Americans have surprisingly little knowledge about basic facts regarding world religions, limiting their ability to “participate fully in social, political, and economic life in a nation and a world in which religion counts” (p. 19). As such, Prothero's definition of religious literacy centers “the ability to understand and use religious terms, symbols, images, beliefs, practices, scriptures, heroes, themes, and stories” (pp. 16–17). However, the definition of religious literacy continues to evolve beyond simple knowledge of world religions. For example, Moore’s (2007, 2010, 2022) suggestion to address religion from an academic perspective using a cultural studies approach (Hirsch, 1987) emphasizes the distinction between devotional expressions of religions and the academic study of religion. This framework emphasizes an understanding of religions as dynamic, internally diverse, and culturally embedded. Moore (2007) argued that such an approach is not only constitutionally sound, but can also “help diminish discriminatory practices [while] providing information to help educators proactively shape their educational environments so that all students feel a sense of belonging” (p. 33). Thus, religious literacy as a concept has now come to encompass skills and practices that extend far beyond factual knowledge about religions.
How religious literacy ought to be developed among Americans continues to be discussed and researched within the field of education. Scholars and practitioners within the social studies, for example, have developed documentation explicitly delineating teachers’ responsibility to develop religious literacy in their curriculum (see the C3 Framework of the National Council for the Social Studies, 2017, p. 92). Such curricular standards have yet to reach other fields. ELA standards do not yet include any formal commitment (either in the Common Core or the National Council of Teachers of English standards) to religious literacy, aside from noting that literary allusions may be pulled from religious texts. Models from the social studies may provide resources useful to literacy scholars and ELA teachers seeking to support religious literacy development in public school classrooms, particularly when the goal is “effective and engaged citizenship in an interconnected and diverse nation and world” (NCSS, 2017, p. 92). However, many literacy scholars remain interested in the ways religion intersects with literacy practices (Dávila, 2015; Hadley, 2022; Juzwik et al., 2019; Muhammad, 2015; Skerrett, 2014), which implies there is potential for literacy scholars and ELA teachers to develop literacy-specific ways of approaching religious literacy.
ELA's discipline-specific ways of looking at the term “literacy” undoubtedly affects the ways we understand the boundaries of what religious literacy is and how it ought to be developed alongside our disciplinary commitments (Olshefski, in press). At its simplest level, we understand literacy to be the process of making meaning through practices like reading, decoding, and interpreting sign systems (many of which, but not all, are linguistic). Religious literacy, then, might be the process whereby one makes meaning through interpreting sign systems associated with religious communities. However, we cannot talk about how we understand religious literacy without engaging sociocultural theories of literacy that attend to how interpretive meaning-making of signs systems is part of a reader's identity formation (McCarthy & Moje, 2002) and deeply imbricated within communities of practice (Lave & Wenger, 1991). For example, an individual who grew up in a Biblicist Evangelical community has been socialized to make meaning of both the biblical text as well as their surrounding world through a distinct set of processes (Juzwik, 2014) that might differ from those of, say, someone who grew up in a Catholic context (LeBlanc, 2015), or someone who learned textual interpretation practices within an Orthodox Jewish day school (Hassenfeld, 2024). Religious literacy practices, too, influence how readers read and make meaning outside of explicitly religious contexts as well (Juzwik & McKenzie, 2015; Rackley, 2014).
To be religiously literate, then, is to be made aware of not only one's own but others’ religiously informed meaning-making processes (Francis & Dinham, 2015). As Biesta et al. (2019) suggested: “The religiously literate person has the intelligence and thoughtfulness to be able to converse with others in society in a way which respectfully recognises their religious beliefs” (p. 26). Thus, religious literacy does not necessitate religious devotion or belief, but rather the recognition of meaning-making processes gleaned from religious communities. Although knowledge or knowledges involving religion (Marcus & Ralph, 2021; Prothero, 2007; Soules & Jafralie, 2021) are useful in understanding particular meaning-making processes, religious literacy also requires a disposition that approaches another's religiously informed meaning-making processes with curiosity, regardless of what they already know about (or believe about, for that matter) the other's faith or beliefs (Kunzman, 2006).
Just as we cannot talk about our definition of religious literacy without appealing to sociocultural theories of literacy, we can equally not define what we mean by critical religious literacy (CRL) without appealing to critical theories of literacy that position the interpretative meaning-making process of sign systems as also always in relationship with politicized and institutionalized contexts and structures. Lankshear and McLaren (1993) fleshed out a definition of critical literacy that defines it as a process of meaning making that explores how and why some social and cultural groups have unequal access to both political and social power. Critical literacy praxis in an ELA context, then, might involve “textual studies that are analyzed at the discursive level in which the texts were created and in which they are sustained” (Bishop, 2014, p. 53) in a project of critical consciousness-raising (Freire, 1970/2000). Thus, a critical religious literacy approach to texts requires an examination of how religiously informed meaning-making processes might “engage the policies of daily life in the quest for a more truly democratic social order” (Lankshear & McLaren, 1993). Such an approach requires readers to grapple with both the positive and negative impacts of religious phenomena, communities, and experiences (Goldstein et al., 2013) at the individual, community, national, and global levels.
Critical religious literacy practices are marked by the ability of the reader to engage in critical religious readings of texts, compose texts that engage religion in complex and nuanced ways, and engage in conversations around religion that are richly contextualized and that acknowledge the power that religion has at the individual, societal, and global level. Such practices are foundational tools and skills for readers as they ultimately critique power and oppression associated with religious discourses in order to bring about liberatory outcomes. Critical religious literacy readings of texts differ significantly from devotional religious readings of texts. Most simply, we can consider devotional religious readings as the result of a reader using their religious beliefs, doctrines, and experiences as a tool to draw meaning from literary texts. Consider, for example, the following example of devotional religious reading practices from an evangelical Christian describing how she read literature as a teenager: I really connected to God with books—like an odd amount probably. I remember reading The Great Gatsby. It was a very religious experience. I have tons of journal entries that are quotes from The Great Gatsby and then me writing about what it taught me about God and human nature. (Hadley, 2021, p. 121)
By contrast, a critical religious reading engages the reader in making meaning of religious material in richly contextualized examinations of religion, society, and power. If a devotional religious reading is an act of overlay, a critical religious reading might be characterized as an act of excavation, as the reader gets underneath the text using critical frameworks to examine the subtexts of positioning, power, and identity as related to religion. Consider, for example, the conversation in a middle school classroom around a painting (Miracle) from the picture book memoir In My Family, as described by Dávila and Volz (2017): An African-American boy named Jon expanded upon the notion that being able to see the image of Guadalupe in the water tank might have been a reflection of one's alignment with the believers’ group. He proposed, “I think that one person saw it, and then like a couple other people saw it and then some more people came but they didn’t really see it, but they said they saw it.” Alluding to the possibility that the news of the image spread by word of mouth…Jon adeptly indicated that by claiming to see the image, one could include her/himself in the “insider” social group as opposed to the outsider “Other” group. We interpret Jon's additional comment, “And some people was wrong,” as a recognition of the power of social conformity. Regardless of their own views, people could avoid being constructed as the Other by pretending to see things the same way (literally or figuratively) as the dominant group in the social setting. (p. 8)
The Ethics of Alterity
Although Toliver (2018) defined alterity as occurring in texts when readers encounter concepts that require them to expand their beliefs, we guide our inquiry with the concept of alterity outlined by Levinas (1995/1999). Levinas's version of alterity insists “on the primacy of the well-intentioned relation toward the other” (p. 98), a stance that we think is an assumption that underpins both religious literacy and critical religious literacy frameworks. Such a stance centers the ethical responsibility of the self—or in our case, the reader as self—to understand the other as an agentive being who is a peer to the self. Levinas (1999) drew on Buber's distinction of the I-You relation and the I-It relation. Buber (1970) stated that in the I-It relation, my relationship to a thing (or an It) is a “that”—an object or a something that I can know. However, in the I-You relation, the I can never fully know the You because the You “presents a total autonomy with respect to the observation of things and with respect to knowledge” (Levinas, 1999, p. 100). Because of this, the I-You relation is fundamentally different from the I-It relationship. The difference is not only that the It is knowable and the You is not, but also that “when I say you, I know that I am saying you to someone who is an I, and who says you to me” (Levinas, 1999, p. 100). Thus, relations between an I and a You center the fact that the I and the other, although fundamentally unknowable to each other, share the same relationship with each other, and as such, individuals have to recognize that the others that they encounter are equally as human as they themselves are. This recognition, then, according to Levinas (1999), creates for each individual “an unlimited responsibility, one that we are never discharged of” (p. 30) to the other. Responding ethically to alterity, then, for Levinas fundamentally requires a “non-indifference for the other” (p. 139), a regard for “the absolutely other” (138) and the uniqueness of the “unique other” (p. 138).
Postcolonial theorists have explored how alterity and otherness is socially and hierarchically constructed, particularly in ways that position those who have been colonized through imperialism as fundamentally and irrevocably different from colonizers (Spivak, 2013; Türkkan, 2011). This imposed and fixed (and often violently enforced) alterity affects the identities of those who are colonized, in that they can only define themselves in relation to these social constructions, and thus the binary of self/other blurs so that colonized people ultimately form identities of self as other (Gray, 2021). Thinking about the role of alterity with postcolonial frames means that we may consider, too, how colonialism ultimately changes the colonizer's view of the other from an I-You relation, where the other is encountered as equally human and unknowable, to a perceived I-It relation, where the other is a “that” which is easily categorized, known, and ultimately dismissed as less than human. Levinas (1995/1999) warned about this when he wrote: It is in the knowledge of the other as a simple individual—the individual of a genus, a class, a race—that peace with the other changes into hatred; it is the approach to the other as a “kind of this or that.” (p. 139)
Ultimately, for ELA teachers and scholars, attending to alterity and critical religious literacy practices means that we have to pay close attention to the way that the texts we teach and recommend to young people can offer examples of how encounters with religious others—and sometimes religious selves that are constructed as others by social hierarchies—might be ethically navigated to approach the religious other as equally human, equally unknowable, and equally unique as the self. Rather than viewing alterity as something to be avoided, as supporters of the current book-banning movement seem to be doing, we consider alterity as an opportunity to consider the “other of the other” (Bray, 2003, p. 74). Thus, the current project examines a large set of YA texts to consider not only the representations of religious identities, beliefs, and practices in YAL but also what models of religiously informed meaning-making are available to readers of YAL.
Alterity, of course, is experienced uniquely by individuals. Each reader might experience a text with various levels of alterity based on the experiences that they bring to the text. For example, for some American readers a representation of Islam as a lived religion with adherents who also have very typical teenage concerns, as presented in a graphic novel like Huda F Cares? (Fahmy, 2023), might create an awareness of religious alterity in ways that invite the reader to examine their assumptions about the media representations of Islam they have consumed in the United States that disproportionately draw on discourses of Islamic terrorism. However, a Muslim reader of the same text may experience very little alterity, or may experience alterity with some other aspect of the text, such as the exploration in the text of what it means to define oneself outside of religion. Alterity, then, is an invitation to examine the other of ourselves and the other of the other, and as such, it is an individuated response, as Toliver (2018) noted.
Method
Because we are interested in the ways that representations of religion in YAL might support young readers to develop critical religious literacies skills by providing models of religiously informed meaning-making processes, we used critical content analysis (Johnson et al., 2016) as our methodological approach in order to center criticality within our own inquiry. We especially attended to the methodological imperative of critical content analysis to center critical theories in multiple stages of the research process—a process that Mazzei and Jackson (2012) described as an iterative interplay between theory and data. When we encountered religion in the texts, we centered questions of focalization (Whose story is being told and from whose point of view within the selected texts?) and social process (Which characters have power and agency?), as outlined by Johnson et al. (2016), in order to consider issues of representation as well as to surface issues of power, inequity, and discrimination. As we familiarized ourselves with the texts, we found it important to create more focused questions that were more tightly aligned with the tenets of critical religious literacies (e.g., How do the characters make meaning when there are conflicts between their previous understandings of religion and a new lived experience? How does the community of practice the character is a part of influence their ability to make meaning?).
Further, as part of our own critical meaning-making process, we were mindful of our own positionalities (Bradford, 2017) as three white scholars who largely grew up within Christian traditions, although our current relationships with those traditions are ambivalent. Ultimately, as part of our research process, we tried to notice and name for ourselves how our positionalities impacted our ability to code texts from religious traditions outside of our personal experiences. For example, it was not uncommon for the three of us to look up terminology specific to non-Christian traditions, and we engaged in conversations that led us to consider how our own religious prejudices initially caused us to consider Hoodoo practices as outside of the definition of religion. We had to broaden our own understanding of what had been positioned in our religious discourses as “wholly other” (Derrida, 2000, p. 5), and we drew on experts like Chireau (2014, who argued that white supremacy has previously precluded Hoodoo practices from being considered an African ancestral religious tradition rather than a collection of superstitions. Thus, our analytical process involved educative moments for ourselves that highlighted for us how these texts engaged us in considering the “other of the other” (Bray, 2003, p. 74) and encouraged the development of our own critical religious literacies.
Data Sources
According to Short (2017), the selection of texts in a critical content analysis ought to be based on the purposes of the study. For our purposes, we wanted a large volume of well-known, readily available texts aimed at YAs so that we could understand larger discursive framings of religion that readers would be likely to engage and that teachers might have ready access to as they made recommendations for student reading. As Rawson (2011) found, award-winning books more accurately reflect the demographics of the United States (as opposed to best-selling, teen-selected, or Internet-crowd-sourced books). Thus, each book in our dataset (n = 107) either won or was short-listed for a prestigious YA award between 2012 and 2023. The two awards we used to compile this dataset were the Michael L. Printz Award for Excellence in YAL and the National Book Award in the Young People's Literature category. The Printz Award is given annually by the American Library Association (n.d.) to a book that “exemplifies literary excellence in YAL.” The National Book Award, given by the National Book Foundation (n.d.), aims to honor “the best literature in America.” Although many of these books are set outside of the United States, several of the authors are first- or second-generation immigrants, and many of these texts (n = 21) provide representations of world religions set in countries other than the United States.
Data Analysis
Our coding process was iterative and followed several distinct rounds of coding and categorization. Each text was examined through a combination of a priori and emergent coding (Charmaz, 2014) reflective of our critical religious literacies framework and attentive to the iterative interplay between theory and analysis (Short, 2017). The first round of coding occurred as we read through the original 107 texts, noting religious passages that we found in each text. We demarcated a “religious passage” as an encounter with religion and coded the whole scene in which a religious encounter occurred so as to understand the context of the encounter. The encounters themselves could be quite short (e.g., a passing reference to wearing a cross necklace) or quite long (e.g., a long conversation between characters about what they think will happen in the afterlife). During this initial phase of coding, we eliminated 15 of the texts that we coded as having no reference to religion at all. During this first round of coding, our initial coding included such categories as religions represented, frequency of religious content, sense of religion (e.g., religious figurative language, religion in the setting/background, religion as a major plot point, or a character with a religious identity), and quality of religious engagement (substantive, casual, affirming, questioning, etc.). We also noted the genre and setting of each book.
Our second round of coding focused on the religious passages themselves as we worked to refine our understanding of how these passages might engage and support religious critical literacies. During this round of coding, we noted how the author engaged religious content and for what purpose (to educate the reader, to add descriptive details, to describe a character's identity, and/or to explore how religious beliefs and practices shape events, identities, and meaning-making processes—see Table 1). Many texts had multiple examples of all of these types of approaches, and our weekly research meetings (held over the course of two years) were opportunities for us to bring questions and engage in discussion about the historical and sociocultural aspects as represented in each religious passage (Bradford, 2017, p. 26). It was also during this round of coding that we identified conflicted meaning-making—where characters modeled how they made sense of gaps between their lived experiences and their understandings of religious practices and beliefs—as an approach within YAL that held the most promise in developing and supporting CRLs for young readers. We should note that there were titles that had significant mentions of religion and even discussions of religion (e.g., Dragon Hoops or Grasshopper Jungle) that we did not code as conflicted meaning-making because there was not an explicit or implied conflict or need to make meaning between a religious concept and a lived experience.
Texts Categorized by Approach to Religion
Of the 107 books in our larger dataset, 15 included no reference to religion and were thus omitted. Therefore, 92 different books are included in this table. Books can be categorized for multiple approaches, and therefore some texts (like Queer Ducks, for example) are listed in both Educative and Meaning Making. Books listed under casual representation were all coded as only including casual representation. Because thick description and meaning making conflicts imply some casual representation, those listed under casual representation tick no other boxes.
Our third round of coding focused exclusively on texts that provided examples of conflicted meaning-making. With the identified texts (n = 50) where conflicted meaning-making occurred, we categorized passages according to how religion was positioned within the conflict: as a source of strength, as a source of conflict, as a source of misunderstanding, and so on. Because we understand religious literacy to fundamentally be a meaning-making endeavor, we engaged in this type of coding in order to prioritize the meaning-making process rather than the outcome of the process—which is to say that we found as much value in a conflicted meaning-making process that resolved with someone walking away from their religion as in a conflicted meaning-making process with someone who drew on their religious beliefs to make sense of difficult circumstances. What was important in our coding process, rather, was the process of meaning-making, and so we also noted whether the meaning-making process accounted for personal, family, community, and societal perspectives that complicated the characters’ decisions or conclusions as they made sense of the role that religion played in their lived experiences.
Finally, because our text set had a number of graphic novels (we might note that graphic memoirs were particularly fertile points for exploration of religious conflicted meaning-making processes), during our final round of coding we revisited the graphic novels to engage in visual analysis, borrowing vocabulary from scholarship in the fields of visual art and film (Connors, 2012) in order to account for the “visual, verbal, and spatial semiotics systems” (Jimenez & Meyer, 2016, p. 435) at play within such multimodal texts (Kress & van Leeuwen, 1996/2006). Specifically, we coded each religious passage for general meaning but also for three visual elements that helped us understand how the visual and spatial semiotic systems engaged religion: use of dark/light/color, perspective, and composition.
Limitations
First, because this is a qualitative study with three researchers with particular positionalities and experiences with religion, we acknowledge that our coding process might look different from what another group of researchers, with different positionalities and experiences, might produce. Although we have attempted to make clear our analytic choices in our coding process, we recognize that coding and categorizing is itself a meaning-making process and that our meaning-making process is influenced by our own societal, religious, and other lived experiences. For example, in our weekly meetings, we discussed questions such as what counts as a religion or as a religious practice. What to do, for example, with references to Christmas paraphernalia (we coded this as a casual encounter), Alcoholics Anonymous (we coded this as general religion, despite the historical Christian-centric approach), religious swearing (we chose not to code these as religious passages), and invented deities in science fiction texts (we coded these as fictional religions)? Recognizing that it is impossible to employ a single definition of religion that works in all situations (Martin, 2023), we discussed each case and decided as a team which examples made most “analytic sense” (Charmaz, 2014, p. 138). We attempt to make plain the analytic sense that we came to in the findings below, while also acknowledging that other readings and interpretations of the data may be possible.
Second, we acknowledge that one of the limitations of our text set is that we used award-winning books that are sourced and awarded according to certain criteria. What this means for the study, of course, is that many of these books may not be books that are widely read by young people, even though they are critically acclaimed. This study might look very different if our text set had been made up of YAL bestsellers, or if we had selected texts that we had identified as being excellent examples of religious representation of various religious traditions.
Findings and Discussion
Authors of these texts approached religious ways of knowing and being in various ways throughout the text, and each approach has its own affordances for religious literacy instruction. In some instances, authors broke from the narrative to provide educative, direct information such as vocabulary, descriptions of holidays, and so on about a specific religious tradition in order to provide necessary background information to readers. These educative approaches provide young readers with vocabulary and schema to notice the ways that religion influences characters and people, plot conflicts, and social issues. Sometimes the representation of religion was casual—a glancing reference to Christmas stockings (Krosoczka, 2018; Stevenson, 2015), for example, or a mention of a character wearing a necklace with a St. Christopher's medallion (Caletti, 2019), or a reference to an immigrant character being sponsored by a Protestant church to enter the United States (Lo, 2021). In this way, casual approaches position religious identities and practices as normal facts of YAs’ lived experiences. Other authors took what we chose to call a thickly descriptive stance (a nod to Geertz's, 1973 ethnographic data-collection method), embedding rich, detail-laden information about religious beliefs and practices into the narrative in ways that highlight religion as a lived practice, replete with specific and often localized knowledge, skills, and attitudes.
For the purpose of this article, we focus on the approach to religion in YA texts that we think has the most potential to support and build readers’ critical religious literacy skills: models of conflicted meaning-making as characters experience religious alterity as part of the narrative. We defined moments of conflicted meaning-making as encounters with religion or religious ideas where either the character identifies a slippage between their own lived experiences and their religious understandings or draws on religion to make sense of conflicts in their lived experiences. As a result, conflicted meaning-making approaches situate religion as relevant, important, socially situated, and power-laden. Characters or historical figures engaged in conflicted meaning-making were typically grappling with their own experiences with religious alterity, making meaning of their own and others’ religiously informed meaning-making processes by examining both the other of the religious or secularized self and the other of the religious or secularized others. Conflicted meaning-making, then, is found in the interplay between lived experiences and religious beliefs or doctrines. At times, such conflicts are with religious belief itself, and other times, the conflicts are resolved through religious belief.
Questioning, Deconstructing, and Reconstructing
For some characters in YA novels, this conflicted meaning-making occurs as they question, deconstruct, or make space for alternate interpretations of the religious beliefs and practices that are embraced by their communities and families. Many texts featured characters who were questioning or deconstructing the religious teachings with which they were raised. Sometimes this questioning resulted in a blunt refusal of those beliefs, as in the novel The Lost Year: A Survival Story of the Ukrainian Famine (Marsh, 2023), where one character asks of another character who endured extreme cruelty and starvation under Stalin's regime, “Are you religious then?… You believe in God?” The character immediately responds, “There's no God. I’ve seen proof of that” (p. 198). Although such a straightforward disavowal of faith as a response to conflicted meaning-making in the story was not typical, many characters in novels did identify throughout a given story as areligious or as nonbelievers.
For many of the characters who questioned their religious beliefs within the texts’ narrative, this questioning ended up in complex renegotiations with those beliefs in ways that were not nearly so cut-and-dried. In such instances, these characters modeled how experiences with religious alterity might lead to expanding worldviews and increased empathy. One example of deconstruction and alternate reconstruction from the selected texts can be found in Woodson's (2014) memoir in verse Brown Girl Dreaming. Throughout the memoir, Woodson describes her Jehovah's Witness upbringing, her experience going door-to-door, feeling “sadness that such a nice woman will not be a part of God's new world” (p. 198). She catalogs the embarrassment, too, that she feels when she can’t take part in saying the Pledge of Allegiance during her classroom morning routines: “Alina and I want/more than anything to walk back into our classroom/press our hands against our hearts. Say,/‘I pledge allegiance…’ loud/without our jealous God looking down on us” (p. 163). Her uncle's experience of converting to Islam while in prison opens her eyes to new ways of belief, and by the end of her memoir, she has a much more flexible stance toward religion: “I believe in God and evolution./I believe in the Bible and the Qur’an./I believe in Christmas and the New World./I believe that there is good in each of us/no matter who we are or what we believe in” (p. 317). Woodson's faith and religious practices, then, are not lost, per se; instead, she creates a reconstructed worldview for herself that makes space for her to kneel and pray toward Mecca beside her uncle while also retaining her belief in the Bible. She makes space for evolution and science without losing her belief in God. Ultimately, she models how welcoming religious alterity as an opportunity for personal growth allowed her to construct space for multiple religious beliefs, worldviews, and practices to exist simultaneously and influence her lived experiences. Such an understanding makes it possible for her to resist framings that position certain religions as “wholly other” (Derrida, 2000, p. 5).
Similar examples of blending, reconstructing anew, and remixing as a result of experiencing religious alterity can be found in texts like The Legend of Auntie Po (Khor, 2021), where the main character restories the legend of Paul Bunyan as a protective matriarchal ancestor, similar to the Chinese ancestors she and her family pray to daily for protection. Even this reconstruction has its own difficulties, as Mei, the main character, notes, “I am angry that I have to make my own gods. I’m angry that the gods I make can’t help my family” (p. 125). This story has an example of complicated meaning-making where a character interweaves elements of her family's religious practices with the new mythology she encounters as part of her lived experience within the racialized politics of a logging camp in 1885. Like the character of Mei in this story, characters who engage in conflicted meaning-making in this way model how loss of faith or belief might be refashioned into new understandings of what it means to believe or belong to a religious community or family. Stories such as these model critical religious literacy practices as continuous and iterative, as new life situations constantly brush up against religious and secular identities in ways that require ongoing meaning-making.
It is worth noting that in many of the novels where characters deconstructed or questioned their religion, characters experienced religious alterity because their religion or religious community was unaccepting of their sexual or gender identity. In such texts, the tension between gender, sexuality, and religious belief served as an important catalyst for the characters, allowing them to turn a critical eye to the commitments of their religion to love and welcome everyone, and the ways that those commitments were often strained when confronted with queerness. For example, in The Lesbiana's Guide to Catholic School (Reyes, 2022), the main character, Yamilet, looks around on her first day at Catholic school and considers how praying about God's love is fine for other people: It's nice that so many people feel loved like that, but I can’t relate. If the God I grew up learning about is real, I seriously doubt that he loves me. Why else would he make me gay and then send me to hell over it? (p. 34)
In other places, Yamilet wonders what it means that even though she's confessed and was given absolution, she still is gay, which is a sin according to her belief system, and that puts her right back at the place she was before she attended confessional—going to hell. Such ruminations about faith don’t occur in an intellectual vacuum for Yamilet, as her thinking about religion and queerness is often shaped and informed by her loving but sometimes complicated relationship with her very religious mother. Similarly, her private Catholic education situates her within a community of practice where her sexual identity is positioned as evil and unnatural, and as such, much of her religious meaning-making process is her coming to terms with her Self that is made Other in relation to her community of practice. Stories such as Yamilet's make it clear that meaning-making around religion isn’t always only about belief or nonbelief. Rather, as Yamilet experiences religious alterity and comes to terms with the other of herself, she weighs the effect that her choices—particularly around religion and her own identity—might have on her relationships with family, friends, and her community.
Religious Meaning-Making and Reclamations
Some characters in YA novels experience conflicted meaning-making when they engage their religious beliefs, practices, and communities in order to mediate meaning of lived experiences that might otherwise seem meaningless. For example, in the graphic novel When Stars Are Scattered (Jamieson & Mohamed, 2020), the narrator, Omar, struggles to maintain hope and purpose in his refugee camp, where responsibilities press around him as he tries to get an education. As he speaks with his adoptive mother Maryam, she encourages him to pray to God and thank him for the good things that he does have, like “the gift of a community of people who will love and protect you and your brother” (p. 109), and to ask God to show him what to do next. The next frame depicts Omar and his brother lying on their sleeping mats from a high perspective, as though the reader is joining God in looking down lovingly on him: “I don’t know if it's technically praying … but I drift off to sleep staring at my brother, and I thank God for all the good things we have” (p. 109). The illustrator communicates the peace and connectedness with God that Omar feels in this moment by lighting the panel and Omar's face with warm moonlight, showing the two boys lying face to face, their knees and hands almost touching. In scenes such as this one, Omar's religious community and personal faith help him make meaning of the difficulties and otherness he experiences in the camp. Further, he draws on religious concepts of futurity, like God's plan for him, to help him endure present difficulties and to help him make sense of the otherness of his own experience.
In other stories, conflicted meaning-making happens when everyday occurrences are given meaning when they are filtered through religious understandings of the world. In Apple: (Skin to the Core) (Gansworth, 2020), the author writes about the way he sees faces in the natural world in trees and bushes, mountainsides, and crushed stone in my old driveway, in gaudy curtain designs, in swirls of carpeting, in clumps of ashes, in wood grain on on a tiger maple guitar, in the waves of the river. (p. 121)
Because of his upbringing within the Tuscarora Nation and as an enrolled member of the Onondaga Nation, he draws parallels between the faces he sees and the False Faces or ceremonial masks that are sacred to his community, but which have been appropriated for commercial sale and hung as lifeless artifacts in museums. Gansworth wonders if, in another community that carries on the masks’ traditions, he might have been part of a medicine society for mask makers who are chosen by the Spirit World, because the masks come to them in dreams and visions. “My visions arrive in broad daylight, not dreams, but maybe I’m supposed to ignore them… What happens when you’ve been chosen to receive a message, but there's no one to help you translate it?” (p. 121). In this memoir, Gansworth models critical religious literacy in his exploration of the way that his religious and spiritual practices give additional weight to the way that he interacts with the natural world around him, making meaning of what he sees in ways that are specific to his community of practice. Further, he reads the world around him critically, contextualizing his meaning-making experience within the appropriation of Native worship symbols and songs to highlight the ways that “so much of [his] culture feels on the verge of vanishing” (p. 121). Such a complex grappling with the power imbalances between various religious traditions in the United States is an example of critical religious literacy that attends to the way that colonization forces the colonized to define themselves as other in relation to the colonizers.
Another kind of conflicted meaning-making occurred in the text as a religious reclamation of sorts, when characters’ previous negative beliefs about religion were challenged by a religiously or spiritually infused life experience that caused them to think more deeply about their previous understandings. For example, in Patron Saints of Nothing (Ribay, 2019), during Jay's (the main character) visit to the Philippines, he gets roped into volunteering with the Catholic church to feed the hungry. He reflects: When I was handing out the sandwiches, it made my problems go away for a time. It made me feel useful to the world in a simple way. Second, the Church may not be all bad. I met one old woman who had been doing this every week for the last forty-eight years. Even if God does not exist, this woman has been doing good in His name so maybe it does not really matter. I only wish the Church were more like her and less like the priests who abuse their powers. (p. 88)
Religion as Critical Praxis
Finally, some of the YA texts modeled a critical religious literacy praxis, which Freire (1970/2000) defined as “reflection and action upon the world in order to transform it” (p. 52). An example of this type of conflicted meaning-making as a result of grappling with religious alterity can be found in the graphic memoir Victory. Stand! Raising My Fist for Justice (Smith et al., 2022), which traces the life of Tommie Smith, one of the Olympic athletes who protested racial injustice at the medal ceremony of the 1968 Olympics. Early in the memoir, Smith's religious upbringing in a Black Christian church makes him aware of how the inequities he experiences as the child of Black sharecroppers in Texas (often at the hands of white townspeople who attended their own white Christian church) are at odds with the message of love and salvation for all that he was taught about. The climax of the book, and the culmination of Smith's response to the religious and racial alterity he experienced as a youth, is a full-spread picture of Smith and Carlos standing on the Olympic dais, gloved fists raised in protest, their heads bowed as if in prayer. The illustration depicts the crowd around the dais as blurred, grayed dots in a way that makes the reader feel that the dais is quiet and sacred, and that the act of protest is motivated by personal convictions. The caption reads, My eyes were closed as the anthem went on in the background of my mind. I bowed my head again, I talked to God—Our Father, which art in heaven, Hallowed be thy name; Thy kingdom come, Thy will be done… (p. 177)
His recital of the Lord's Prayer as he does this specifically ties his actions to his religious belief and perhaps even transforms his act of protest into a simultaneous religious practice infused with his belief that God loves everyone. The next illustration is a tight shot of the gloved fist raised in protest, crossing the page diagonally, signifying action and movement. The black of the glove is the center of a burst of light, not quite a warm halo as one might expect in religious iconography, but instead an explosion of light, with sharp points of light radiating from the glove. The overall effect highlights the explosive nature of the protest, and shows the transition between a quiet, personal moment of religious conviction and the powerful, public act of praxis that Smith's religious belief inspired. This kind of critical religious literacy practice models for readers how religious belief can motivate and sustain actions that are intended to critique and ultimately transform an inequitable and unjust world.
Although most of the nonfiction texts in the text set attempted to adopt a quasineutral tone in their approach to religion (teaching readers about religion; e.g., Moore, 2007), Schrefer's Queer Ducks (and Other Animals): The Natural World of Animal Sexuality (2022) proved to be the exception by taking a critical stance as he works to explain how religious discourses have shaped societal beliefs (and perpetuated systems of inequity) with regard to queer identities. Schrefer highlights the ways that religious understandings of queerness have changed over time, noting that the “hard line against queerness in dominantly Christian societies was not always the case” (p. 16), but came about as the result of leaders in those countries who gathered power by encouraging intolerance in order to establish “us versus them” thinking. In this passage, Schrefer models how a critical approach to religion models for readers a critical reading of religion that identifies, contextualizes, and analyzes how religion changes over time and has been historically imbricated with political, judicial, and social power. Further, Schrefer hints in the introduction that this analysis of power is a response to his own religious background and context. “Many of us were brought up with the Noah's ark version of life…[and so] when we see two animals mating, most of us interpret them as male and female” (pp. 4–5), Schrefer states, indicating a special familiarity with Judeo-Christian-normative ways of thinking. The author's inclusion of himself in this statement suggests that this book is not only a matter of analysis, but may be the result of his own meaning-making process with his own religiously informed alterity that encouraged him, because of his own queer identity, to define himself as an other in relation to his religious self.
Ultimately, conflicted meaning-making is an approach that is particularly well suited for YA literature, memoir, and narrative approaches, as the stories told through YA literature often offer representations of young people (albeit generally fictional) who are engaging in critical religious literacy practices in personal, local, contextualized, and complex ways. When narratives take on conflicts in meaning-making—where characters question their faith, consider how their faith influences their decision-making processes, and examine their own (mis)understandings of religious beliefs and practices—these narratives effectively model for readers what it means to engage in critical religious literacy practices, to account for both the otherness of the self and the “the other of the other” (Bray, 2003, p. 74). Thus, texts that approach religion from this perspective are notable in that they make the criticality obvious, already embedded in the character's own critical meaning-making.
Conclusion
We found that texts engaged in conflicts around meaning-making may have the most potential for modeling critical religious literacies, particularly in modeling the kind of nuanced response to alterity that might lead to greater empathy and personal, emotional, and intellectual growth. A character undergoing conflict with their faith provides readers with examples of ways to navigate critique of one's faith (either from others or even from oneself). When handled alone, such an experience can be disorienting and challenging; thus narratives and nonfiction texts that provide models for readers of how such experiences can be ethically navigated are relevant to young readers. It is important to note that even within this text set, those who identify with Christian traditions have a clearly outsized set of narratives from which to draw insight and guidance (see Table 1). Readers identifying with religions other than Christianity have far fewer examples of characters facing conflict in their beliefs, although we have attempted to highlight some of the texts from other religious traditions that engage meaningfully with conflicted meaning-making in our analysis.
In our introduction, we discussed how YAL has the power to provide examples to readers of how religious alterity might be productively grappled with, in a way that pushes readers “beyond their comfort zones” and helps them to understand concepts in a way that “expands their beliefs” (Toliver, 2018, p. 6). Although Toliver discussed this concept as one relating to racial identities, we believe it also applies to religious identities. West (2002) discussed the “equivocal character” of religion, noting its capacity for either “freedom and liberation” on one hand, or “domination and pacification” on the other (p. 118). In 2024, as the world experiences increased polarization, it is clear that religious beliefs and identities are consequential in some of the world's most divisive conflicts. Mere knowledge about other traditions is not enough to sustain the kind of dialogue and compromise that is necessary for a peaceful existence between diverse and at times conflicting religious traditions. Sometimes, the pathway to peace requires us to engage criticality in order to attend to religious alterity in ways that build mutual respect and realign systems of power that position some religious groups a “kind of this or that” (Levinas, 1995/1999, p. 139) rather than as unknowable and equally human.
As a result of district and state bans of YA novels (particularly those that represent marginalized communities), many teachers and schools have retreated into teaching more canonical novels that do not face such intense scrutiny. However, such retreats into canon are also retreats into racism, Christian hegemony, patriarchy, cis-heteronormativity, and more (Hadley & Toliver, 2023). For YAL researchers, then, critical methods that encourage careful examinations of power and representation in YAL become vital tools in responding to book-banning movements and highly surveilled and highly standardized book selections by ELA teachers. For teachers themselves, the development of CRL frameworks become even more important, because such frameworks equip readers to get underneath the text to examine the subtexts of positioning, power, and identity as related to religion, religious identities, and religious practices. Because the YAL in this study provides such poignant examples of characters and historical figures engaging in conflicted meaning-making as a CRL practice, we advocate for defending and expanding the role of YAL in literacy classrooms.
One of the strengths of using high-quality, diverse YAL might be that it invites readers to see the religious other as more than a “kind of this or that” (Levinas, 1995/1999, p. 139), by inviting readers to join imagined communities and take on imagined identities (Norton & Toohey, 2001; Pavlenko & Norton, 2007). Youth are already shaping their identities, beliefs, and ways of being in relation to the religious and secular communities that they are a part of. YAL can encourage youth to also create imaginary ties with religious and secular communities that they may not be personally affiliated with in ways that deepen their understanding of such groups, humanize and make legible “the other of the other” (Bray, 2003, p. 74), and lead to increased empathy and understanding for such difference. By immersing readers in the conflicted meaning-making processes of individuals who make meaning out of their own religious beliefs and their own lived experiences—particularly in the way they navigate the slippage in between those beliefs and experiences—YAL encourages young readers to, as Norton and Toohey (2001) put it, feel a sense of community with people they have not yet met, including future relationships that exist only in a learner's imagination … these imagined communities are no less real than those where learners have daily engagement and might even have a stronger effect on their current actions and investments. (p. 3)
Finally, we assert that religious identities, critical religious literacy development, and opportunities to explore religious alterity are important considerations for teacher text-selection processes in shared readings and independent reading recommendations, not only because representation matters, but also because religion remains a powerful and relevant force in U.S. and global politics. We hope that our list of texts that engage with religion through various approaches might serve as a resource for teachers who want to open conversations with their students about their own conflicted meaning-making processes in the face of their own personal religiously informed alterity. Additionally, defining and giving examples of CRL practices hopefully makes space for teachers to engage with critical religious readings of texts alongside other critical frameworks and lenses for literary analysis. Building critical religious literacy practices, then—using YAL as an inroad—ultimately builds readers’ ability to direct criticality both outward and inward, in a way that allows them to build understanding and empathy for religious traditions outside of their own while also examining with clear eyes the commitments of their own faith tradition (or lack of). Criticality enables readers of texts and narratives to determine if the religious tradition, community, and context is one that supports “freedom and liberation” or “domination and pacification” or something in between. Encounters with religion in YAL can serve as an important entry point to these kinds of readings and classroom conversations, particularly in texts where characters model complex, nuanced responses to the alterity that religious and secularized identities experience when faced with “the other of the other” (Bray, 2003, p. 74).
Supplemental Material
sj-docx-1-jlr-10.1177_1086296X241300105 - Supplemental material for Critical Religious Literacies and Opportunities for Alterity across YA Literature
Supplemental material, sj-docx-1-jlr-10.1177_1086296X241300105 for Critical Religious Literacies and Opportunities for Alterity across YA Literature by Heidi Lyn Hadley, Christopher Alan Olshefski, and Kate E Soules in Journal of Literacy Research
Supplemental Material
sj-docx-2-jlr-10.1177_1086296X241300105 - Supplemental material for Critical Religious Literacies and Opportunities for Alterity across YA Literature
Supplemental material, sj-docx-2-jlr-10.1177_1086296X241300105 for Critical Religious Literacies and Opportunities for Alterity across YA Literature by Heidi Lyn Hadley, Christopher Alan Olshefski, and Kate E Soules in Journal of Literacy Research
Supplemental Material
sj-docx-3-jlr-10.1177_1086296X241300105 - Supplemental material for Critical Religious Literacies and Opportunities for Alterity across YA Literature
Supplemental material, sj-docx-3-jlr-10.1177_1086296X241300105 for Critical Religious Literacies and Opportunities for Alterity across YA Literature by Heidi Lyn Hadley, Christopher Alan Olshefski, and Kate E Soules in Journal of Literacy Research
Supplemental Material
sj-docx-4-jlr-10.1177_1086296X241300105 - Supplemental material for Critical Religious Literacies and Opportunities for Alterity across YA Literature
Supplemental material, sj-docx-4-jlr-10.1177_1086296X241300105 for Critical Religious Literacies and Opportunities for Alterity across YA Literature by Heidi Lyn Hadley, Christopher Alan Olshefski, and Kate E Soules in Journal of Literacy Research
Supplemental Material
sj-docx-5-jlr-10.1177_1086296X241300105 - Supplemental material for Critical Religious Literacies and Opportunities for Alterity across YA Literature
Supplemental material, sj-docx-5-jlr-10.1177_1086296X241300105 for Critical Religious Literacies and Opportunities for Alterity across YA Literature by Heidi Lyn Hadley, Christopher Alan Olshefski, and Kate E Soules in Journal of Literacy Research
Footnotes
Declaration of Conflicting Interests
The authors declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The authors received no financial support for the research, authorship, and/or publication of this article.
References
Supplementary Material
Please find the following supplemental material available below.
For Open Access articles published under a Creative Commons License, all supplemental material carries the same license as the article it is associated with.
For non-Open Access articles published, all supplemental material carries a non-exclusive license, and permission requests for re-use of supplemental material or any part of supplemental material shall be sent directly to the copyright owner as specified in the copyright notice associated with the article.
