Abstract

John Berger and Jean Mohr. A fortunate man. The story of a country doctor. London: Penguin Press, 1967
The idea of looking is fundamental to this wonderful book because many of the pages are filled by Jean Mohr’s extraordinary photographs of the doctor, his patients and the isolated, deprived rural environment that they shared. In its very structure, the book models the power of collaboration. In the BBC series Another Way of Telling, Jean Mohr explained how both he and John Berger stayed in the house of the doctor for over a month watching his consultations and accompanying him on visits both day and night. Jean shot 30 or 40 rolls of black and white film and then they both returned to their own homes and worked independently. John turned his notes into the first draft of a text, and Jean produced about 200 black and white prints. Then they met to show each other what they had done and almost immediately it became clear that, as John Berger put it, ‘Both of us have made the same mistake, we have tried to do the book all by ourselves’. Each had to rescind that exclusivity so that the power of the book could be fully realized. More than half of Jean’s photos were put to one side and John sat down to rewrite his text completely. Brought together, the immediacy of the photographs means that the text can begin its exploration of what it is to be a patient and a doctor at a much deeper level than would be possible without them. The words can move immediately behind the faces and begin to imagine what is being felt and understood in the minds of doctor and patients. Together, the photographs and the descriptions of the doctor–patient encounters capture both the diversity and the rhythm of practice, and, beyond that, the almost shocking intimacy of what doctors are told and what they are required to see. The photographs do not illustrate the text; they provide a different and absolutely complementary truth.
John Berger evokes and quotes from both Joseph Conrad and Jean-Paul Sartre and in so doing he illustrates the multiplicity of ways in which great writing can help us to make sense of a life which may be quite different from that depicted by the author. He began to realize that the way Conrad's Master Mariners came to terms with their imagination – denying it any expression but projecting it all on to the sea which they then faced as though it were simultaneously their personal justification and their personal enemy – was not suitable for a doctor in his position. He had exchanged an obvious and youthful form of extremism for a more complex and mature one: the life-and-death emergency for the intimation that the patient should be treated as a total personality, that illness is frequently a form of expression rather than a surrender to natural hazards.
Sooner rather than later, as science continues to unravel the connections understood intuitively by John Berger’s Dr Sassall, it will no longer be possible to relegate the biographical experience of the patient to irrelevance and discount the terrible health consequences of structural violence within society.
2
General practitioners (GPs) and public health physicians should be leading the application of this knowledge to health care systems: the former because continuity of care throughout the life course is a founding and defining characteristic of general practice and; the latter because their preventive efforts seem increasingly misdirected. An unhappy patient comes to a doctor to offer him an illness – in the hope that this part of him at least (the illness) may be recognizable. His proper self he believes to be unknowable. In the light of the world he is nobody: by his own lights the world is nothing. Clearly the task of the doctor – unless he merely accepts the illness on its face value and incidentally guarantees for himself a ‘difficult' patient – is to recognize the man. If the man can begin to feel recognized – and such recognition may well include aspects of his character which he has not yet recognized himself – the hopeless nature of his unhappiness will have been changed: he may even have the chance of being happy. Those who are unhappy have no need for anything in this world but people capable of giving them their attention. The capacity to give one’s attention to a sufferer is a very rare and difficult thing; it is almost a miracle; it is a miracle. Nearly all those who think they have this capacity do not possess it. Warmth of heart, impulsiveness, pity are not enough.
3
I read the book first when I was 19 and a second-year pre-clinical medical student, again when I was almost 40 and had been working in general practice for 15 years, and, most recently, now I am 64, four years since I stopped seeing patients of my own. It is a book which describes the progress of a career and which has punctuated and enriched my own. From my current superannuated perspective, looking back to the ingenousness and ignorance of my 19-year-old self, I cannot remember what captivated me or, indeed, how I could have made any sense of the book’s profound understanding of what it is to work as a GP. Yet I am fairly certain that the book must have been part of my determination to become just such a doctor, albeit in a troubled and troubling urban environment rather than a rural one. By the time of my second reading, I had begun to copy out the portions of text which carried particular resonance and so it is easier to recall the extraordinary sense of recognition that I experienced. As I read, I felt that my struggle to find meaning in the stories and wounds, both biological and biographical, that I encountered every working day was being validated by a deep understanding of how impossibly difficult the whole undertaking is, and will always remain. Most recently, with my longer biographical perspective, I saw more clearly, and again recognized in myself, the change in the doctor as a career unfolds.
So, as the politics of self-interest fragments the health service around us and threatens continuity of care, even in general practice, A Fortunate Man is surely worth at least a second look.
