Abstract
Cultural psychology is in need for a general theory that includes coverage of both the real actual and the possible realms of psychological phenomena, and of the relationship between the two. The tradition of Gegenstandstheorie developed in Graz in the beginning of the 20th century by Alexius Meinong has direct relevance for theory construction and methodological advancement in this direction. The contrast of existing subsisting and non-existing objects makes it possible to address issues of the study of cultural complexities. The unity of higher and lower order objects in the human psyche makes Meinong’s thinking compatible with the needs of our contemporary cultural psychology in its various versions. The limits of Meinong’s theory—the ontological primacy of objects and his focus on their classification—can be overcome by introduction of an explicitly developmental focus that his contemporary James Mark Baldwin attempted to formulate in his “genetic logic.” Implications of both of these traditions for our contemporary cultural psychologies are outlined, with a focus on the study of patriotism and art.
Keywords
“Another editorial?”—could well be a comment at this junction by an avid reader of Culture & Psychology. Indeed, the present treatise of the genre is the third in this year (Valsiner, 2014a, 2014b), while previously I had not actively entered into the discussions in the Journal, using this privileged format (Valsiner, 2001, 2003, 2009a). The reason is simple—after two decades of the success of our Journal, I feel particularly cautious about the epistemological failures of the discipline we now label cultural psychology. 1 One of these—overlook of the discipline’s past and ideas that were considered relevant then—may be helpful for our construction of new perspectives. Cultural psychology is in a leadership role in bringing psychology as a whole to deal with complex and dynamic psychological issues. Yet, how to act in that role is not always clear. Learning from the history of ideas in the discipline may be one of help here.
Such learning fits the currently active search that is going on in the communities of cultural psychologists. On the positive side, there have been many enthusiastic expositions of the new interdisciplinary perspective over the two decades of our Journal. There have been interesting discoveries of cultural phenomena of utmost psychological significance. There has been freshness of ideas that contributors have developed. All this has been excellent. Yet, there are—from my point of view—numerous unresolved problems that have been left untouched behind otherwise intellectually fertile discourses and analyses of phenomena the readers of this Journal have had the opportunity to enjoy over the past two decades.
Perhaps the main of these problems has been lack of progress in developing methodology (see elaboration in Valsiner, 2014a). But there are also theoretical “blind spots”—those of looking at the intentional and goals-oriented nature of human action. These two domains—treating human beings not as mere followers of external circumstances of their living but as active, futures-oriented agents who willfully act (or decide not to act) under particular circumstance has been largely overlooked. It has been overlooked in psychology at large as well—for about a century. Dealing with phenomena that develop, involve the making of future plans that can be altered, and changing environments has not been the favorite pastime for psychology up to now.
Psychology has its own specificity. It is not reducible to physics. Given the nature of cultural-psychological phenomena—differently from atoms in physics where the researcher does not need to consider intentionality of the micro-particles in their “jumps” between orbits (further in Valsiner, 2014d, 2014e)—the human psyche entails emergence of intentionality that is culturally constituted and lead to the whole science of psychology to be built on axioms of normativity (Brinkmann, 2005, 2011, 2014; Harré, 2014). We create the social norms by which we then live—presenting them to ourselves as if it were an example of natural order. It is actually social order—constructed, yet real. People adhere to it, create their value systems on its basis, and act in all possible ways. The social order leads to honoring, stigmatizing and maintaining prejudices, killing and failing to kill, and all other human inventions for feeling, thinking, and acting.
The missing focus: Phenomena that do not exist
Psychology has developed as a science based on the phenomena of the psyche that have been demonstrated to exist—behaving, thinking, feeling have been reported by human beings as these have happened. Even the phenomena of the unconscious have been presumed to exist—despite that they are visible through limited and indirect evidence. Parapsychology has done its utmost—and failed—to demonstrate that “extra-sensory perception” is a real psychological phenomenon. For all intents and purposes, psychology has been deeply inherently realist—despite the mutual exclusion by different “schools” of one another’s claims that their phenomena exist. Thus, behavioral scientists have rejected claims based on introspection or psychoanalysis, all have rejected the claims by parapsychologists, and so on. The normative fight for serious scientific basis for the discipline has been to capture the field of what-is-real and make it one’s own.
This “fight for realism” is consistent with the ontological primacy in the history of psychology—assuming that “phenomenon X of the psyche” exists in some given (even if hidden, and difficult to reach) way. This axiomatic stance fits well as long as the assumption of causally based unfolding of psychological events is accepted. It can be accepted in all cases where the human agency is reduced to reaction to events from the past and excludes any possible future reference. My psychological “problems” of today can be said to be “caused” by my poor childhood, psychotrauma during being weaned, bullying by peers in school, parental divorce, or any aspect of my own personality that is already established. All these “causal factors” can be viewed as having existence—outside of me, or within my own psyche. Wherever they are they are designated as “real,” and hence—appropriate objects for psychological investigation.
The situation becomes more complex if the assumption of future-oriented nature of our life-course organization is brought into the discipline. Adding that renders the assumption of reactivity to past events become secondary—or at least contestable—as the sole basis for the unfolding of psychological phenomena. I can act in way X because of the previously existing conditions P and Q (i.e. the reactivity assumption), but I can also act in that same way without any previous “triggers,” but on the basis of my expectation (possible a false one) for some future state S that I set up as a desired goal for myself. Investing in stock markets, becoming involved in courses of studies, or getting married and wanting to have children can be examples of such future-based “triggers” of my actions today.
Bringing the focus on future to bear on psychological events unfolding in the present introduces the importance of phenomena that do not exist—yet are important in the realities of the present. No future desired state of affairs exists in the present, yet human action can be driven to that imaginary future. My university diploma—a real object symbolizing the end of my studies some years from now—does not exist at the time of my entrance into university. Yet, I enter into my studies striving toward that—at the present non-existing, but in some years from now—real—object. This is captured well in the focus on future “attractors” in the Dynamic Systems Theory applications in psychology (Lewis, 2000; Tsuda, 2001; van Geert, 1991, 1994). The causal system that has usually being projected into the past becomes projected into the future—yet, the system that is moving toward the “attractors” remains a passive follower of the causal system. The difference is only in the projected location—instead (or in addition to) the past, the “causal agents” are projected into the future. Surely there is a difference—the events of the past are “real” (= “have already happened”), while those in the future are not (yet) “real” (=“have not yet happened”). It is here where the introduction of non-existing objects as functionally relevant finds its first use.
However, the actor—person—remains a passive “target” for the past and future “forces” that attract him or her to the various functional arenas of one’s life course. Once the axiom of the active nature of the person is added to the meta-theoretical system of the discipline, the relevance of non-existing objects becomes central to any psychological analysis. Such addition highlights the willfulness of the actor—who can both act toward the “attracting” future conditions or on the basis of the “causal factors” in the past and can also act in ways that oppose any or all of these. It is here that a new class of non-existing (=non-manifest) phenomena—which actually exist in the psyche– become central. I may be expected or required to act in way X because of previous conditions P and Q and being “drawn toward” Attractor Z, but I can willfully not-act in way X. My non-action is manifest only in the context of knowledge of the expectation to act in way X and my non-action (e.g. “he should have apologized for that, but he did not”). Under all other circumstances, my non-action is not detectable—possibly also by myself. Or it may become detected in my present memory of the past (“how could I fail to act when I could?”). Such present real memory is about a non-real event—that could have happened but did not.
Under the conditions of axiomatic acceptance of intentional worlds of human beings where norms guide human action, the active defiance or neutralization of such norms makes the issue of non-existing phenomena important to consider along the existing ones. This has been attempted a century ago—in the tradition developed in the Austrian town of Graz by Alexius Meinong. The “jungle” (as it is at times called) of his classification of objects (Gegenstände) remains largely forgotten in psychology. Re-visiting the efforts of the “Graz tradition” and experiencing their efforts to differentiate real, quasi-real, non-real, and impossible objects can be a refreshing insight for contemporary cultural psychology. It is the nature of theoretical concerns in our contemporary cultural psychologies that might benefit from a look at that once-developed rich theoretical system.
What is an Object? The specific focus of Gegenstandstheorie
How to do psychology is also governed by socially normative assumptions. There exists serious historical myopia of the discipline, which is the target of this Editorial. Both of the topics present in this issue—patriotism and graffiti writing— are phenomena of high complexity. So are most other empirical examples our Journal has highlighted in its history. Theorizing about these can benefit from a consideration of the particular tradition highlighted here—Alexius Meinong’s Gegenstandstheorie. It is the focus on the object as creating a resistance condition (stand against—Gegen + stand) of the 19th to 20th centuries, as well as the seemingly ephemeral nature of these objects, that can be illuminated by Meinong’s theoretical efforts.
Focus on resistance
The nuances of the notion of Gegenstand are important to consider. It is an object—yet an object that, when acted upon, resists some aspects of the action. The theoretical focus is on the counter-action that an action triggers in the object. Physical objects “resist” our actions due to their inertia that can be calculated (force and counter-force). A billiard player hitting the ball can expect the ball to slow down on a ground that it moves, after it has been hit to move in some direction. What is not expected—and adequately so—is that the ball is to start moving in the direction opposite to that designated by the player. This is different in living systems, and particularly in the self-reflective agents who act by their will. Such intentional agents—as objects—can resist actively any direction they are “pushed into”—by counter-action, by action that defies the given direction (neutralization, ignoring, etc. of social suggestions), or by escalated “obedience” (i.e. moving willfully in the direction suggested, but with vigor that is greater, rather than smaller, than the suggestion itself). Such “obedience” is the desired goal of all socialization efforts—to get the “receiving objects” (active subjects) into a state of being where minimal social suggestions can produce maximal, self-organized, desired outcome. A mere mentioning of a social norm for a child who is well prepared to act “well” is sufficient to trigger a personally escalated socially desirable action. Psychology as science often operates by such mechanism—it is sufficient to hint toward the notion of “objectivity,” and a psychologist rushes to apply a “standardized method” to phenomena that would never be the same after such application. Furthermore, she or he vehemently defends such application of “objective” methods, blissfully mixing up the notion of “objectivity” with that of “conformity” (to the claim by a social institution that the particular method is “objective.”).
Obedient psychology: Too many giants on whose shoulders one can stand
Overlooking of one’s own history—while creating history of psychology as a museum for things past—is characteristic of all of psychology (Valsiner, 2012), and cultural psychology might be seen as unusually open to its history. Claims of our “standing on the shoulders of giants” such as Lev Vygotsky, George Herbert Mead, John Dewey, or Confucius are rather frequent. Bringing these historical figures into our contemporary science demonstrates our contemporary obedience in “following” these figures, but not our own creativity. My point is that these acts of following have not led to innovation of basic ideas beyond the “giants”—where is the “Vygotsky” or “Mead” of our 21st century? Where is the development of ideas of the “social” or “cultural” nature of the psyche that would go beyond simple statement of one’s theoretical positions? Where is a general elaboration of “situated activity contexts” beyond Leontiev and Lave?
While reading the manuscripts included in this issue, I had the feeling that all that is being described here is a good illustration for a basic philosophical and psychological theory that was developed a century ago, and that has become unknown even within psychologists’ “museum of history.” I saw direct possibilities to generalize from the specific themes by re-introducing Meinong’s ideas into cultural psychology. We had touched upon these ideas in a limited way over a decade ago (Josephs, Valsiner, & Surgan, 1999), but no systematic elaboration has been undertaken. Yet, it is only while working on the present text that I realized how rich in ideas was the “Graz tradition” of the turn of the 20th century, and how its richness has vanished together with the disappearance of other directions of Gestalt orientations from psychology.
The world of Alexius Meinong
Alexius Meinong (born 1853, died 1920) was a leading figure in European psychology at the turn of the 20th century. Around hundred years later, he is remembered by mostly philosophers and phenomenologists, while psychology has mostly forgotten his efforts to revolutionize the theoretical side of the discipline. Much has been written about him and his work, both by himself (Meinong, 1923) and others (Eder, 1995; Findlay, 1963; Grossmann, 1974). It is mostly philosophers who have appreciated his ideas over the past century (Albertazzi, Jacquette, & Poli, 2001). The “blind seer” 2 from Graz has been accepted as being of relevant impact onto 20th century philosophy through his impacts on Bertrand Russell (Griffin & Jacquette, 2009; Russell, 1904a, 1904b, 1904c, 1905a, 1906, 1907). And, as is often the case, philosophers have also actively “buried” Meinong’s ideas, predicting that they are “dead” and would never be revived (e.g. Ryle, 1972, p. 255). In the present Editorial, I attempt to bring it back to our orbit of interests, despite the fact that very few of his books have appeared in English (Meinong, 1983) and that Meinong’s philosophical terminology in German loses its nuances in English translation. 3
The intellectual roots of Alexius Meinong go back to the interest in the Scottish philosopher David Hume (Kuehn, 2005) and are mediated by his apprenticeship with Franz Brentano in Vienna. Meinong’s two treatises on David Hume (Meinong, 1877, 1882) set up the stage for a specifically Austrian “intra-mental positivism” (Lindenfeld, 1980) which took a decisively phenomenological form (Rollinger, 2008; Smith, 1994). Brentano’s direction was important for Meinong’s ideas, but he was not a simple follower. To Brentano’s classification of psychological phenomena into ideas, judgments, and feelings, Meinong added the will. Furthermore, “While Brentano sought to reconcile scientific philosophy with religion and metaphysics, Meinong pursued scientific philosophy as an end in itself. Religion played no significant role in his thought or life” (Lindenfeld, 1980, p. 60).
While religion was irrelevant, music was not. Himself an amateur composer and avid music performer, 4 Meinong’s theorizing was carefully guided by his feelings-in (Einfühlung) and knowledge of music. Yet, his coverage of the psychological issues that deep knowledge of music remained “dry and unemotional” (Lindenfeld, 1980). Meinong operated within the framework of the schemes if classical logic and reached a break-through point to escape from its confines only by the end of his career. 5
Meinong’s theoretical perspective was co-developed by his students—Stefan Witasek, Ernst Mally (1904), Rudolf Amseder (1904a, 1904b), and Robert Saxinger (1904) Ernst Mally later—by 1920s and 1930s—developed the system of values-based logic—deontic logic—from the beginnings of the Gegenstandstheorie (Lokhorst, 2004). Development of non-classical logics in the 29th century was facilitated by the tradition of thinking of Franz Brentano and got a particular boos through the Gegenstandstheorie.
Gegenstandstheorie and its functions
By early 1900s, Meinong moved away from a focus on the personal side of the person–object relation (“psychologism”) to the side of characterizing the objects. His object theory was an effort to build up a new philosophical theory of objects (Meinong, 1907)—linked with the active, intentional person who thinks of these. His system of objects was still that of the ontology of the various kinds of objects that were analyzed through their nature as they related with human actors. In some sense, Meinon’s Gegenstandstheorie is an ontological analog to James Gibson’s efforts to consider the affordances of objects in the second half of the 20th century. What (for Gibson) objects afforded for action, for Meinong they afforded to think about their different ways of being. His major interlocutor, Bertrand Russell, presented the Gegenstandstheorie to English-language audiences as not being equal to metaphysics. Rather, The theory of objects deals with whatever can be known a priori about objects, but knowledge of reality can only be obtained by experience. The theory of objects is not psychology, since objects are independent of any comprehension of them. It is also not theory of knowledge; for knowledge has two sides, the cognition that belongs to psychology, and the object that is independent. The theory of objects, Meinong contends, is also not to be identified with pure logic, since logic, in his opinion, is essentially practical in its aim, being concerned with right reasoning … The conclusion is that the theory of objects is an independent subject, and the most general of all philosophical subjects. (Russell, 1905a, p. 531)
Meinong’s nuanced look at various kinds of objects resonates with the issues discussed on the pages of the present issue of our Journal. Abstract notions such as “diversity,” “patriotism,” “political power” as well as numbers do not exist—yet, their subsistence is very crucial in human psyche and society. They allow both imagining and thinking. They are complex units based on lower level elements. Meinong was one of the original joint creators of the Gestalt perspective in psychology—yet, rejecting Ehrensfels’ label of Gestaltqualität in favor of his own more precise but clearly not meant to be popular an alternative (“founded content”).
The main focus in Meinong’s theory on objects of higher order (Gegenstände höherer Ordnung—Meinong, 1899) was an outgrowth from his consistent interest in values (Meinong, 1894; Schubert-Kalsi, 1996). Different objects—denoted through language—carry immediate ethical imperatives within themselves. They resist being treated as things, as they stand out as dignified (Dignitative in Meinong’s theory) or desired (Desiderative for Meinong).
Dignified objects
Meinong’s theory allows us to look at value-laden objects in our everyday lives. Phenomena of esthetic kind are dignified—their functional uses become constrained by the implicit meanings. Thus, Meinong’s contemporary theoretician of social development James Mark Baldwin, illustrated such dignification through the selective meaning created in relation with a polyfunctional object—such as a dinner plate. Using a plate from an expensive set of human dinner sets for feeding a dog would—for humans, but not for the dog—be an inappropriate act. Yet, functionally a dinner plate of the kind affords the delivery of dog food as sufficiently as a small dog’s bowl. To the dog, … the mere plate, a round white object of visual perception—what we designate the recognitive meaning—is as it were only the suggestion, the mere framework of all that mass of appetitive and personal meaning that gives the plate its fulfilling character with reference to his gustatory interest. All this is selective meaning or intent. On the other hand, my interest in the same plate, let us say, is that of an amateur collector of china. I at once lecture the maid for having fed the dog on a fine old Colonial Staffordshire plate. The meaning of the article, so far as its form is concerned, its presence as an object of visual perception and common recognition, is in great measure the same as the dog’s; but the selective meaning, the aspect of its presence whereby it fulfills my interest, is as widely different as is the collector’s ceramic interest different the gustatory interest of the glutton. (Baldwin, 1908, p. 180)
Normativity and desire
The notion of desideratives in Meinong links his theory with that of duties and rights in contemporary cultural psychology. Recent two decades in cultural psychology have led to the focus on the need to conceptualize rights and duties (Moghaddam, 2000; Moghaddan et al., 2004; Peréz-Campos, 2000) all of which—in Meinong’s terms—are higher order objects that do not exist but subsist. Psychology in general works with notions of such kind—so the “reality drive” for psychological theorizing that has been dominant over a century is in principle misplaced. Relevant psychological notions do not exist in reality, but subsist together with the real objects. Through such subsistence—in relation with the existing objects—they acquire generalizing relevance for the real life. A national flag as it exists is merely a cloth of certain colors, attached to a pole. However, when such flag is erected on an administrative building (or torn down from one) it stops being “just a cloth” but becomes a symbol of political power. The power is not in the cloth or the flagpole—they exist as such—but in the meaning the object carries as it subsists. It is the higher order notion of objects that, in human cultural lives, takes over the dominance from the immediately usable objects of real kind. The value attributed to brand names (and the fight of brand-makers to establish their name), killing oneself (the kamikaze phenomenon) or of the other (in war, assassination, or genocide), or destroying sculptures or pictures of deities (iconoclasm) all operate at the level of higher order objects (in Meinong’s terms) which are all dignified, and made into desirable objects with which human beings relate. The status of “legality” (or “non-legality”) in the acts of graffiti writing (Hedegaard, 2014) is the act of establishment of the higher order quality of the same “real object”—a graphic writing or drawing on a wall in a public place. Cultural psychologies in particular deal with higher order objects, yet the way to analyze these may proceed through the lower order (“real”) objects.
The importance of explicating assumptions
Meinong’s work on assumptions (Meinong, 1902/1910) was the main arena of dialogue with his contemporary mathematician—Bertrand Russell (1872–1970)—who in his early 30s became an active interlocutor of Meinong’s. Their goals coincided, despite differences in their axiomatic stands. Russell—a logician and philosopher of Cambridge brand—was later turned into one of the philosophical giants of the 20th century on whose shoulders gangs of philosophers declared themselves to be standing. Yet, as the young logician involved in philosophy of mathematics, Russell (1904a, 1904b, 1904c, 1905a, 1906, 1907) benefitted directly from his dialogue with Meinong, even if he ended rejecting Meinong’s Gegenstandstheorie. 6 Meinong’s ontological efforts were systematically mapping the whole mindscape of human feeling, judging, and assuming. Added to these three processes was the notion of desiring. This distinguished Meinong’s focus from that of Franz Brentano. In the century that followed the work of the “Graz tradition,” no clear theoretical elaboration of desiring has been advanced—aside from re-iterated psychodynamic treatises along the lines of the control efforts over the mischievous unconscious. What was started in Graz—and not followed later—was the focus on intentional desiring. The real world of human lives is filled with phenomena of such desires. These are exploited by advertises of ever new brand names of various consumer products.
The central issue of assumptions (Annahme)
Our mental lives are based upon, and accomplish, the making of assumptions. Before an experience happens, we assume something. Assumptions play central role in fantasy, as well as in our readiness to enact different social roles.
Meinong arrived at his theory of assumptions in 1902 (Meinong, 1902), and after intense attention from various other scholars, revised his theory (Meinong, 1910). The assumptions are close to “conscious fictions” in Vaihinger’s Als-Ob theory (Lindenfeld, 1980, p. 150). Thus, the presence of assumptions frees the person in principle to transcend the given situation of here-and-now. Yet, it does not indicate in which ways this can happen. Meinong situates Annahme (assumption) between Vorstellung (presentation) and Urtheil (judgment). By doing that, the assumption becomes the link between thought and action (Meinong, 1902, pp. 4–5). Yet, that link is not situated by Meinong in time—his ontological coverage is systematically time-free.
Of course no focus on temporal organization of the relationships of the three components of the work of the psyche can also be seen as an asset. It allows for the varied scenarios, such as ASSUMPTION→ PRESENTATION→ JUDGMENT or PRESENTATION→ ASSUMPTION → JUDGMENT, not to speak of the “post-factum” meaning-making scenarios (JUDGMENT→ASSUMPTION→PRESENTATION). 7 The important absence in Meinong’s coverage is that of the notion of apperception 8 —which did make the theorizing of his contemporaries partially focused on the links between present and the not-yet-known future.
However, the focus of production—producing specific psychological phenomena—was very directly in the focus of the “Graz School.” Yet, it did not map directly on the ASSUMING-PRESENTING-JUDGING triadic relationships. Rather, … the theory of production deals with these aspects concerning the subjective mental activities of composing or dividing a whole of presentation … it deals with an active intervention of the subject on relations of cohesion among contents during the cognitive process. (Albertazzi, 2001, p. 242)
All psychological phenomena emerge in human encountering of objects. This is the core claim of the tradition of thinking that Meinong developed on the basis of the contributions of David Hume and Franz Brentano. These psychological phenomena are inherently intentional (as Brentano’s axiomatically asserted), yet they are oriented to objects and their dynamics is linked with an object (Gegenstand).
At the time of the activities of the Graz Group, the notion of Gegenstand had not yet taken on its common language connotations as a synonym to “thing” (Ding) which one can encounter in today’s use of the German language. For the Graz tradition, the objects were not “things” but something that “objects to” their being related with by the persons. So, the act of apprehending an object involved establishing a relation with the object, and constructing hierarchical relations between objects. As Rudolf Amseder pointed out, The apprehended relation … is not comprised in the thought of the object, it does not belong to the being itself. The object in itself must also be determinable independently of this relation, just as it may also be independent of its being. (Amseder, 1904a, p. 54)
Founded contents and higher order objects
In Meinong’s theoretical system, the production of higher order objects on the basis of lower level ones. The inferiora are the lower order components of the superiora.
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Each object has thus inherently hierarchical structure—a necessity already set up by the value-nature of objects (Meinong, 1894). This focus on hierarchical order led Meinong to refuse to accept Ehrenfels (1890/1988) notion of Gestaltqualität, insisting upon his own “founded contents” (fundierte Inhalte) instead (Meinong, 1891). The higher order objects are built upon those of lower order—the melody is a founded object (superiora) consisting of tones (inferior) which are related into the structured hierarchical whole. That whole is dynamic … in the world of the true and ineludable objects of ongoing experience what sometimes appears to be superius determines the supposed inferius, and is effectively its inferius. Moreover, more or less extensive items of temporal sequences co-determine each other … (Bozzi, 1996, p. 297)
Moving beyond assumptions: Gegenstandstheorie
The Gegenstandstheorie was developed by Meinong in Graz in 1904–1915, antedated by his value theory that had emerged over the previous decade. A very central contribution from the “Graz School” of psychology (as the group of collaborators of Alexius Meinong is sometimes called—Amseder, 1904a, 1904b; Mally, 1904; Saxinger, 1904) is the focus on non-existing objects—objects that we take for granted and can talk about, but which cannot be pinpointed as existing in the world. We can talk of “patriotism” but we cannot point to it, while when we talk about a “car,” it is possible to precisely locate such object in the environment and point to it (“this is a car”). Psychology is a science that deals primarily with objects that can be doubted to exist: where can one locate “the unconscious,” “the mind,” etc.? As we cannot locate these objects in the brain or in society, we may deny their existence. Hence, Meinong’s meta-psychological effort to make sense of the whole realm of objects—those that exist (Sein in German, or are characterized as Being) and those that do not exist, but subsist (So-sein in German, characterized as “Being-So”).
The “jungle of objects” is complex. Meinong’s argument brings out an interesting boundary feature—since we can talk about things that do not exist (e.g. unicorns, golden mountains, etc.), these non-existing objects have some form of being—they must subsist (bestehen) in some form. And—there are objects that truly do not exist—yet—we can make statements about these. Their existence is “out there” (Aussersein), they form the category of “homeless objects” (heimatlöse Gegenstande—Chisholm, 1972). Such heterogeneity of the realm of objects makes human use of imagination possible. The centrality of imagination has been a major epistemological stumbling block for psychology (Zittoun et al., 2013). Theorizing in any science is closely related with the non-existing objects—due to the contrast between AS-IS and AS-IF (Als-Ob in terms of Hans Vaihinger—Vaihinger, 1920) worlds. We act in our real worlds (AS-IS) in ways that are “fueled” by the non-existing world of AS-IF. Any scientific hypothesis belongs to the AS-IF world.
The subsisting nature of development
Issues of development exemplify the need to consider non-existing objects—what exists here-and-now (=has already developed) is a basis for something that is-to-come (=does not yet exist, but is expected to emerge—see the theoretical troubles Vygotsky’s notion of “zone of proximal development” encounters—Valsiner & van der Veer, 2014).
In both cases is the relationship between the existing and subsisting objects crucial. And—it is the subsisting world of non-existing objects that leads the modification of the existing objects. Any assumption about what might happen in the future is the basis for emergence of the new present. Our imagination leads our further development. All new innovations in any area of technology are possible only if the idea of the possible new object (which does not exist yet, but can be planned by the human mind) is turned into one that does. The non-existing objects have central role for psychological theorizing—yet, it is exactly these objects that are considered as some kinds of “aberrations” because they are not “real.” The focus—fortified over the 20th century by the behaviorist credo of “objectivism”—on existing objects 10 —has led to a stalemate in the field. Meinong’s effort to bypass the problem of “what is real?” to posit two kinds of linked realities—the worlds of existing and subsisting objects—was an effort to maintain the psychological in the science of psychology. It succeeded—within its self-determined limits of ontological focus—and failed, in the social realities of psychology that was overtaken by the naïve interpretation of what “objective” means in the case of human conduct.
Meinong’s limits: Ontological effort to make sense of non-ontological world
Our world is in constant movement. Capturing its static ways of being is difficult, and Meinong’s revolutionary move to include non-existing objects was an effort that within the ontological framework was unlikely to succeed. Russell’s rejection of it is one of the examples of how assumptions of ontology do not fit with generative premises in epistemology. The latter assume that every statement about being (of X) simultaneously includes a potential for not-yet-being (not-yet-X). The not-yet-being is different from Meinong’s non-existing objects as an ontological category, as it implies potential for transformation of the object within irreversible time. The latter notion—brought in by Henri Bergson—did exist in Meinong’s time, but no impact from it is traceable in Meinong’s ontological viewpoint—despite the fact that issues of time were studied in Graz. 11
From ontological classifications to developmental logic
Meinong not only set the stage for the advancement of formal logics in the 20th century but also served as an interlocutor in the efforts to build a general developmental perspective. It took James Mark Baldwin’s efforts to create a developmental (in his terms “genetic”) logic of things (Baldwin, 1906, 1908, 1911, 1915, pp. 20–10; Valsiner, 2009c, 2010). Baldwin’s developmental logic was created in connection with Meinong’s ideas. Already in the first volume of Thought and Things, Baldwin acknowledged Meinong’s notions of assumptions and Gegenstande (Baldwin, 1906, p. 40 and p. 241). In the second volume of his trilogy, Baldwin builds upon the notion of assumption, looking for the transitions from it to presumption (Baldwin, 1908, pp. 11–13), and beyond (to presuppositions). He brings the notion of irreversible time into developmental logic in general, and hence re-interprets Meinong’s assumptions as these fit into the developmental time sequences of the unfolding of sign-mediation hierarchies in development. The highest level of such mediation is esthetic meaning-making in life and art—where his developmental logic leads in the last two volumes of his work (Baldwin, 1911, 1915). In this, Baldwin returns to Meinong’s value theory (Baldwin, 1911, p. 76). Yet, in Baldwin’s focus values emerge in development—they are not just given in the person<>Gegenstand relation. Things for him did not merely exist (or non-exist), they developed. Things need to change so that we can detect the difference between what they were like before, and after—without that it is impossible to know them. They have to have “careers”: A thing must have a career; and the length of its career is of immediate interest. We get to know the thing not only by the amount of its behavior, secured by examining a cross-section, so to speak, but also by the increase in the number of these sections which we were able to secure. The successive stages of behavior are necessary in order really to see what the behavior is. (Baldwin, 1895, p. 553) I say a tree expresses the potency or potentiality of the seed. This means three very concrete things. I expect the seed to have a future: I expect the future to be a tree—that is, a thing whose descriptive series is continuous with that already descriptive of the seer—and, finally, I now look upon the seed as embodying the whole tree series now artificially present in my thought. (Baldwin, 1895, pp. 572–573)
It is important to emphasize that the connections between Baldwin’s efforts to build his developmental logic were unilateral. While Baldwin referenced Meinong’s ideas systematically in his work, there is no indication in any of Meinong’s work that he was aware of Baldwin’s efforts nor that he borrowed anything from Baldwinian logic. The ontological stance of the Graz tradition was principally blind to any developmental orientation. Likewise, there was no interest in the Meinong group in the philosophy of time of Henri Bergson, while Bertrand Russell as one of the major Meinong’s interlocutors showed such interest (Russell, 1912). Time in Graz was treated as an analog to space—a parameter within which events could be placed. The contradiction in all of the Brentano tradition (including Meinong’s) between the assumptions of inherent intentionality and time as non-irreversible has effectively blocked that tradition from breakthroughs in our knowledge.
From the Graz tradition to cultural psychology: The importance of quasi-existing objects
The classificatory focus of the Graz tradition overlooked the movement of objects between ontological categories. This was a natural “conceptual myopia,” given the exclusion of developmental focus. Yet, the contrasts between the classes of objects allow us to think of transformation of an object from one into another—a simple mountain (a real object in the environment) may become a “sacred mountain” through the cultural meaning-construction process, and may become generalized into a “golden mountain” (a non-existing object). The intermediate transformation is the set of subsisting objects (in Meinong’s terms) that could be considered quasi-objects—they both exist (in our imagination and in our meaning systems), yet they need not exist as real objects. The role of higher order objects is to provide meaning for their lower order components (if we use Meinong’s terminology—they present the “founded content”), or they are generalized and hyper-generalized signs that guide the conduct of human beings in their movement ahead in irreversible lifetime (Valsiner, 2014d, 2014e). Meinong’s contrasts between objects can be made functional in a continuously transforming universe of signs.
An interesting sub-class of quasi-existing objects are fictional characters in novels, films, and in our imagination (e.g. the Devil, the Angel, the perfect husband or wife). Anna Karenina both exists (as a character fully created by Lev Tolstoy and accepted as such by readers—on the pages of the novel) and does not exist (as a real person—Eco, 2009; Valsiner, 2009d). Cabillas (2014) gives us examples of Natalie Saraute autobiographical writing that gives us an interesting insight into the making of such quasi-existing objects.
Furthermore, in contemporary cultural psychology (Brinkmann, 2009) and long before (Heider, 1959), we can observe examples of the use of fiction writing as empirical data to illuminate relevant psychological processes. It might be time to overcome the artificial separation between our real “research participants” (whom we diligently force to sign various “consent forms”) and quasi-real ones (fortunately, we do not need to get Anna Karenina to sign such consent forms!). Psychology might be a form of literature—and literature is a form of scientific psychology, without the efforts to publicly prove that it is “hard science.”
Saraute’s autobiography of writing (Cabillas, 2014) is a good example of how the activity of writing itself takes place at the present (here-and-now)—yet, its function is to activate and integrate the constructively remembered past and link it with imagined future. The writing process is itself an activity of constructive remembering (Bartlett, 1932; Wagoner, 2012) and gives us an access to the construction of narrative trajectories. Similar processes are found in another kind of activity—drawing and writing what we consensually (and derogatively) label “graffiti.” As Hedegaard (2014) and Watzlawik (2014) show, the activity of “graffiti writing” is an act of artistic creativity that is carried out on the borders—of the “legal” and “illegal,” of the “art” and “vandalism,” and are a counter-cultural support of the very system of socially accepted meanings (and norms) that are meant to assert the social power of the society upon the acts of “borderline deviancy”—a state in which the graffiti writers are assumed to be. As we learn they are not. They are perfectly ordinary striving and creative persons who gain special thrill from the “illegal” conditions of execution of their creative efforts, and who follow a social norm system of their own (Hedegaard, 2014). There is a constant process of re-defining “graffiti” into “art”—this is a state in the development of the people who observe the graffiti in the public places. The asymmetries of power can be modified.
In a more general sense, these examples of writing—books, and “graffiti”—indicate that all human activity—if seen in the framework of time—takes place on the border (Marsico, Iannaccone, & Komatsu, 2013). The border—between what already exists (in the life of a person) and that could come into being in the next moment—is the norm, rather than exception, of human psyche. Cultural tools are invented precisely for such move toward the expected but not yet certain future. Cultural tools help to create security for the future. In that process, they stabilize the otherwise non-stable flow of events.
When seen as a cultural tool that stabilizes the future, it is not surprising that in the coverage of national histories—from nationalistic goal-oriented perspectives—we can observe the ontologization of the past histories of the countries (Lopez, Carretero, & Rodriguez-Moreno, 2014). In national narratives, historical events that never existed can be presented as if they did, and the very notion of “national identity” becomes represented as if it were timeless. Such ontological stance on national identity-encoded in most ordinary ways into mundane everyday life activities (see Figure 1)—is meant to utilize narratives of history to create continuity of the national order in the future.
Symbolic proliferation: Inclusion of national flags in places where they need not be (serving of Dutch nieuwe hering in Schiphol Airport in Amsterdam).
This may become particularly intense at times when such order is becoming challenged. As an ideologically relevant cultural “toolbox,” inclusion of history into the curriculae of educational institutions is meant to eliminate history from human minds. History teaching is not about the past of the nation, but about its possible (and politically desired—by the power holders) future.
Conclusion: History of science is a storehouse of quasi-existing ideas
Sciences usually detest their histories. It is as if everything invented today is by default better than ideas that were once tried out but fell into oblivion. Here, I have demonstrated that we can benefit from “old” ideas for taking a “new look” at our efforts in the present. Building theoretical approaches further from the Graz tradition, in the direction of abandoning its ontological axiomatics, and bringing the notion of sign mediation to the making (and breaking) of the higher order objects, might be a fruitful effort in cultural psychology. We do not “stand on the shoulders of giants,” but—through careful interest in their way of thinking—might develop new perspectives that may be rooted in these ideas, yet lead to new theoretical breakthroughs.
Footnotes
Funding
The writing of this Editorial has been supported by the Niels Bohr Professorship grant by Danish Basic Research Foundation (Danske Grundforskningsfond).
