Abstract
The aim of this article was to explore identity struggles related to the experience of living with medically unexplained symptoms (MUS) in illness narratives of patients with MUS. These patients pose therapeutic and communication challenges as their symptoms do not have an obvious underlying diagnosis. Previous studies have shown that their stories can best be described as ‘chaos narratives’, lacking a chronological development of symptoms or ‘legitimacy narratives’, through which patients seek to legitimize their invisible symptoms. The study draws on 21 interviews with MUS patients. The examples were selected from two contrasting cases in order to show how the patients accomplish their identity struggles through distinctive discursive tools, such as metaphors, modality, personal pronouns, evaluative devices, as well as characteristic interactional structure, navigating around the three identity dilemmas: continuity and change, self and other, and agent or undergoer.
Keywords
Introduction: Illness narratives, identity, medically unexplained symptoms
Illness narratives make up a broad field of study that includes patients’ stories of illness, explores the way narratives are used in the interaction between patients and medical practitioners, and examines multiple functions of patients’ narrative in medical encounters – therapeutic, diagnostic or educational (cf. Greenhalgh and Hurwitz, 1999; Hydén and Bülow, 2006: 697). Most notably, illness narratives ‘give voice to suffering in a way that lies outside the domain of the biomedical voice’ (Hydén, 1997: 49). They may also ‘serve political ends as they raise awareness, destigmatize various illnesses, influence legislation and/or lobby for medical research’ (Japp and Japp, 2005: 108).
What I find particularly relevant for the exploration of my data are three major aspects of narrative. First, narrative is an important tool for making sense of illness experiences (cf. Labov and Fanshel, 1977). While recounting events that may be disturbing (Labov and Waletzky, 1967), narratives are said to add coherence to the experiences of illness through linearity and causality and ‘highlight the restoration of a disrupted order (equilibrium)’ (Georgakopoulou, 2006: 1388), thus they structure and facilitate the processing of personal experience. As such, narratives serve a cognitive function (Gygax and Locher, 2015: 2). Second, through narratives, tellers share their illness experience with others, usually with healthcare practitioners, and seek to legitimize it (cf. Burbaum et al., 2010; Japp and Japp, 2005; Nettleton, 2006).
Third, exploring illness narratives is crucial for understanding identity construction and transformation of self due to illness (Hydén and Bülow, 2006: 698). Ill people experience a rupture in their former sense of self or a loss of self as a consequence of illness (Charmaz, 1983). Narrative is considered to play a therapeutic role in that it helps to reconstruct a disrupted or fragmented identity and offers a way of integrating an identity as a patient into the sense of a coherent, permanent self (cf. Cheshire and Ziebland, 2005). Arthur Frank’s (1995) typology of illness draws attention to this tension between coherence and chaos (cf. Page, 2012: 49).
Frank distinguishes three types of narratives: the restitution narrative, the quest narrative and the chaos narrative, which can be experienced by the patient at different stages of an illness. In the restitution narrative, the person becomes ill, seeks help and recovers. This narrative reflects ‘a natural desire to get well and stay well’ (Frank, 1995: 78). In the quest narrative, the person who falls ill believes that they gain from their experience, for example will become more self aware after they recover. Finally, the chaos narrative is characterized by lack of structure, confusion and uncertainty, as the ill person struggles to recall the onset of their illness and give order to their experiences. The chaos narrative should be understood as ‘anti-narrative of time without sequence, telling without mediation, and speaking about oneself without being fully able to reflect on oneself’ (Frank, 1995: 98). The chaos story is thus the opposite of restitution, in which chaos means non-plot (Frank, 1995: 97). For this reason, it is also the most difficult type of narrative to listen to (cf. Nettleton et al., 2005: 206).
Most contemporary conceptions of narrative construction of identity share some assumptions, which are also adopted in the present article (cf. De Fina, 2010; De Fina et al., 2006: 2). First of all, identity is not considered to be a monolithic construct, but a dynamic process that takes place in specific interactional occasions (De Fina, 2011). Furthermore, the process of identity formation is embedded in social practices within which discourse practices play a central role (cf. Fairclough, 1989). In other words, identities are socially and discursively constructed. This is in line with a social constructionist perspective, which views identity as dynamic, negotiable and context-dependent. Social constructionism also assumes an individual’s constellations of identities, including conflicting versions of the self, which may produce certain tensions and eventually lead to their change (cf. Bamberg and Georgakopoulou, 2008; De Fina and Georgakopoulou, 2012: 105–190; Georgakopoulou, 2007).
This article is part of a larger research project on the role of medically unexplained symptoms (MUS) patients’ discourse in doctor–patient communication in a Polish primary care setting. MUS is a contested illness (Barker, 2010), as it is unnamed and is invisible (Nettleton et al., 2004: 48). When symptoms such as headache, back pain or fatigue persist but cannot be attributed to disease following clinical investigation, they are generally considered MUS. There are no definite scientific theories explaining the outbreak of MUS, and frequently, the presence of bodily symptoms is related to psychological distress or stress-related physiological arousal (e.g. Rief and Broadbent, 2007). As pointed out by Japp and Japp (2005), ‘without medical acceptance of the validity of the illnesses, social, legal, and economic acceptance is difficult if not impossible, leading sufferers to experience social stigma, devaluation and economic hardships’ (p. 108). Patients who suffer from MUS pose not only diagnostic, but also communication challenges to general practioners (GPs). The previous research has shown that their stories resonate with ‘chaos narratives’ (e.g. Nettleton et al., 2004). They lack coherence and a temporal sequence of events representing the development of symptoms; instead, these patients present their symptoms as habitual and enduring, using non-progressive modality and the present tense, and tend to communicate permanent distress and emotional frustration (cf. Elderkin-Thompson et al., 1998). Japp and Japp (2005) further observed that their narratives can best be described as ‘legitimacy narratives’ and can contain four interconnected core elements: the need to establish legitimacy of suffering, the search for moral legitimacy, the search for medical legitimacy and the search for public legitimacy. What is more, their narratives are not only personal accounts of illness experiences, but they also communicate broader cultural values, norms, beliefs and expectations, since they are linked to master narratives of biomedicine, which explain and treat disease on the basis of scientific validation, and institutional and public narratives (cf. Japp and Japp, 2005: 108–109). Accordingly, these patients need to orient themselves to the expectations of healthcare practitioners on the one hand, and deliver a legitimate illness narrative, and to the norms and expectations of a wider sociocultural context on the other. The construction and legitimation of patient identities are thus often challenging and there is a huge potential for struggle. This struggle is conducted in and through discourse (cf. Schnurr and Van De Mieroop, 2017: 1).
Research into negotiation of patient identities is still sparse, and usually ignores discursive tools used in identity formation. Previous sociological studies have focused mainly on the loss of self and discreditation (e.g. Charmaz, 1983), disruption caused by illness and narrative reconstruction (e.g. Williams, 1984), renegotiating identity and biographical work (e.g. Mathieson and Stam, 1995), or narrative identities and personal accountability (Horton-Salway, 2001). On psychological grounds, Erikson (1968) has explored identity struggle as aspects of ‘identity crisis’ during adolescence. Bamberg (2010) has argued for ‘identity navigation’ around the three dilemmas: continuity and change, self and other, and agency and undergoer. More specifically, he has observed that any claim of identity faces these three challenges:
(i) sameness of a sense of self across time in the face of constant change; (ii) uniqueness of the person vis-à-vis others in the face of being the same as everyone else; and (iii) the construction of agency as constituted by self (with a self-to-world direction of fit) and world (with a world-to-self direction of fit). (Bamberg, 2010: 4)
Drawing on conversation and positioning analysis, Burbaum et al. (2010) have demonstrated how patients suffering from MUS position themselves as somatically ill or justify their own life situation. In Poland, where family medicine is relatively new, there are no guidelines for management of patients with MUS, and Polish GPs are not always responsive to the patients’ needs for reassurance and empathy (cf. Czachowski et al., 2011; Sowińska, 2014, 2017)
In this article, I aim to bridge the research gap by exploring MUS patients’ struggles to legitimize the ‘invisible’ symptoms and associated suffering, and thereby their identity. In particular, the following research questions will be answered: How do patients with MUS experience identity struggles and make sense of them? What discursive tools do they draw on to negotiate their own identity in these struggles? More specifically, in my exploration of identity struggles I pay attention to the positioning strategies of the three identity dilemmas: patients’ construction of continuities or change across time in relation to symptoms, how patients set up their selves vis-a-vis others as same and different, and how they present a self as agent or as undergoer in relation to symptoms (cf. Bamberg, 2010; Bamberg et al., 2011).
For the purpose of the study, narrative is understood here as a stretch of talk in the semi-structured interviews (cf. Semino et al., 2014) in which patients describe their major symptoms and how they cope with them, attempt to interpret them and position themselves in relation to others. The concept of positioning captures the discursive formation of diverse selves, as tellers constantly place themselves and others into social or moral positions and juggle their multiple identities (De Fina, 2011: 272). These stretches, in some cases, depart from prototypical Labovian narratives (cf. Elderkin-Thompson, 1998; Labov and Waletzky, 1967) and can be regarded as ‘small stories’ (Georgakopoulou, 2007: 148), that is stories about self and other, which may be fragmented, minimally developed, habitual or future oriented (cf. Gygax and Locher, 2015). Next, I refer to Frank’s typology of illness narratives to show how the presented accounts of identity struggles resonate with particular features of these narratives. Finally, the description of identity struggles is combined with the methods derived from conversation analysis (henceforth CA) (e.g. Pomerantz, 1984; Schegloff et al., 1977). The annotations are based on Jefferson (2004).
Data and method
The data are 21 semi-structured interviews with patients presenting MUS, conducted by a GP in a doctor’s surgery at the Centre for Modern Interdisciplinary Technologies at Nicolaus Copernicus University in Torun, Poland, in 2015 (Sowińska and Czachowski, 2018). These were all video-taped, except for one audio-taped interview when the patient did not agree to be filmed. A purposive sample of 21 patients (9 men and 12 women, aged 18–57 years) diagnosed with F45, referred to as ‘psychosomatic or somatoform disorders’ according to the International Classification of Diseases (ICD-10), were recruited from a single general practice. The patients who had complained about the symptoms for at least 2 years were contacted either directly by their GP or by phone. More than a half of the patients were chronic presenters of MUS. The interviews were conducted according to the topic guide derived from the literature on MUS, and covered somatic, cognitive, behavioral, emotional and social dimensions of MUS (cf. Olde Hartman et al., 2013). The average duration of the interview was 40 minutes. All participants gave their informed consent.
The examples that are presented were selected from two contrasting cases, in particular from the beginning and ending of each interview, where the patients talked about their major symptoms, coping, and relations with others. Both patients were chronic MUS sufferers and participated in several psychotherapy sessions. Despite sharing the same diagnosis and visiting psychologists, their narratives revealed different identity struggles related to the experience of living with the symptoms.
Analysis
The first patient (P1) is a 36-year-old woman. She seems to have closure with regard to her symptoms. Her story focuses on the explanation of how she got rid of the symptoms during pregnancy (see Appendix 1 for data excerpts in original Polish):
Example 1 T1 GP: ok h it is mainly hh about (.) your symptoms that you previously (.)↑ T2 P1: (2.0) about these that I had a few years back? T3 GP: Yes= T4 P1: =the biggest hardcore experience I had with these T5 GP: [ye::s T6 P1: it was T7 GP: Ok (.) could you describe what they looked like (.) what they were (.) these T8 P1: =it started with a T9 GP: mhm T10 P1: hh or as if somebody pricked me with needles >I mean these were electric discharges< T11 GP: [yes T12 P1: [in the whole body I felt and I was convinced that (.) >I mean I knew that it was a nervous reaction to that< HORRIBLE quarrel hh with my ↑MOther’s stepmother … for a long time I was trying to find out what it T13 GP: mhm mhm T14 P1: … >my problem was that< I kept thinking about it >for example when I was moving then of course< I
In the first example, the patient struggles to portray herself as an expert, who possesses increased awareness and knowledge about the illness (if compared to the past), and a responsible patient, who tries to assume control over the symptoms (for a long time I was trying to find out; my problem was that; I knew that …). Structurally, her account contains some components of the Labovian narrative (Labov and Waletzky, 1967): abstract (the biggest hardcore experience … in T4), orientation (it started with … in T8), complicating actions (from I started to feel as if . . . in T8, T10 and T12), and evaluations (it was horrible in T6, it was an utter nightmare in T14, my problem was that … in T14).
From the very beginning she distances herself from her illness experience by talking about it in the past. When asked about the symptoms, she recalls their onset and is able to link it to the cause: a HORRIBLE quarrel in her family. While navigating the first identity dilemma – constancy and change – she points to a change in her present perception of illness as compared to the past (‘cos I was certain that I had a serious neurological condition). By using specific medical terminology (fasciculations, restless leg syndrome), by providing detailed descriptions of her symptoms and drawing on vivid metaphorical language (tiny thunderbolts in my whole body, as if somebody pricked me with needles, I mean these were electric discharges), she is struggling to legitimize the invisible symptoms. Yet these multiple emotional and value-laden expressions, especially negative adjectives (e.g. it was horrible in T6), verbs (it plagued me . . . dear God in T12), intensifiers and nouns used to evaluate her illness experience (e.g. it was an utter nightmare in T14), extreme case formulations (e.g. the biggest hardcore experience in T4) and references to God (e.g. God forbid in T14), seem to be used not only to legitimize her illness, but also to communicate and legitimize her suffering and distress to the GP, possibly gain his empathy, and thereby construct a legitimate patient identity.
Her identity struggle is also performed at the interaction level. Her contributions have the story-telling format and are fluent, but characteristically the patient alternates between a rapid pace of delivery (e.g. >I mean I knew that it was a nervous reaction to that< in T12, or >for example when I was moving then of course< in T14) and her normal tempo. Together with an increased loudness of selected items (e.g. FAMILY in T8; HORRIBLE and TERRIBLY in T12) and the use of heavy, sentential stress (e.g.
The patient’s identity struggle resurfaces in the next example, which reveals self-differentiation. She acknowledges shame related to her condition and constructs an image of herself as ‘other’ by positioning herself as ‘psycho’, the membership category, which is unequivocally negative:
Example 2 T1 GP: and where else did you seek hh hh some advice with your ↑friends ↑doctor with with some ↑fortuneteller .hh somebody else? T2 P1: … I
Specifically, the patient discloses in a perceptibly quiet manner that she did not search for advice because she °was kind of ashamed of this° (T2) and didn’t want to be
Yet by the end of the interview, as illustrated in Example 3, the patient successfully struggles to manage her potentially ‘spoiled’ identity as a psycho, and repositions herself as a powerful and agentive person who takes action and assumes control over her illness and life events:
Example 3 T1 GP: and what were these circumstances [when the symptoms disappeared, AS]? T2 P1: … I simply at a certain point T3 P1: … I simply
Most notably, while navigating the agency dilemma, she constructs a heroic self – a person who comes across as strong, self-determined, rational and in control (cf. Bamberg et al., 2011). The events reported by the patient, namely her pregnancy, led to a change in terms of a former position regarding the symptoms that was replaced by a new one. Her identity struggle is accomplished linguistically through a series of assertions, the first person pronouns accompanied by active verbs, and metaphors: the metaphors of maturity (e.g. growing up) and the metaphors of confrontation and struggle (e.g.
All in all, her story resonates with the restitution narrative, the most preferred illness story. It is coherent, fluent and possesses a clear temporal frame (cf. Elderkin-Thompson et al., 1998). In the restitution narrative, the story typically displays heroism in the face of bodily breakdown (Frank, 1995: 93). The restitution narrative also favors the language of fighting illness and being ‘successfully ill’ (Frank, 1995). However, the patient’s agency is not limited to compliance as it is the patient who works out her own success and copes with the symptoms.
The second patient (P2) is a 28-year-old man. Contrary to the first patient, he positions himself as powerless, vulnerable and frustrated, struggling to pin down and legitimize his symptoms (see Appendix 2 for data excerpts in original Polish). He is still fully suffering from MUS:
Example 1 T1 GP: We are talking about these two major [symptoms] of yours that is breathing… T2 P2: … the MOST crushing T3 GP: =mhm mhm mhm T4 P2: and this hh and hh and this is SO destructive.
The GP starts by referring to the major somatic symptoms mentioned by the patient at the beginning of the interview: problems with breathing and sweatiness. The patient points forcefully to inTErnal RESTlessness as the main problem, using the present tense, and thereby constructing the symptom as still persistent. Accordingly, with regard to the navigation of sameness and change across time, the patient presents himself as the same. In a similar vein to the first patient, his identity struggle to legitimize the symptoms and his suffering is performed through the use of negative adjectives (crushing and destructive), preceded by boosters (SO destructive), extreme case formulations (the MOST crushing
In the following excerpt, the patient navigates the second identity dilemma: setting up a sense of self vis-a-vis others (see also Example 3). He struggles to articulate what is acutely germane to him: his inability to cope with a fear that his symptoms will be visible to others:
Example 2 T1 P2: … when hh I go out with my friends or hh GO out of the city (.) hh then I am afraid ↑that hh (.) hh this (.) this sweatiness will hit me this this heavy breath (.) and that the others will see it… T2 GP: mhm= T3 P2: =and and in fact this this stress is amplified by hh the fact that I don’t want to sort of FLAUNT it so so that I just can’t cope with the stress= T4 GP: =[mhm I T5 P2: [can’t cope with emotions
The patient’s anxiety that others will notice his symptoms may imply his fear of being excluded due to his ‘otherness’, and hidden yet not articulated shame about the symptoms.
When it comes to the third dilemmatic territory, that is, construction of agency, the patient positions himself as vulnerable and weak in relation to his illness. The patient appears to distance himself from his illness experience, which is evident in the way he conceptualizes the symptoms as if they come from the outside; yet the symptoms, which take the semantic role of the agent that acts (e.g. sweatiness will hit me in T1), are constructed as directly affecting him. Again his struggle to adequately define, legitimize and manage his illness is accomplished interactionally through hesitations and pauses (e.g. hh (.) hh this (.)), the repetition of qualifiers preceding various symptoms (e.g. this (.) this sweatiness, this this heavy breath) and the repeated modal verb I can’t, which signal uncertainty. This narrative of powerlessness and frustration is continued in the next lines of Example 3:
Example 3 T1 P2: … subconsciously I’m afraid that hh I will have a fit of T2 GP: =[mhm T3 P2: [I won’t T4 GP: =You’re anxious about YOUR T5 P2: =yes- yes- yes- yes- T6 GP: What will others think? [( ) T7 P2: [yes- yes- correct- correct- yes- hh (.) and it it produces the biggest stress in me T8 GP: mhm mhm mhm= T9 P2: =it is T10 GP: mhm= T11 P2: =somehow hh I’m
In this excerpt, the patient communicates a strong sense of uncertainty through a series of hedges (e.g. a fit of
Most importantly, in the final lines of the interview (see Example 4), the patient is blaming himself for his illness behaviors:
Example 4 T1 GP: … what’s T2 P2: [I think that (.) if hh I hadn’t started T3 GP: mhm= T4 P2: =while I really myself hh I have blown IT up T5 GP: mhm= T6 P2: =and in fact hh °this° if you think so much about it- yes? T7 GP: mhm= T8 P2: =and if you do so much- yes? T9 GP: mhm T10 P2: these are my opinions (.) and they can’t be objective - yes?
The final lines communicate a strong sense of uncertainty, which may be additionally reinforced by the GP’s implicit negative evaluation of his illness (unfortunately in T1). The patient’s account points to the failure of medicine – consultations with specialists did not help him, but only contributed to blowing the illness experience up. This aspect resonates precisely with the chaos narrative. Yet in contrast to typical chaos narratives, the patient is able to reflect on his illness experience and his narrative reflects causality: he thinks that his symptoms result from devoting too much attention to them (T2). Interestingly, the patient also attempts to construct an image of himself as an agentive and responsible patient (if hh I hadn’t started
Concluding remarks
To conclude, the analysis of narratives told by patients with MUS revealed identity struggles accomplished through distinctive discursive tools, such as first person pronouns, metaphors, modality and evaluative devices, and characteristic interactional structure. These particular discursive repertoires cue listeners as to how the two narrators construe a sense of self as MUS patients, that is, how they intend to be understood. As observed by Japp and Japp (2005), in the case of patients with MUS, the biomedical master narrative of what constitutes a legitimate disease requires the evolution of the ‘legitimacy narrative’ in which an individual’s account of illness must attempt to establish legitimization for the patient’s experiences (p. 109).
In the first case, in order to legitimize the symptoms and negotiate her identity, the patient portrayed herself as a knowledgeable and responsible patient who ‘recovers’ from the symptoms. She embarked on a story of her confrontation with the symptoms while being pregnant. Although the sustainability of this narrative seems questionable in the face of a possible relapse of the symptoms, through telling this story the patient’s identity has been successfully negotiated. Her narrative strategies could also be construed as more ‘healthy’, if compared to the other patient. More specifically, despite admitting to hiding her illness from others due to shame, the patient smoothly constructed a restored identity by the end of the interview, and positioned herself as an agent in relation to symptoms, who takes action and assumes control over her symptoms. Her identity struggle was accomplished discursively through characteristic metaphors of maturity, metaphors of confrontation and struggle, polarized expressions and first person pronouns accompanied by active verbs. These discursive devices contributed to the construction of events as indexing a patient’s transformation (cf. Bamberg et al., 2011). The patient’s turns were longer and had a more continuous execution. It was also in the first case where the informal, sometimes vulgar use of language was used to legitimize the patient’s experience and possibly engage the GP to vividly reconstruct it. All these features resonated with a master narrative of restitution.
Conversely, the second patient’s identity struggle resonated with a chaos narrative: the symptoms were presented as habitual, the patient positioned himself as powerless in relation to his illness and frustrated. These characteristics were congruent with narratives of somatizing patients described by Elderkin-Thompson et al. (1998) as well as MUS patients’ accounts in a study by Nettleton et al. (2004, 2005). The identity struggle was communicated through short turns, and a disrupted narrative flow – punctuated by hesitations, pauses, qualifiers and question tags – which was indicative of dispreference organization. Conversational dispreference has been linked to moments of interactional crisis related to, for example, lack of consensus on the course of conversation, definitional problems or processing problems (cf. Żywiczyński, 2010). The elements of chaos (sensu Frank) in illness narratives may thus be signaled by characteristics typically found in dispreferred turns, such as delays (e.g. pauses before delivery, repair initiators), prefaces (e.g. qualifiers) or hesitations (e.g. various forms of self-editing) (Levinson, 1983: 334–335). They appear to testify to the patient’s cognitive struggle to assign meaning to the symptoms, to emotional conflict, or may serve as a conversational means of distancing oneself from illness experience. With regard to the differentiation between self and other, the analysis has revealed how the patients positioned themselves as ‘others’ and struggled with shame related to their symptoms.
Overall, the presented identity struggles were related to knowledge and competing sociocultural norms, or, to put it differently, dominant discourses or master narratives (cf. Van De Mieroop and Schnurr, 2017). By telling a story of being ‘successfully ill’, the first patient managed to challenge the dominant discourse of patients with MUS and constructed a ‘dissident’ identity. By asserting knowledge about their symptoms and providing explanations, patients with MUS seem to successfully legitimize their illness experience and their identities. Conversely, by openly admitting and expressing uncertainty, they fail to do so.
The results seem to prove the usefulness of the analytic procedure that draws on the positioning strategies around the three identity dilemmas (continuity and change, self and other, agent and undergoer) for the analysis of patient narratives. This type of narrative analysis can contribute to the analysis of other illness narratives, especially those told by patients with other contested illnesses.
Footnotes
Appendix 1
Appendix 2
Acknowledgements
I thank my colleagues and the patients who agreed to participate in the project, and the Faculty of Languages and Centre for Modern Interdisciplinary Technologies at Nicolaus Copernicus University in Torun for providing space and support.
Declaration of conflicting interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This study was funded by the research grant DEC-2013/11/B/HS2/02449 from the National Science Centre.
