Abstract
In this article, we consider Connell’s theory of masculinity through a phenomenon we encountered in our respective research projects, one focusing on the construction of masculinity among early Zionist ideological workers and the other focusing on present-day military masculinities and ethnicity in Israel. In both contexts, a bodily performance which marks the breach of “civilized behavior” is adopted in order to signify accentuated masculinity. In both, a symbolic hierarchy of masculinities emerges, in which Arabs—and in the case of Golani soldiers, also “Arab Jews,” that is, Jews who descended from Arab countries—are marked as more masculine than hegemonic Ashkenazi men (i.e., men of European descent). Thus, while our case studies support Connell’s argument that masculinity may be practiced in various ways, the hierarchical relationship between masculine styles appears to be more multilayered than Connell’s theory suggests. We connect the tension between masculine status, understood as a location within a symbolic hierarchy of masculinities, and social status in our case studies to the contradiction at the heart of modern masculinity. We argue that in order to account for this tension, which may arise in specific interactional contexts, we need a concept of masculinity as a cultural repertoire, of which people make situated selections. The repertoire of masculinity is where the elements and models that organize both masculine practice and perceptions concerning masculinity are stored. While selections from the repertoire of masculinity cannot be conceived as voluntary, the conventional nature of cultural repertoires allows for some leeway in the selections that people make. Hence, it allows for a more flexible relationship between social positions and masculine styles.
Introduction
In this article, we set out to reflect on a phenomenon we encountered in our respective research projects, one focusing on the construction of masculinity among early Zionist ideological workers (Hebrew: halutzim, lit. pioneers) and the other focusing on masculinity and ethnicity in the contemporary Israeli army. In both contexts, a bodily performance which marks the breach of “civilized behavior” is adopted in order to signify accentuated masculinity. In both, a symbolic hierarchy of masculinities emerges, in which Arabs—and in the second case study also Mizrahi Jews, that is, Jews who descended from Arab countries (pl. Mizrahim)—are marked as more masculine than hegemonic Ashkenazi men, that is, men of European descent (pl. Ashkenazim). Although enhanced masculinity bordering on the animalistic has been a part of the arsenal of racist representations since long (Stepan 1986; Mosse 1996, 65–66), in both these cases Arabs are not associated with excessive and dangerous masculinity but rather with valued masculine qualities, both in the context of agricultural labor and in the context of military service. Thus, while our case studies support the notion that masculinity may be practiced in various ways, the hierarchical relationship between masculine styles appears to be more multilayered than Connell’s model of “hegemonic masculinity” suggests.
Various scholars, most notably historians of gender, have noted how western discourses on the emasculating effects of modern civilization participated in constructing the masculinity of subordinate groups such as racial minorities, working-class men, and indigenous populations in the colonies as superior to that of white, bourgeois men (e.g., Bederman 1995; Forth 2008; Belkin 2012). In this article we do not seek to expand on the historical process but rather use this phenomenon to reflect on Connell’s theory of masculinity. While this theory offers many advantages for the study of masculinity as lived relation, we argue that it does not sufficiently take into account the existence of a conventional and partially autonomous repertoire of masculinity, and consequently the tensions which may ensue between social status and masculine style.
The two case studies discussed in this article are based on two separate research projects. Dafna Hirsch’s study focuses on the construction of masculinity among early Zionist ideological workers (halutzim), that is, Jewish settlers who arrived in Palestine in the first decades of the twentieth century and undertook agricultural work from ideological reasons. It is based mostly on the analysis of first-person sources which appeared in print. Grosswirth Kachtan’s (Kachtan 2010) sociological study on the construction of masculinity among two military combat units—Golani and the Paratroopers—is based on semistructured interviews, conducted in the years 2006–2007 in the framework of her dissertation research.
After a short introduction to Zionist politics of masculinity, we present the two case studies. We then discuss Connell’s theory in relation to the phenomenon under consideration, focusing on its advantages as well as its limitations. In the final section, we consider the notion of masculinity as a cultural repertoire, from which people make situated selections (Even-Zohar 1997; Swidler 1986; see also Schwalbe 2014, 56). The repertoire of masculinity is where the elements and models that organize both masculine practice and perceptions concerning masculinity are stored. While selections from available repertoires are never a matter of “free choice,” the notion of “repertoire” assumes the conventional nature of culture and hence allows for some leeway in the selections that people make. Thus, it shifts the focus from the more rigid notion of “masculinities” to the flexible terrain of situated social practice, which makes use of available models in specific contexts. Moreover, it allows to consider masculinity both as a normalizing cultural ideal (or set of ideals) and as a relational and contextual social practice, without reducing it to either.
“Arab in the Good Sense of the Word” 1
Given that gender functions as “a primary way of signifying relationships of power” (Scott 1999, 42), the political inferiority of Jews in post-Enlightenment Europe was encoded not only in racial but also in gender terms: Jews were seen as an inherently uncivilized “oriental race,” whose men were feeble-bodied and emasculate (Gilman 1991; Boyarin 1997; Presner 2007). It was not so much that Jewish men lacked means of achieving acknowledged masculinity on an individual level, and more that representations of the Jews as a collective emphasized the lack of certain “masculine” qualities among them, most notably physical strength, courage, a sense of honor, and autonomy marked by their lack of political sovereignty.
The Zionist solution to the predicament of European Jews bound together the attainment of political sovereignty through colonization with the shaping of a new type of Jew: modern, Western, and masculine. In Zionist discourse, Jewish settlement in Palestine, modernization cum westernization, and the attainment of “proper” masculinity were seen as part and parcel of the national project, conceived as a process of “regeneration” (Boyarin 1997; Presner 2007). For example, Russian physician Max Mandelstamm, who had spoken at the second Zionist congress on the importance of physical exercise for the “sickly youth, degenerating in distress and poverty,” made an explicit connection between physical power, masculinity, and colonization, when he called on the Jews to take example from the British. When the British ascended to the position of the world’s leading colonial power, noted Mandelstamm, “it was not least thanks to their personal courage, the real masculine courage, which they appropriated from childhood through physical exercise of all kinds, through harmonious development of their muscle power” (Mandelstamm 1898, 90).
If Mandelstamm saw gymnastics as the best means to develop a Jewish breed of fierce colonizers, for other writers it was the hardships of colonization itself that was to turn Jews into proud, hardworking, and self-defending men. For instance, German Jewish physician Elias Auerbach had written on the occasion of the establishment of a Jewish-German gymnastics movement, that Jewish “national consciousness” turns into a consciousness of power and self-help. The “healthiest national sentiment” Auerbach attributed to the Jewish settler, who “subdued the land with hard labor and the Bedouin with a gun in his hand” (Auerbach 1901, 129). Auerbach here marks the contour of what was to become the most powerful construction of the New Jew as a farmer-warrior. In this construction, national pride, conquest of land through labor, combative spirit, physical power, and masculinity became impossible to disentangle. Although with the years the place of agricultural labor within the pantheon of exemplary masculine models in Israel has waned, combative military service defines Israeli notions of worthy masculinity to this day (Sharoni 1995; Kaplan 2003; Lomsky-Feder and Rapoport 2003; Sasson-Levy 2003, 2008).
However, although the role of masculinity in the Zionist construction of a New Jew is by now well established, its constitution through ethnic/racial relations has received much less scholarly attention (Yosef 2004). As we noted earlier, the Zionist notion of regeneration tied together racial and gender discourses, in response to the construction of the Jews as an effeminate and uncivilized oriental race. At the same time, the solution to these problems was to come through settlement in oriental space. This tension is responsible for the centrality of the East/West distinction in Israeli social structure, politics, and culture. As in other colonial societies, social hierarchies in Israel are racialized, with Ashkenazim on top, Mizrahi Jews in the middle, and Palestinian Arabs at the bottom. 2 In hegemonic Israeli culture, this racialized hierarchy is taken to correspond to the hierarchy of civilization.
According to Raz Yosef, Mizrahi Jews and Palestinian Arabs have been essential for the construction of the dominant Ashkenazi national subject. Yosef (2004) focuses on the sexualization of Mizrahi and Palestinian bodies and specifically on their construction as “violent savages and primitives,” as a way of projecting Ashkenazi men’s own desires onto the “natives” (p. 86). Following Bhabha, he regards the relationship of Zionism with its ethnic and racial others as characterized by a “colonial ambivalence,” where attraction and repulsion, fear and desire go hand in hand (Yosef 2004, 7
The sexualization of Mizrahi Jews and Arabs, however, was only one facet of a wider discourse which constructed the relationship between groups of men through the play of oppositions and their transformations—between East and West, between barbarism and civilization, and between femininity and masculinity. In this discourse, the masculinity of Arabs and Mizrahi Jews could attain different forms and values according to the context in question. Especially in the physical contexts of agricultural labor and military combat, the perception of Arabs and Mizrahi Jews as less civilized than Ashkenazi Jews allowed to associate the former with desirable masculine qualities, since less corrupted by the emasculating effects of modern civilization with its refined conduct and sedentary way of life—effects which manual labor and military service were meant to undo.
In what follows we bring two examples for cases where the masculine signification of Mizrahi Jews and Arabs subverts accepted social hierarchies based on nationality and ethnicity/race: the case of early Zionist agricultural workers, and the case of two military combat units, which are differentiated mostly by ethnicity and prestige. No other masculine figures are more congruent with Connell’s concept of hegemonic masculinity, as the masculine configuration which serves to legitimize both patriarchy and social as well as ethnic hierarchy (Connell 2005; Connell and Messerschmidt 2005), than the Jewish rural settler of the prestate period and the Jewish warrior, especially in elite combat units, both of them marked as Ashkenazim. And in spite of the difference (and distance) between these two case studies, they nevertheless represent a phenomenon which resonates in the wider Israeli culture, receiving different manifestations in different sociocultural contexts.
Constructions of Masculinity among the Halutzim
The “halutzim,” 3 as they are called in Hebrew, were young Jewish men, and a smaller number of women, who undertook manual labor in Palestine, preferably in agriculture, for ideological reasons. They perceived themselves as a national avant-garde, whose role was to conquer the land through labor in the service of the national project (Almog 2000, 91). The halutzim of the pre–World War I immigration wave came to Palestine with the intention of becoming members of the agricultural proletariat in the Jewish colonies—agricultural settlements of private farms, which were formed by Jews since the late 1870s. Many of them formed labor collectives and moved from place to place in search of work. The Jewish colonists, on their part, preferred the more experienced and cheaper Arab workers. This led to the establishment of collective agricultural settlements of halutzim on lands purchased by the Zionist Organization, beginning in 1909, as a strategy to guarantee the Jewish hold of the land and monopoly over labor (Shafir 1996). Although in terms of social origins, ideological positions and organizational affiliation the halutzim constituted a rather heterogeneous group, they nevertheless developed a shared cultural foundation (Almog 1993). Their culture placed masculine values like self-sufficiency (in theory, if not necessarily in practice), courage, endurance, abstemiousness, and quest for honor at its center. Their sense of worth rested on the romantic admiration for “the working man” as well as on the consciousness of elite—those who were not born farmers and laborers but chose a life of physical labor out of idealism, thereby sacrificing personal comfort for national goals (Almog 1993, 340).
Writings by the early halutzim pay much attention to the process of masculine transformation through physical labor, most notably in agriculture, which led to the strengthening and toughening of both the body and the will (Neumann 2011). Writes, for instance, Eliyahu Even-Tov: “The hands, which at first were covered with calluses, were toughened, the body became used to labor, and the desire to conquer grew” (Havas 1947, 183). In many of the texts, the writers relate how they continued to work in spite of diseases, physical distress, and difficulties. In the words of Ben-Zion Israeli: “our faith was not only the struggle with nature and with the conditions, but also with ourselves” (Havas 1947, 425).
Masculinity, however, is a relational construct, and more precisely, a double relation: between men and women and between men and other men. Various studies have focused on the unequal division of labor between men and women in the groups and settlements of halutzim. These studies show how women were barred from most types of prestigious agricultural work and confined to the “feminine” tasks of childcare, cooking, and cleaning, which were often no less arduous (Fogiel-Bijaoui 1992; Gofer 2009). Less attention has been paid to the construction of masculinity vis-à-vis the Arab workers, with whom the early halutzim competed for work. In the context of Zionist colonization and struggle over land and labor, nationalist competition was articulated in masculine terms and vice versa (see also Monterescu 2007, 193).
Scholarship on masculinity in Israel has paid more attention to Jewish attribution of inferior masculinity, and even effeminacy, to the Arabs or to the erosion of Arab men’s patriarchal power (Kaplan 2003, 117; Monterescu 2007; Sa’ar and Yahia-Younis 2008; Wishnitzer 2006; but see Monterescu 2007, 193–94). However, in many of the texts written by halutzim, Arab men, and particularly Arab workers, are coded as more masculine than Jewish workers: they are described as more able-bodied, braver, and possessing a stronger ability to endure physical hardships and pain. A halutz named Yosef Pikar wrote in a letter from 1921: “Our legs became tanned and dark like the Arabs. We step on thorns, on burning sand, and do not feel any pain” (Erez 1964, 231). The robust physicality of the Arabs is sometimes contrasted to the meager physicality of Jewish men. Writes Neta Harpaz, “My work partner [an Arab] was a staunch and sturdy guy, wide-shouldered, with tanned face and rude. He was skilled and agile in his work, and full of self-confidence. And next to him stood I: a young lad, short, slim and pale, with gentle hands that were never trained in holding tools” (Havas 1947, 223). R. Benjamin tells about his meeting with Dov Schweiger, who envied Arab life: “This life was for him a symbol, a desire, for the sublime and the glory in life. What freedom! What vastness! What mountain greatness! What power and might! What sense of honor! Of self-respect!” (Kaniel 1997, 379–80). In light of these descriptions, it is hardly surprising that when we encounter a proper masculine body of a halutz, it is often adorned with an Arab clothing item such as a kufiyeh, an aqal or Arab shoes. A worker named Y. Tonnies relates his surprise upon meeting an acquaintance working in the field: “in front of me stood a reddish Jew, dressed in a worker’s attire, like some ‘cart owner’ from Stanislaw—broad shouldered, his face ungainly and a little tanned, his head covered with a kufiyeh, his hands broad, coarse, covered with work lesions and his entire body washed with sweat” (Havas 1947, 447). Yosef Weitz wrote: “They [i.e. halutzim who moved to the Galilee—D.H.] made an effect not only through what they said, but also—and sometimes mainly—through what they wore: they used to wear kufiyeh and ‘akal on their head and abaya on their shoulders, an act of freedom and bravery, as a symbol for ‘the Galilee is ours’” (Havas 1947, 357; see also Baratz 1947, 9).
Writings by the early halutzim often convey the sense of masculine cum national humiliation in face of work givers’ preference for the cheaper, stronger, and more experienced Arab workers or in face of the latter’s superior work ability. Natan Hofshi tells about the owner of an orchard who agreed to try to employ Jewish workers for the first time. He let them work side by side with the most senior and experienced Arab workers, with whom they had to catch up: “Two days we worked like that, two days of physical suffering. But much more terrible was the mental suffering. Sometimes the work giver would approach us and ask mockingly why were we lagging behind and whether we intended to carry on” (Havas 1947, 242). Accounts written by halutzim contain many descriptions of competitions with Arab workers, which sometimes led to violent clashes. In the case of Even-Tov quoted above, the bodily transformation he describes is related in his text to the competition with Arab workers. The latter had mocked the halutzim for their inexperience and called them “masakin” (“poor ones,” in Arabic). In response, the halutzim made an effort to work faster until the mocking stopped (Havas 1947, 183). These accounts demonstrate how national and masculine prestige were bound together in the competition over who worked faster (e.g., Havas 1947, 205, 287, 294).
As Dafna Hirsch has shown elsewhere, the construction of masculinity among the halutzim involved a performance of “cultivated indifference” toward the body and material comforts, marked by an emphatic disregard for the norms of hygiene and civilized behavior. Unhygienic behavior signified a range of meanings for the halutzim, including proletarization, endurance in face of difficult conditions, masculinity, and native status. In various contexts, violation of the rules of hygiene by the halutzim was explicitly described as an attempt to live “exactly like the Arabs.” This does not mean that the halutzim always and everywhere violated the norms of civilized behavior; in specific areas of life—such as childcare—they made sure to keep them. Their masculine performance shifted between the figure of the “dirty worker” and that of the “civilized European settler,” with each placing national competition on a different discursive terrain (Hirsch 2014).
Constructions of Masculinity among Golani Soldiers
Our second example comes from a study on the construction of soldiers’ masculinity in two leading Israeli infantry brigades—the Paratroopers Brigade and the Golani Brigade. While these brigades share similar characteristics—they undergo the same training, they are assigned the same equipment and they perform similar operational tasks—they differ in organizational culture, public image, and social prestige. This difference is partly maintained through their different enlistment process: while enlistment in the Paratroopers is voluntary and based on a selection process in which candidates have to prove their ability to endure physical and mental strain, enlistment in Golani is based on assignment. Paratroopers’ sense of distinction is reinforced through their special dress: red beret, distinct uniform, “red” boots, and Paratroopers’ wings.
In spite of the Israeli army’s presumption to serve as a “melting pot,” it has largely replicated the ethnic structure of Israeli society, with the share of Ashkenazi men rising with the rise of prestige attached to a certain unit or job and vice versa. The same is true even for the generally prestigious combat units: while Golani is associated with subordinate social groups and especially with Mizrahim, the Paratroopers soldier, perceived as the epitome of hegemonic masculinity, is marked as Ashkenazi. 4 It is hardly surprising, therefore, that Golani soldiers construct their masculine identity vis-à-vis the Paratroopers. However, rather than attempting to assimilate the Paratroopers, they adopt an alternative masculine style coded as “more masculine” than the style associated with the Paratroopers.
In the center of this masculine style is a specific attitude toward the body, which may be defined as “cultivated inattention”: a consciously sloppy dress and in general an unkempt physicality, which signifies a lack of discipline and defiance of army rules. As Roni, a former Golani soldier, describes: We do not place the elastic straps [on top of the boots] because it’s nicer, it comes like jeans on the army shoes […] and if you put the straps it looks like some soldier, so you don’t. […] in general we prefer to wear our work uniform when we go home, always look a bit sloppy, always one button open. […] a kind of walk with eh…where you wear the pants low, with the belt like on the middle of your ass. And we walk sloppily, as if we are, listen, we wear our A uniform because we have to wear them, but we are men, here, the shirt is open, look at how we walk, we are ‘arsim,
5
common people. We, like, never in our lives shave or shine our boots. Everybody gets a beard permit;
6
even those who don’t have one say they do […] And you never shine your boots, because shined boots look like they new, so it’s like, you didn’t do time, and anyway, a boot seems to us much nicer not when it’s red, but when it’s black and faint, when it starts getting white and such…
Many of the soldiers explicitly opposed their masculine style to that of the Paratroopers soldiers. Alon, for instance, contrasted the sloppy and untamed appearance of Golani soldiers to the kempt appearance of the Paratroopers, who always “look very neat: the elastic band is on top of the boots, and the weapon strap is the standard length.” As the following quote demonstrate, Golani soldiers’ assertion of their masculinity vis-à-vis the Paratroopers involves devaluation of the latter and even delegitimization of their masculinity by feminizing them. According to Alon, …[Whenever] you see paratroopers in the central bus station their appearance is always neat and proper [medugamim
7
] […] With their shirt outside, you see as if you are, as if you have a dress because the shirt is outside and reaches all the way to here, with the belt over it and it comes like a Scottish dress, it’s like, we laugh at their dress. And what is this red color?…it’s like menstruation on the shoulder. Golani is exactly the opposite, when you think of Golani, you immediately think of mess [balagan]. In the Golani style [bapoza shel golani], which is to go with the weapon on the shoulder [betle herev o betle sababa ‘im haneshek],
8
and take the pants down and all that, what is nice about Golani, in my opinion, is that you have this wasah, this antarism. This whole Arab thing, it includes everything, the wildly depressive Oriental music, and this crazy character of shooting bursts [lefarek tzrorot]…without thinking twice. Not like, ‘oh, he doesn’t pose any threat although he is not supposed to be there,’ but you will shoot bundles.
9
How can we explain the discrepancy between social and masculine status in these two cases? What are the implications of this discrepancy for a theory of masculinity? One could argue that in the final analysis this hierarchy of masculinities has no effect on social hierarchy—that this is a “gender performance of the weak,” of sorts. Indeed, we do not mean to argue that a performance of accentuated masculinity may be exchanged for social power. 10 However, in various contexts, it may serve as a means for members of subordinate groups to attain a sense of value as well as gain prestige in interactions between men.
In what follows we examine Connell’s theory in relation to the phenomenon discussed above. If, on the one hand, gender hierarchies—both between and within genders—are implicated in the racialized hierarchy of civilization, and at the same time the hierarchy between masculinities may serve to symbolically place social and racial/ethnic hierarchy on its head, then a theory of masculinity has to account for these contradictions and for their manifestations in social practice.
Connell’s Hegemonic Masculinity
In face of the relationship between differently positioned masculine styles in both our research projects, Connell’s (2005) theory of masculinities (see also Connell and Messerschmidt 2005) offered several advantages. First, it assumed a plurality of masculinities rather than a singular normative and normalizing ideal which some men achieve and others fail to. Second, it suggested thinking of masculinities as “processes of configuring practice” rather than as sets of traits, thus offering a nonessential and dynamic conception of masculinity—masculinity as a “project” (Connell 2005, 72). Third, it offered to think of masculinities as relational and hierarchical configurations, thus taking questions of power into account. Four, it offered to think about the articulation of gender with other social divisions, most notably sexuality, social class, and ethnicity, the last two being the most relevant in our case.
For Connell, gender is a “structure of social practice.” Her analysis seeks to integrate structure, practice, experience, psychology, and culture in a single model, although not all these levels receive the same attention in her work. She writes, “Masculinity, to the extent the term can be briefly defined at all, is simultaneously a place in gender relations, the practices through which men and women engage that place in gender, and the effects of these practices in bodily experience, personality and culture” (Connell 2005, 71). Note that culture here is defined only as the effect of social practice and not, also, as a sphere which organizes practice. At the same time, Connell acknowledges that masculinity is conventionally related to specific traits. In fact, the notion of hegemonic masculinity exemplifies Connell’s attempt to bring together structures, practices, and culture. In Masculinities, hegemonic masculinity is defined as “…the configuration of gender practice which embodies the currently accepted answer to the problem of legitimacy of patriarchy, which guarantees (or is taken to guarantee) the dominant position of men and the subordination of women” (p. 77). 11 In other words, it is the culturally idealized and naturalized form of masculinity, used to legitimate, and hence, maintain, masculine domination (and more correctly, the domination of specific groups of men). Importantly, Connell (2005) distinguishes hegemonic masculinity from “normative masculinity,” arguing that the latter term is problematic since few men actually inhabit the norm (p. 70). 12 In a later paper, Messerschmidt (2012) distinguished between hegemonic and dominant/dominating forms of masculinity, arguing that the first concept is distinct from the latter, given its focus on the question of legitimation (p. 72).
As Connell has insisted all along, hegemonic and nonhegemonic masculinities are not reified social types, but relational patterns, which attain their meaning only in relation to each other, and which may transform over time and between social and historical contexts. The very notion of hegemony assumes a conflictual social process, where the hegemony of specific groups has to be won and constantly reproduced. Moreover, there is no perfect match between masculinities and social groups: those who hold most power are not necessarily the bearers of the cultural ideal of hegemonic masculinity, and members of subordinate groups may come to embody certain aspects of hegemonic masculinity. And yet, there is some correspondence between the cultural ideal and institutional power, as in state, business, and corporate power (Hearn 2004, 57).
The embrace of the concept of hegemonic masculinity has been ubiquitous, if not without critique, and highly productive across a range of disciplines (Beasley 2008; Messerschmidt 2012). Much of the appeal of hegemonic masculinity lies not only in the dismantling of “men” as a unified category and the acknowledgment of hierarchy between masculinities but also in its effort to place gender within a multifaceted and relational social universe. As we thought through the hierarchy of masculine styles which our case studies presented through Connell’s model, however, several problems became apparent. In particular, we would like to point out three problems, which have been discussed in other critiques as well (e.g., Donaldson 1993; Demetriou 2001; Hearn 2004; Tosh 2004; Beasley 2008; Hearn and Morell 2012; Schwalbe 2014). The first concerns the association of hegemonic masculinity with institutional power (Hearn 2004; Beasley 2008) and most notably with social class. As Hearn (2004) argues, it is not always clear whether hegemonic masculinity refers to cultural constructions, everyday practices, or institutional structures (pp. 58–59; see also Beasley 2008). While Connell (2005) rightly argues that “[t]o understand gender…we must constantly go beyond gender” (p. 76), her model makes it difficult to account for the partial autonomy of gender repertoires (see also Donaldson 1993; Hearn 2004, 58), and hence, for those cases where, rather than being used to legitimate existing social hierarchies, the hierarchy of masculinity may stand in tension with hierarchies based on class, ethnicity, or nationality (see also Beasley 2008, 5–6, 10). In other words, if the masculinity of groups whose practices serve to legitimate hierarchy both along gender and along ethnic lines (i.e., between men and women and between different groups of men) is rendered deficient compared to the masculinity of subordinate groups, in what sense is it hegemonic as masculinity? “To elucidate the significance and salience of hegemonic masculinities,” writes Messerschmidt,” gender scholars…must distinguish masculinities that legitimate a hierarchical relationship between men and women, between masculinity and femininity, and among men from those that do not” (Messerschmidt 2012, 72). Yet practices such as the exercise of physical power, combative military service, productive (in contrast to reproductive) labor, and so on, have been used to legitimate the hierarchical relationship between men and women across the social space, and would be difficult to explain without recourse to the binary system of gender symbolism (Butler [1990] 2007; Bourdieu [1998] 2001). By associating the configuration of practices which serves to legitimate gender hierarchy with a legitimization of hierarchies between men, this formulation, rather than detaching hegemonic masculinity from specific social groups, necessarily realigns hegemonic masculinity with social dominance.
The second, related problem concerns Connell’s focus on “patterns of masculine practice” associated with specific positions vis-à-vis hegemonic masculinity rather than on situated social practice (see also Wetherell and Edley 1999; Beasley 2008, 4). Practice is detached from specific institutionalized contexts and related to specific positions in the social field. Whereas “hegemonic,” “subordinated,” “marginalized,” “complicit,” “dominant,” and “dominating” are useful as heuristic concepts for distinguishing between groups of men who are differently positioned in the field of social power, the relationship between these positions and distinct configurations of practices remains obscure. If we are right in arguing that the hegemony of men is legitimated through practices which are performed throughout the social field, it is unclear why associate a certain widespread legitimating practice with a specific “masculine configuration” and not with others. A research strategy which focuses on relational social practice in specific institutionalized settings, rather than on life stories, may reveal not only that the same men “do gender” in quite different ways in different social contexts and circumstances (West and Zimmerman 1987; Wetherell and Edley 1999; McDowell 2009, 131; see also Connell and Messerschmidt 2005, 840); it may also reveal that practices which are conventionally associated with the masculine pole of the gender binary, such as the exercise of physical power, may serve nonhegemonic groups of men in challenging the masculinity of the hegemonic group, as in the case of Golani soldiers.
The third problem concerns Connell’s assumption that men’s domination over women is the organizing principle of masculinity, whereas (some) men’s domination over other groups of men is derivative. Yet, as studies on the history of gender relations have clearly demonstrated, other power structures, such as ethnic, national, or colonial, may come to play themselves out in the field of gender relations. As Tosh (2004) writes: One can accept the profoundly hierarchical character of masculinities, and the investment of men in power and dominance, without concluding that maintaining power over women is the deciding imperative. The logic of a dominant code of masculinity may be to uphold class power, or to consolidate the ascendancy of one religious denomination over another, and in these cases power over men may be more significant than power over women. (pp. 53–54)
Our argument is modest: the notion of hegemonic masculinity fails to account for the tension which may arise between masculine status, understood as a location within a symbolic hierarchy of masculine styles, and social status, with its possible manifestations in different contexts of social practice. It is this tension which made the halutzim feel inadequate in relation to Arab workers and which allows Golani soldiers to construct the masculinity of Paratrooper soldiers as deficient compared to their own. Although it can be argued that the masculinity of the halutzim cannot be considered hegemonic in the complex social field of late Ottoman Palestine—rather, they became hegemonic in the Zionist community only in later periods, when agricultural labor became much more nationally segregated—the Paratrooper soldiers represent a hegemonic masculinity par excellence.
Connell does acknowledge the challenge of “protest masculinity”—marginalized masculinity which picks up themes of hegemonic masculinity but reworks them in the context of poverty—however, she considers this macho masculinity as merely a cul-de-sac (Connell 2005, 114). In their 2005 article, Connell and Messerschmidt (2005) cite the challenge which may arise to hegemonic masculinity from the protest masculinity of marginalized groups as one example attesting to the need to find better ways of understanding gender hierarchy (pp. 847–48). Yet Connell and Messerschmidt do not explain what makes this challenge work, since they discuss it mainly in terms of representing the agency of marginalized groups. The effort to link social power with a specific masculine configuration of practice comes at the expense of acknowledging the conventional nature and partial autonomy of the repertoire of masculinity. It is exactly this partial autonomy of masculine and feminine repertoires which allows for other struggles to be fought through the idiom of gender. Both the halutzim and Golani soldiers did not simply pick up certain themes of hegemonic masculinity. Rather they sought to embody (historically specific) qualities which are seen as essential in signifying the possession of a “masculine core,” most notably physical strength and autonomy (e.g., refusal to entirely submit oneself to the disciplinary demands of the army, in the case of Golani soldiers), and thus invert the accepted hierarchy of social value. 13
Masculinity as a Cultural Repertoire
In both our case studies, a specific group of men is engaged in a “masculinity project,” adopting a masculine style which is associated with the physical masculinity of lower status groups. In the case of the halutzim, rejection of the repertoire of civilized behavior signified masculine values like physical strength, a capacity for manual labor and endurance, and was associated with the Arab workers. In the case of Golani soldiers, rough and untamed masculinity is associated with Mizrahi Jews and Arabs and contrasted with the masculinity of mostly Ashkenazi Paratrooper soldiers.
Should we consider the masculine style adopted by these two groups as a protest masculinity of the marginalized, as Connell suggests? To our mind, this would be a very partial explanation. While this masculine style does contain an element of protest or defiance, it would be wrong to regard it as only—or even mainly—that. First, both the halutz and the combat soldier belong to the pantheon of masculine symbols in Israel, and both have functioned as major channels for social mobility for men. 14 The halutzim, moreover, were thought to epitomize the New Jew, and the labor movement, with which they were affiliated, became the hegemonic power in Jewish society in the 1920s. Second, given that both the halutzim and Golani soldiers adopt this masculine style in order to gain value and prestige, the source of this prestige needs to be explained. “Picking up themes of hegemonic masculinity” does not tell us which themes are adopted and why. Here we would argue that the masculine style of the halutzim and Golani soldiers is not just a case of alternative value regime adopted at the local level (e.g., Skeggs 2004, 25). Rather it embodies the tension within the modern construction of “worthy masculinity.”
Scholars have shown how in the modern west and beyond, constructions of white middle-class masculinity were inextricably bound with the notion of civilization: white male privilege was based on the claim to civilized status (Bederman 1995; Forth 2008). The civilized masculinity of middle-class men—associated with self-control, rationality, and respectability—was constantly pitted against the irrationality and uncontrolled behavior attributed to women, the lower classes and “inferior races” (Stepan 1986; Stoler 1995; Bederman 1995). Civilization, however, was a contradictory concept, associated not just with human progress and white superiority but also with weakness and effeminacy. Developments which were central to the concept of civilization—such as sedentary lifestyle, material comfort and luxury, and refined manners—threatened to render men soft, cowardly and effeminate, and erode the corporeal foundation of male claim to privilege (Forth 2008, 4–5, 141; Kimmel 2005). In contrast, men of subjugated groups like peasants, proletarians, and some indigenous people, with their rough physicality and “primitive” way of life, were sometimes seen as embodying the lost masculinity of civilized men (Forth 2008, 14, 17, 89–91). In other words, as a normative cultural construction, modern masculinity is structured by a contradiction (Belkin 2012).
Clearly such imaginary constructions have little to do with the masculine practice of real peasants, proletarians, and indigenous people. Rather, they derive their efficacy from the system of binary symbolic structures and their articulations. As feminist scholars have argued, we should distinguish between the binary gender symbolism, gender organization, and gender identity, as distinct, albeit interrelated, levels on which gender concepts, representations, practices, and relationships operate (Harding 1986, 18; Scott 1999). While the binary structure—though not specific contents—of gender symbolism seems to be universal (regardless of the plurality of gender arrangements and identities; see Shapiro 1991), identities and practices are always more complex and heterogeneous than binary symbolic structures (McCall 1992). At the same time, given the symbolic power of these structures as schemes for interpreting and evaluating practices, they are often taken up, played with and sometimes reworked in “gender projects” undertaken by various groups of social actors. Both the halutzim and Golani soldiers do not simply attempt to imitate a masculine “ideal”; rather, the style of masculinity they adopt embodies, and capitalizes on the tension within the modern construction of worthy masculinity. The masculinity of Golani soldiers in particular builds on this tension to challenge the masculinity of the hegemonic, Ashkenazi group.
Thus, a theory of gender has to account for both normativity and heterogeneity (Kimmel 1996, 5–6), operating both on the level of practice and on the level of perception and interpretation. Connell in her discussion of masculinities emphasizes the heterogeneity of social practice, but by replacing normativity with hegemony the binary logic of gender symbolism tends to become subordinated to the logic of social class and sexuality (see also Beasley 2008). Although in real-life gender never appears in a “pure” form and is always articulated with other social divisions, it has its distinct social and cultural logic, which produces specific effects in different contexts.
A concept which incorporates both gender normativity and the heterogeneity of social practice is the concept of cultural repertoire, from which people make situated selections. 15 By “cultural repertoire” we mean more than a set of discourses and representations. We use the term repertoire to refer to a structured set of models for organizing human action and perception (Even-Zohar 1997), or in Swidler’s (1986) words, “a ‘tool kit’ of habits, skills, and styles from which people construct ‘strategies of action’” (p. 273), to which we may add “perceptual strategies,” or strategies with which people understand the world (Even-Zohar 1997, 20–21; see also Wetherell and Edley 1999). Inherent to the notion of cultural repertoires is the understanding that culture has a conventional nature, which allows for some leeway in the selections people make from available repertoires (Sela-Sheffy 1997, 38). In other words, women too may select from the repertoire of masculinity, albeit their practices will be judged differently as when performed by men (Schwalbe 2014, 59–60). By “selection,” we do not mean to suggest that these are voluntary, conscious, and calculated acts (although in certain cases they may be). While selections from the repertoire of masculinity may reflect the dispositions of the habitus, 16 they may also conform to the logic of a certain gender project. Thus, the halutzim could adopt a masculine style which, rather than reflecting the dispositions of an existing habitus, was part of the effort to construct a new habitus—that of the “authentic worker.”
The repertoire of masculinity is where the elements and models which organize both masculine practice and perceptions concerning masculinity are stored. Underlying these models is a set of “organizing principles,” conventionally associated with masculinity as the “positive” pole of a binary symbolic structure (e.g., physical strength, toughness, endurance, autonomy, activity, productivity, rationality, control, and self-control; Tosh 2004, 54; McDowell 2009, 131). These principles are manifested in specific models for action and interpretation, which performance and evaluation are always context dependent (for instance, in the feminine domestic sphere of reproductive labor, masculine inaction is not coded as “passivity” but is rather accepted and even encouraged, as a form of masculine autonomy, i.e., the freedom from serving others). Cultural repertoires don’t have to be coherent; they may contain contradictory elements. One of the main contradictions in the repertoire of masculinity concerns the relationship to the body: on the one hand, masculinity has been associated with reason and with the civilized ideal, both of which deny the body, which has conventionally been associated with femininity (Spelman 1982). On the other hand, the association of masculinity with physical strength puts the body center stage. Likewise, masculine autonomy stands in tension with the civilized ideal of discipline and self-control. At the same time, in different periods and social contexts, some of the principles associated with the masculine pole of the gender binary may come to the fore as representing the “true masculine essence.”
Both the halutzim and Golani soldiers make situated selections from the repertoire of masculinity. Both adopt a masculine style which defines the norms of civilized behavior in order to increase their masculine prestige, and in the case of Golani soldiers, challenge the hegemony of Ashkenazi men. Rather than simply picking up themes from hegemonic masculinity, the style they adopt is associated with qualities which in the context of agricultural labor and military struggle are seen as defining the “masculine essence,” most notably physical strength, endurance, and autonomy. And although masculine prestige in itself cannot render a certain group socially hegemonic, it may play an important role in shaping interactions between men as well as in affecting men’s sense of worth.
Conclusion
In this article, we discussed Connell’s theory of masculinities in light of a phenomenon we discovered in both our research projects: the association of Arab men with valued masculine qualities and the construction of Arab and Mizrahi Jewish men as more masculine than Ashkenazi men. While Connell’s theory directs our analytical attention to the plurality of masculinities, and the hierarchical relationship between them, the notion of hegemonic masculinity cannot account for the tension between social and masculine status in our case studies, since it tends to associate social hierarchy with hierarchy in the field of gender. Following historians of masculinity we argue, that this tension is not incidental or marginal to the field of masculine relations. Rather, it stands at the heart of dominant constructions of masculinity in the modern West, with their ambivalent relationship with the racialized and ethnicized concept of civilization.
The relative value of specific masculine styles varies according to the field in question, and its position within the wider social space. The prestige of masculine styles associated with nonhegemonic social groups in the masculine and physical arenas of agricultural work and military service stems from their association with qualities which came to occupy a central place in representing the true masculine essence, most notably physical strength, endurance, and autonomy—qualities which have allegedly been undermined in the course of the civilizing process. In the Zionist context, both these arenas gained special importance and social prestige due to their essential role in the national cum colonial project. And both were seen as mechanisms for shaping the desired type of Jewish man.
Connell’s theory of masculinities, with its emphasis on “configurations of practice,” makes it difficult to account for masculinity as relational and contextual social practice, and for the tension which may arise between social position and masculine status in specific interactional contexts. We argued that in order to account for this kind of tensions we need a concept of masculinity as a cultural repertoire, from which people make situated selections. While selections from the repertoire of masculinity cannot be conceived as voluntary, the conventional nature of cultural repertoires allows for some leeway in the selections that people make. The repertoire of masculinity contains both normativity (based on the binary symbolic structure of gender) and heterogeneity, manifested both in models for action and in models for perception and interpretation. While the binary logic of gender symbolism does not fully determine practice (even if it is by no means devoid of generative power, see Bourdieu [1998] 2001; Butler [1990] 2007), it may be taken on in various gender projects aimed at inverting other social hierarchies, such as those based on ethnicity, nationality, or social class.
Footnotes
Acknowledgments
The authors would like to thank Dana Kaplan, Kinneret Lahad, and the two anonymous reviewers of Men and Masculinities for their thoughtful comments on various versions of this article.
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article.
