Abstract
Understanding key trends within the penal field has become a core preoccupation of criminologists in recent decades. However, critical analyses of the emplotment of narratives, or how narratives themselves are constructed and move through the criminal justice system, can be overlooked, a gap that this article aims to address. Drawing on a range of case studies across the criminological literature, the article aims to build on this work by interrogating four key features of policy and practice narratives that have important implications for how we conceptualise, understand and employ narratives to understand policy and practice developments, namely that such narratives are (a) operating at multiple levels of analysis, (b) shaped by diverse and sometimes agonistic voices, (c) informed by vertical and horizontal influences and (d) fluid and dynamic, and as such can vary temporally and situationally. These features and their implications for understanding criminal justice policy and practice developments are explored next, illustrating that policy and practice can flow both into and from narratives.
Understanding key trends within the criminal justice policy and practice landscape has become a core preoccupation of criminologists in recent decades. By the 1990s and early 2000s, an apparent shift from penal welfarism to a ‘new penology’ prompted scholars to develop theories to conceptualise and explain this transition (Garland, 2018). Among the most seminal was Garland's (2001) culture of control thesis. Using official texts such as crime policies, legislation and political statements, Garland (2001) mapped the contours of the late modern penal landscape in the UK and USA and documented inter alia an apparent decline in rehabilitation and rise in punitiveness, increasingly politicised approaches to penal policy, the movement of victims from the periphery to the core of criminal justice policy and discourse, and the embrace by criminal justice agencies of managerialist values. He explained these shifts with reference to the socio-economic transformations wrought by the late modern era, including rising crime rates, increased economic precarity and a weakening of communitarian social structures. While acknowledging the contributions of Garland's work, Tonry (2007: 39) and others have dismissed attempts to understand policy development without reference to real-world experience as ‘armchair theorizing’, noting that macro-level changes rarely filter unchanged to micro-level, or frontline, practice. The work of Garland and his successors has spawned a wealth of research on the ‘new penology’, and analyses of criminal justice narratives at the macro- (structural), meso- (institutional) and micro- (practice) levels feature prominently in this field. However, critical analyses of the emplotment of narratives, or how narratives themselves are constructed and move through the criminal justice system, can be overlooked, a gap that this article aims to address.
To address the gap, this article draws on a range of criminological case studies to synthesise and critically assess current knowledge about criminal justice narratives. Despite their prominence in the literature, it is argued that a more critical stance towards the study of criminal justice narratives is needed. In particular, the paper focuses on four key features of narratives which have important implications for how we think about and use them to understand criminal justice discourse, policymaking and practice, namely, that narratives operate at multiple levels of analysis, are shaped by diverse voices, and are influenced by external and vertical influences as well as temporally and situationally specific forces. Because of this, it is contended that researchers need to study narratives operating at different levels of analysis, including structural, institutional and personal narratives, in order to understand and explain points of convergence and divergence between discourse, policy and practice. It is further argued that researchers must listen to and incorporate diverse voices in narrative studies to better capture the agonistic process of policy development (cf. Goodman et al., 2015). The impact on local narratives of supra-national structural forces like the European Union must also be considered. Beyond this, scholars are asked to be mindful of the ephemeral quality of narratives and to attend to the situational and temporal contexts that shape the creation, development and promotion of particular narratives at particular historical moments. It is concluded that scholarship in this area would benefit from a more critical and reflexive conversation on the nature, uses, strengths and limitations of criminal justice narratives.
Narratives and criminological research
The use of narratives within criminological research can be traced back to the early years of the discipline but the study of narratives as objects of interest in their own right has only recently begun to receive scholarly attention (Presser and Sandberg, 2019; Maruna and Liem, 2021). Despite its recent genesis, narrative criminology has provided important insights into the personal narratives constructed by individuals to lend shape and meaning to life events (Presser, 2009). While this article does not examine the kind of life stories studied by narrative criminologists, the lessons emerging from this field can be used to advance knowledge about the nature and evolution of criminal justice narratives. Presser and Sandberg (2019: 131) define narratives as ‘temporal accounts of events that give meaning to those events. […] they inform and animate us and thus guide our actions’. According to this perspective, stories are always told for a reason, imbuing them with meaning and purpose; for instance, narrators may recount particular stories to communicate something important about themselves, rationalise their actions, entertain listeners, or achieve some combination of the above (Sandberg et al., 2015). Importantly, narratives are not objective, factual records of events but subjective (re)constructions of reality. As such, they may contain contradictions, incoherencies and ambiguities. Narratives do not exist in a vacuum but are always plurivocal in nature and embedded within a wider social context. In other words, they are shaped by external conditions as well as personal agency. Specifically, narratives are co-produced between narrators and audiences in particular settings, with the result that ‘different aspects, layers, and complexities of the story can be highlighted in different contexts to different audiences’ (Maruna and Liem, 2021: 137; see also Brookman, 2015). Storytelling may therefore be influenced by the type of audience, situational setting, existing cultural scripts and wider structural conditions (Presser and Sandberg, 2019).
As Sandberg et al. (2015) point out, researchers also play a central part in the storytelling process, making decisions as to which of the participants’ stories will be told and ironing out ambiguities and complexities to create simpler and more coherent accounts. Researchers also filter participant stories through their personal worldviews, values and theoretical preconceptions. This phenomenon is well-recognised by qualitative researchers such as Kvale (1996: 296) who observed that the research interview is a situation of knowledge production in which knowledge is created between the views of two partners in the conversation’. Moreover, stories are mutable and constantly changing. Being difficult to capture contemporaneously, it is often unclear whether the stories told to researchers represent the narrator's fleeting thoughts, durable and long-standing beliefs, or post-hoc rationalisations (Maruna and Liem, 2021). Narratives are believed to impact on behaviour, though many narrative criminologists regard discussions of causality as unhelpful, believing that narratives and actions are closely intertwined and mutually reinforcing (Maruna and Liem, 2021).
The fluid, subjective and often contradictory nature of stories poses challenges for all researchers engaged in narrative-based research, including those using narrative methods to study policymaking and practice. Criminal justice narratives differ from the life stories studied by narrative criminologists, but have not been clearly defined by criminologists. Researchers in other fields have provided useful conceptualisations, including proponents of the Narrative Policy Framework who define policy narratives as ‘strategic constructions of a policy reality promoted by policy actors that are seeking to win (or not lose) in public policy battles’ (Jones et al., 2014: 9). According to this perspective, policy narratives contain plots, characters and a moral, or policy solution. They situate policy ideas in particular contexts which are bounded by legal, geographical and evidential parameters, and operate at multiple levels of analysis. At the micro-level, the persuasiveness of a story can depend on a number of factors, including its congruence with existing realities and belief systems, the extent to which audiences are emotionally engaged, and the credibility of the narrator (Jones and McBeth, 2010). Narratives at the meso-level level are created and communicated strategically by diverse actors hoping to achieve particular goals, while macro-level (e.g., cultural) narratives infiltrate and gradually become embedded in institutions over time (Jones et al., 2014). Importantly, narratives are thought to play a key role in the design, development, implementation and outcome of public policy. Thus, researchers need to understand the narratives underpinning policy realities if they are to fully comprehend policy processes and outcomes. Though the Narrative Policy Framework has achieved prominence in policy studies research, this understanding is not universally accepted and has been criticised by scholars such as Miller (2020) on the grounds of its positivist and structuralist stances.
While the study of criminal justice narratives is under-developed within criminology, an emerging body of research reveals that a deeper and more critical engagement with such narratives is needed. Within the field of criminology, scholars are advancing knowledge in this area. For instance, Annison (2022) employed the concept of storylines to explore how certain policies achieve dominance in the criminal justice field. He argued that effective storytelling can facilitate coalition-building between disparate groups, bringing them together in pursuit of a shared goal. Stories can also help to simplify complex policy realities, enabling actors to navigate turbulent policy terrains, deflect criticism and instil a sense of meaning and purpose in their actions.
Scholars have also highlighted the need for multi-level frameworks that situate criminal justice narratives within broader socio-political, institutional and practice contexts. Jones and Newburn (2007) identified three facets of policy, namely rhetoric, decisions and implementation, noting that policy rhetoric does not always translate readily to policy content, which in turn does not always conform to policy as practice. Robinson (2008) called for a move beyond a simplistic understanding of narratives, noting the presence of diverse stories within the criminal justice sphere that can intersect, reinforcing or contradicting one another. The inclusion of diverse voices is vital because, as Rubin and Phelps (2017: 423) observed, ‘rather than a singular entity, the state is a messy amalgamation of political, legal, and bureaucratic actors, all with their own interests and perspectives.’ This highlights the agonistic nature of penal policymaking whereby changes emerge as ‘the product of struggle between actors with different types and amounts of power’ (Goodman et al., 2015: 318). It is also debatable whether grand narratives have equal relevance across all criminal justice sites and contexts. Indeed, scholars have questioned whether macro-level theories designed to explain trends in the Anglophone world can be used to understand penalty in other parts of the world, most notably non-Western jurisdictions (see e.g., Brangan, 2020). Likewise, macro-level narratives may vary in salience across different parts of the criminal justice system, even within the same jurisdiction, as they are filtered through diverse organisational and occupational cultures, priorities, and values.
Emplotting policy and practice narratives
This article draws on the emerging body of scholarship in this area to consolidate, review and enhance current knowledge about criminal justice narratives. Our analysis identified four key features of criminal justice narratives that have important implications for how we conceptualise, understand and employ them to understand policymaking and practice. Specifically, it will be shown that criminal justice narratives are (a) operating at multiple levels of analysis, (b) shaped by diverse and sometimes agonistic voices, (c) informed by vertical and horizontal influences and (d) fluid and dynamic, and as such can vary temporally and situationally. By highlighting these features, it is hoped that this article will add to knowledge about how criminal justice narratives are constructed and used at the macro (socio-political), meso (institutional) and micro (practitioner) levels within the criminal justice system and shed light on the implications for understanding criminal justice policy and practice developments.
Criminal justice narratives operate at multiple levels of analysis
Storytelling operates at multiple levels of analysis which means that studies of a single tier of the criminal justice system are unlikely to capture ‘the historical development, social relationships, practices, ideologies, and interests’ that shape criminal justice narratives (Zedner, 2004: 69, cited in Chouliaras, 2014: 250). This is because criminal justice narratives are inherently mobile, moving through different layers of the criminal justice field where they are influenced by a wide range of actors including politicians, policy experts, and practitioners (Lacey et al., 2018; Newburn et al., 2018). Each of these actors has the capacity to ‘create, shape, and interpret penal policy’ (Lacey et al., 2018: 198). The fluidity of narratives is illustrated by the reflexive relationship that exists between narratives, policy and practice, with policy and practice acting as tangible artefacts that can reveal at least in part the more ephemeral narratives underpinning them. The translation of policy to practice is rarely linear, often producing ‘an asymmetry’ between the two that can be explained by the ‘tendency of frontline practitioners to superimpose professional ideologies and practice imperatives over formal policy provisions’ (Newman and Ugwudike, 2014: 203; Tonry, 2001). Illustrating this tendency, Robinson (2002) highlighted disjunctions between risk-oriented discourses as set out within macro-level theories and organisational and practitioner understandings of risk within the probation context. Similarly, McNeill et al. (2009: 423) found evidence in Scotland that narratives of risk were applied in idiosyncratic ways by criminal justice social workers, at times ‘in defence’ of welfarism, again illustrating the resistance of practitioners to macro-level risk discourse.
This highlights the need to distinguish between different kinds of narratives such as institutional narratives (i.e., the stories institutions tell about themselves), the personal narratives of those working in the institutions (i.e., occupational narratives concerned with identity and purpose) and those of third parties interacting with those institutions (e.g., defendants, prisoners, probationers), though of course the lines between these narrative types may be blurred. While institutional narratives have received little empirical scrutiny, there is a growing body of literature on other narrative types. For instance, Kurtz and Upton (2017: 541) examined the role of personal narratives within policing culture in transforming ‘culture to action’ across ‘time and space’. Likewise, Ugelvik and Damsa's (2018) research, which incorporated the voices of those imprisoned in Norwegian ‘crimmigration’ prisons, added a new dimension to our understanding of pains of imprisonment related to a sense of being treated unfairly within an institution perceived as illegitimate.
Taken as a whole, the literature shows that a multi-tiered analysis is required to fully understand the role of criminal justice narratives in policy development and implementation. The stories underpinning policy processes and outcomes operate at different levels, as actors across the criminal justice field help to generate, promote, transform or undermine particular policies (Jones et al., 2014). Accordingly, important influences risk being overlooked if only one level of analysis is studied. Recently, researchers have begun to use ecological models to chart the paths taken by policy and practice – and the narratives that underpin them – through different strata of the criminal justice field, including the macro (socio-political), meso (institutional) and micro (practitioner) levels (see Jones et al., 2014; Healy and McGrath, 2019). Such models illustrate how narratives are shaped by a wide range of actors operating at multiple levels.
There is ample evidence to suggest that micro-level, or ‘street-level actors’, do not passively accept policy imperatives but sometimes resist, reinterpret, comply with, or adapt policies in ways that obey ‘the spirit rather than the letter of the law’ (Tata, 2007: 427). Healy and McGrath (2019), noting work by Cheliotis (2006), explain that discretion within criminal justice practice affords opportunities for resistance and agency. Variations in policy processes and outcomes at different levels of the criminal justice field may thus arise due to the diverse priorities and interests of the various actors involved (Tonry, 2014). As McNeill et al. (2009: 436) assert, criminal justice actors have ‘different histories’ and ‘different sources of capital’, which means that the transformation of policy to practice can be ‘differently paced, configured and experienced, and differently accommodated, resisted and subverted’. To illustrate, Mawby and Worrall (2013: 121) found that probation officers actively crafted their roles in ways that helped them to cope with organisational challenges while also preserving their occupational identities as ‘honourable professionals who make a difference’. Mawby and Worrall (2013) also discovered that stories, myths and folklore play an important role in probation culture, with many officers sharing nostalgic stories about a probation ‘golden age’. These stories served several functions, enabling officers to find meaning in the present, maintain a sense of stability during turbulent times and showcase core occupational values.
Policy change is of course not always a top-down process and can also be spearheaded by frontline practitioners. Bacon's (2022: 536) research on frontline policing provides a useful example of this, finding that police officers prompt change by ‘[challenging] the status quo and transform[ing] cultural knowledge and institutionalised practice’. This is also evident in the Irish context where legislative inertia prompted several judicial innovations; for instance, judges developed the non-statutory practice of supervision during adjournment of penalty whereby a sentencing decision is deferred for a set period to allow the convicted person to show willingness and capacity to comply with a supervision order (see e.g., Healy, 2009). Irish judges also tend to resist legislative attempts to curtail their independence (see e.g., O’Donnell, 2021). It has been suggested that the desire to innovate, and the resistance to external intervention, may be an expression of the core values embedded within judicial culture, namely independence, discretion, impartiality and individualised sentencing (Maguire, 2010; O’Donnell, 2021). These examples highlight the need for multi-layered accounts that capture the real-world narratives that shape policies and practices at specific locations during particular periods of time (Tonry, 2001, 2007).
At the meso-level, organisational and occupational cultures must be accounted for to gain a full appreciation and nuanced understanding of policy and practice narrative development. According to Jones et al. (2014), actors at this level construct and disseminate policy narratives strategically to achieve particular outcomes, often as part of advocacy coalitions which create and share stories that elucidate a particular worldview and set of beliefs. However, as Lynch (1998: 842, cited in Brown, 2017: 461) explains, the ‘contact point’ between a particular institution and the wider criminal justice system can act as a ‘battleground’. Occupational culture clashes are well-documented in the literature and are effectively illustrated by Globokar et al.'s (2019) study of victim advocates who act as mediators between victims and criminal justice professionals. This study revealed that culture clashes frequently arose between advocates and criminal justice professionals due to differing priorities, attitudes, values, professional backgrounds and practices. Cultural differences generated tensions between the professionals, with advocates claiming that criminal justice professionals often questioned the value of their work or disliked being challenged on decisions. Such issues were more pronounced among NGO-affiliated advocates than those employed within criminal justice agencies, suggesting that occupational distance increases the likelihood that disparate voices will be present in policy and practice. Again, evidence such as this highlights the need for multi-level models that capture ‘the splintered nature of governance structures’ (cf. Rubin and Phelps, 2017: 423) and explore how policy and practice narratives shape, and are shaped by, wider structural contexts, organisational settings, advocacy coalitions and individual practitioners.
Lastly, criminal justice narratives are shaped at the macro-level by the society in which they are developed, reflecting Kruse's (2015: 7) view that ‘knowledge is produced— or, more precisely, constructed— within and as part of particular sociocultural contexts… and according to sociocultural norms and ideals’. The relationship between macro-level socio-criminological trends and the multitude of criminal justice actors involved in policymaking can be complex (Garland, 2018). It is important therefore to incorporate macro-, meso- and micro-level narratives into research to capture any gaps between policy and practice while also facilitating consideration of agency. Annison (2018: 309) argues that engagement with specific actors can provide insight into their ‘understandings of pertinent developments’ along with their understandings of the wider contexts, realities and opportunities. Examining criminal justice change at different levels of analysis thus offers an opportunity to examine policymaking as a process and produce a ‘theoretically informed analysis of specific developments in penal change’ (Annison, 2018: 307).
Criminal justice narratives are shaped by multiple and agonistic voices
When studying storytelling, it is important to examine the minutiae of narrative-building, including not only the role of agency but also ‘the crucial impact that apparently minor decisions, unimportant participants, or particular “rules of the game”, can play in specific outcomes’ (Annison, 2018: 303). Numerous and sometimes agonist voices determine which criminal justice narratives become dominant at a particular time, including those of politicians, policymakers, frontline workers, legal professionals, victims, the general public, the media and advocacy workers. The agonistic framework asserts that policy processes and outcomes evolve out of a competition or struggle between actors, each with different levels of power, resources and visions (Goodman et al., 2015). Agonists engage in contests with each other, while coping with their own ‘organizational priorities, policies, and practices’ (Goodman et al., 2015: 329; see also Phelps, 2016). Accordingly, contrasting stories can shape policy processes and outcomes by influencing reforms or complicating the transition to a new policy environment (Phelps, 2016). To illustrate, the legal profession, not often considered in penological research, can operate as agonists, and has been identified as ‘a powerful opposition lobby to authoritarian legislation’ in Ireland (Hamilton, 2016: 456). Hamilton (2016: 456) notes an instance where ‘one senior legal practitioner spoke of the way in which lawyers, like the judiciary, could subvert the intentions of the Oireachtas [the Irish Government] where legislation conflicted with legal culture’. The need to study the impact of legal practitioner voices on criminal justice policy and practice development has also been noted in the international criminological literature, with Lewis (1988, in Newman and Ugwudike, 2014) lamenting the lack of discussion and research on this occupational group.
The important roles played by different actors can also be seen in Kruse's (2015: 148) research which posits that forensic evidence gains a ‘social life’ as it moves through the criminal justice system and concludes that examining this social life ‘makes it possible to see the wide range of expertise that goes into concluding the biography of a piece of forensic evidence’. The interactions between various actors and forensic evidence can generate ‘friction’ due to ‘differences between the justice system's epistemic cultures’ (Kruse, 2015: 109). This is because ‘what is clear to one actor might not be clear to another’ and ‘what is meaningful to one actor might not be meaningful to another’ (Kruse, 2015: 109). The same is true of criminal justice more generally; discourses, policies and practices have social lives that are shaped by multiple and reciprocal interactions between actors in diverse settings. Given this, there is a need to consider the variety of frontline and backstage voices that shape policy and practice through storytelling, not least because agonists can struggle against the hegemonic rationales that underpin dominant policies and practices (see Page et al., 2019; Lerman and Page, 2012; Phelps, 2016; Goodman et al., 2015).
The agonistic approach also encourages the study of other stories often overlooked in criminal justice research, such as those espoused by non-governmental organisations which provide counter-narratives to official rhetoric. A notable example in this regard is the contemporary victim rights movement, which emerged from the feminist and civil rights movements. Wiper and Lewis (2020) document how the movement, which began in the UK and US during the 1960s and 1970s, had a real impact on state responses to victims, raising public and political awareness of the issue, creating therapeutic and prevention services from scratch, and generating feminist-themed theory and research on victimology. However, conflicts also arose between the activists and a hostile state which was reluctant to recognise the need for reform. Again, stories played a vital role with activists challenging dominant victim-blaming narratives with feminist understandings that highlighted the prevalence of violence against women and located the causes of such violence in patriarchal structural arrangements. At the same time, the authors note that certain kinds of stories tend to attract more attention than others; for instance, the recent #MeToo movement, which was inspired by personal accounts of sexual violence shared by women on social media, privileged the stories of white, affluent women (see also, Serisier, 2018). Thus, while outsiders can change or resist policy and practice developments (or a lack thereof), their levels of agency should not be overstated. Indeed, the burgeoning literature on the penal voluntary sector highlights growing concerns around its potential for co-option by the state (see e.g., Tomczak, 2014).
Taken as a whole, this literature shows that a range of narratives shape policy processes and outcomes, including stories told outside the formal criminal justice system. While the role of external actors has been discussed in relation to some parts of the criminal justice system, they are rarely referenced within the general criminological literature (although there are exceptions, see e.g., Lacey et al., 2018; Lacey and Pickard, 2015; Hamilton, 2016). To understand how certain ideas gain popularity within political or policy discourse, Lacey (2016: 44) argues that researchers should analyse not only their structure and form but also the ‘institutional arrangements which provide the framework’, and ‘the interests and power relations which shape their development and implementation’. Criminal justice narratives are complex because multiple actors are involved in their creation, but recognising this complexity can help to explain the multi-faceted and often messy reality of criminal justice processes and outcomes, and the stories told about them. Acknowledging that agonists play a role in criminal justice narrative-building can also aid in the explanation of any disruptions, inconsistencies or divergences between policy and practice (Goodman et al., 2015).
Criminal justice narratives are impacted by vertical influences
Vertical influences on a jurisdiction's criminal justice narratives must also be considered. As Tonry (2001: 530) asserts, the role of international legal actors can exert ‘unceasing pressures’ (for instance in relation to human rights standards) on the direction of discourse, policy and practice. This is particularly evident in the influence of European institutions (see Snacken, 2010; McDermott and Murphy, 2008). While not necessarily agonists per se, the role of the European Union (EU) and the European Court of Human Rights (ECtHR) can restrict the expansion of crime control and risk initiatives at national level, and so may influence narratives and action in different countries (see Pratt and Miao, 2019; Snacken, 2010). The impact of vertical influences can be seen through explorations of the differences between the US and European contexts. For example, the US has been considered ‘notorious’ in its unwillingness to bind itself to international human rights responsibilities (Tonry, 2001: 521). Instead, actors at the macro level in the US have elected to only adopt provisions that are consistent with the US constitution, indicating resistance to external influences on human rights. For example, the US was ‘alone among western countries’ in refusing to sign treaties for an International Criminal Court (Tonry, 2001: 521). In contrast, European countries have exhibited deference to international instruments, employing human rights ‘as a bulwark against criminalization and over-penalization’ (Snacken, 2010: 283). This can be seen, for example, through the collective European abolition of the death penalty and deference to the European Convention on Human Rights and the European Court of Human Rights (Snacken, 2010). Such deference has meant that, while populism can be evident in European countries, attention has simultaneously been afforded to due process and human rights (Tonry, 2001). Yet, despite the obvious impact of vertical influences on narratives, this aspect is often neglected in studies of penology and criminal justice.
In this regard, it should be noted that policies, practices and discourses promoted by supra-national agencies are not necessarily translated wholesale into national arenas. By way of illustration, the EU Victim Rights Directive (2012) imposes significant obligations on member states with regards to improving the experiences of victims within the criminal justice process. However, Dearing and Huxtable's (2021) research, which covered seven EU countries, identified significant resistance among criminal justice professionals to enhancing victim rights, particularly those concerned with increasing victims’ sense of ownership over the crime and participation in the system. The majority of victims surveyed reported dissatisfaction with their criminal justice experiences. Interestingly, the authors concluded that victims’ status within the criminal process is governed less by legislative or procedural provisions and more by the founding narratives of the criminal justice system. Specifically, the philosophies espoused by criminal justice professionals, marked by an attachment to state ownership of conflict and the right to punish, conflicted with the human rights narrative embodied within the Directive. This suggests that vertical influences do not automatically influence practice at national level, as actors filter external initiatives through existing belief systems, using agency to subvert or resist changes that conflict with their worldviews. Changes must also be filtered through national criminal justice fields, including the hegemonic narratives that underpin them which may not always be open to, or capable of accommodating, the proposed approaches.
The role of vertical influences is not straightforward as policy ideas are rarely transferred neatly from one jurisdiction to another. Tonry (2007) critiques as overly simplistic the notion put forward by early theorists that global socio-economic changes could produce similar outcomes in different countries. Instead, he argues that the determinants of penal policy are ‘complex and contingent’ (Tonry, 2007: 38). Criminologists have recently begun to study policy flow between jurisdictions, offering important insights into the process and its role in policy development. In fact, Newburn et al. (2018) argue that the policy flow process is itself a key determinant of criminal justice policies and criticise orthodox accounts for suggesting that policy transfer is influenced primarily by macro-level structural conditions and for implying that policies travel in a linear, wholesale fashion between jurisdictions. Rather than moving through a vacuum, Newburn et al. (2018) posit, policies alter – and are altered by – the topography through which they travel. As a result of their ‘diffuse, fragile and emergent’ nature, policies rarely survive the cross-border journey intact (Newburn et al., 2018: 570). According to this conceptualisation, policies are social constructions, created through interactions between actors operating at different sites and within diverse professional and epistemic communities. Because of this, policy transfer is best understood as a non-linear and multifaceted process, operating through numerous, reciprocal interactions at individual, local, national and global levels. The same is true of the ‘rhetoric, talk, knowledge and symbols’ embedded within policy which it is suggested circulate more readily than policy decisions and actions but are still changed by, and capable of altering, the criminal justice fields through which they travel (Newburn et al., 2018: 575).
Collectively, these examples illustrate that the transfer of discourse, policy and practice between jurisdictions is not necessarily straightforward and cannot be assumed. Studies on the transfer of policy also provide insights into convergences and divergences in crime control policies (Jones and Newburn, 2007). For example, there exists a perception that policy developments in the UK have drawn heavily from the US, due in part to the common language, ideologies and ‘links between think tanks and policy entrepreneurs’ (Jones and Newburn, 2007: 16). However, national criminal justice agents, while not ‘impervious’ to global influences, may also ‘resist and rework transnational policy ideas’ (Jones and Newburn, 2007: 5). National systems are also influenced by the values and actions of individual actors and institutions, contextual factors such as the economic situation, and supranational bodies, including the European Union for example (Jones and Newburn, 2007). Therefore, examinations of policy should encompass regulations, statutes and legislation because these illustrate the ‘actual choices of government’, along with policy instruments such as programmes and attitudes (Bernstein and Cashore, 2000: 70, cited in Jones and Newburn, 2007: 22). Moreover, different communities within countries can embrace differing narratives, with Leverentz (2012: 349) noting that place-specific narratives surrounding crime are important when endeavouring to understand crime policies in different places but concluding ‘we do not know how these broader narratives play out in particular places’.
Vertical influences are thus likely to impact the development of local discourse, policy and practice by generating novel, externally driven considerations that must be taken into account. This brings into sharp focus the dynamic nature of the law, reminding researchers that national policy and practice narratives are subject to external and temporal forces, an important aspect often overlooked in the literature (McCartney, 2012). In light of this, future research should pay greater attention to the role of European and other supra-national institutions as criminal justice actors, the narratives they promote, and their influence on national criminal justice systems (see Ryan and Hamilton, 2016).
Criminal justice narratives are temporal and situational
Contemporary events and local experiences may shape the content or perceived attractiveness of particular criminal justice initiatives (see Goodman et al., 2015). Analyses show that particular nations can experience global criminal justice developments differently due to their local idiosyncrasies, cultures and contexts (see Brangan, 2020). Tonry (2007) posited that cultural differences account for the varied trajectories of criminal justice policy in different places. Elsewhere, he observes that it is ‘Pollyanish’ to ‘hope that the simple attractiveness or effectiveness of an innovation in one place will lead to its emulation elsewhere’ (Tonry, 2001: 527). Indeed, research has found localised complexities, cultural differences and divergences between policy and practice in different countries; for instance, in relation to DNA evidence and databases (see Hindmarsh and Prainsack, 2010). Therefore, it is important to recognise that the social meanings attached to punishment are situationally specific, and can vary between jurisdictions (Brangan, 2020).
Like policy and practice, criminal justice narratives can be shaped by the temporal and situational contexts in which they find themselves. Accordingly, studies of criminal justice narratives at different times could produce different results, reflecting the dominant priorities and concerns of that era. It is important therefore to recognise the salience of specific historical moments when seeking to examine the rationales underpinning criminal justice policy and practice (see also Hamilton and Black, 2019; Barton and Beynon, 2015). To this end, researchers must understand the ‘dilemmas’ (i.e., new ideas and developments) that introduce tension into the landscape, particularly for practitioners, and require resolution either through inclusion, accommodation or abandonment of existing beliefs or traditions (Annison, 2018: 311). Analysis of responses to such dilemmas show that ‘“external” structural changes and “internal” individual understandings’ are fundamentally intertwined and both play a role in the policy change process (Annison, 2018: 310 − 311). Elsewhere, Annison (2022) employed the concept of ‘storylines’ to explore how certain stories achieve dominance in the penal field and operate to bring about policy change. His accompanying analysis of the ‘storyline’ that helped to transform the rehabilitation landscape in England and Wales revealed how a compelling narrative brought together a diverse coalition of policymakers, enabling them to navigate the vagaries of the policymaking process. Actors actively used the storyline of a rehabilitation revolution to justify policy preferences and silence critics, helping the storyline to attain dominance, and ultimately contribute to policy change. Likewise, Robinson (2008) discusses how rehabilitation has had to evolve to maintain its legitimacy in a time of punitiveness, doing so by appealing to hegemonic penal narratives such as the utilitarian narrative, which places the welfare of society above that of offenders. Rehabilitation was thus rebranded to emphasise the benefits of rehabilitation for the public (i.e., reducing reoffending to minimise the risk of harm and further victimisation) rather than the recipient as was the case under the penal welfare model.
The importance of incorporating temporal dimensions into our understanding of criminal justice discourse, policy and practice is also well-established in the Irish context, with evidence showing that the Republic has experienced periods of flux, inertia and animation within the criminal justice field (see O’Donnell, 2005). Within the Irish context, policy development over the years has been shaped by a wide range of factors, including brief commitments to crime control discourse during periods of moral panic; a cognisance of, and commitment to, international responsibilities to bodies such as the EU; distinctive political and judicial cultures that foster agentic action, along with turbulent economic periods that have lowered the perceived attractiveness of cost-intensive criminal justice options (see Healy et al. 2016; Hamilton, 2016; Rogan, 2011; O’Donnell, 2005). Again, narratives play an important role in popularising and embedding specific policy realities. Writing about gun crime in Ireland, Campbell (2010) documents how media and political actors advanced a crisis narrative that framed gun crime as an increasingly serious problem, a national emergency that merited exceptional legislative and policy intervention. While gun crime was rising at that time, it was a long way from the national emergency portrayed in political and media discourse. The mooted responses were rooted in narrow understandings of the causes of crime, with politicians imagining those who committed gun crime as rational actors who could be deterred from offending through the introduction of punitive measures (cf. Garland, 2001). These narratives had real-world consequences, most notably the use of anti-terrorist legislation to deal with those accused of gun crime.
Other studies have shown the impact of local contexts on the development of criminal justice discourse, policy and practice. Although Western justice systems share similarities (Tonry, 1999, cited in Hinds, 2013), research has found that policies often diverge depending on the location, meaning that closer examinations of jurisdictions are required (Tonry, 2007). This is because, according to Tonry (2007; 1999; see also Jones and Newburn, 2007), national political cultures and institutions can play an important role in crime control and penal policy. For example, although the UK and US have served as inspirations for other countries developing DNA databases, variations in discourse, policy and practice can and do occur (see Machado and Costa, 2013). Research from Portugal supports this view, with Machado and Costa (2013: 100) finding that the use of DNA and the DNA database in criminal investigations was ‘grounded in a legal, professional and criminological culture with national and local features and particularities’. Similarly, Hindmarsh (2008) examines core narratives surrounding the use of, and policy pertaining to, forensic DNA in Australia, explaining that Australia adopted a ‘technocratic’ approach. This includes ‘narratives of persuasion’, which were often found in the media and included the voices of the police and of government that served to ‘minimize’ other voices such as those involved in civil liberties work (Hindmarsh, 2008: 269). These narratives played an important role, as legislation had to be developed to facilitate a DNA database (Hindmarsh, 2008: 273). Unfortunately, macro-level theories often do not account for these local nuances, despite Tonry's (2007: 2) observation that ‘the determinants and characteristics of penal policies remain curiously local’.
Conclusion
This article has drawn on a range of case studies across the criminological literature to synthesise and elaborate existing knowledge about criminal justice narratives. While narratives are widely used in criminological research, the current analysis shows that further critical attention is needed to fully understand their nature, operation and key features and, in doing so, has revealed important lessons for how we think about criminal justice narratives, policy and practice.
First, the analysis encourages researchers to be cautious in their pursuit of grand narratives to explain penal trends. Adopting a more critical stance to the study of criminal justice narratives encourages researchers to reflect on, challenge and, where necessary, revise existing theoretical assumptions. Notably, Garland (2018), referenced at the outset of this article, subsequently eschewed grand narratives in favour of more nuanced and complex approaches that take account of the parts played by historical and contingent events, countervailing forces, individual actors and geographical variations in penal history. National policies and practices often draw only ‘loosely’ from particular criminological theories and examinations of different local contexts have revealed that seminal theories are not particularly well-supported or easily applied (Mears, 2007: 671). By way of illustration, Brangan (2020) found that Irish penal discourse, policy and practice in the 1970s did not conform to the official historical account of an era dominated by penal welfarism and developed the concept of ‘pastoral penalty’ to capture its distinct features which included benevolent and empathetic attitudes towards those who commit crime, an anti-scientific mindset, and an emphasis on community reintegration.
Second, the analysis encourages researchers to situate criminal justice narratives within their specific national and historical contexts. Criminal justice narratives, like criminal justice policies and practices, are ephemeral, constantly evolving, and always influenced by temporal and situational idiosyncrasies. For instance, Young (1995) highlighted how crime narratives in Britain were nested within larger national discourses, showing how key historical moments, including state responses to illegal immigration and youth crime, increased the salience of particular crime stories within the political, academic and popular imagination. Competing priorities across different legal, policy and occupational contexts can impact on the formation of narratives, meaning that it is crucial to consider the local circumstances that led to the creation and amplification (or silencing) of particular narratives. As Kruse (2015: 164) asserts, ‘it is not enough’ to consider criminal justice practices in isolation, but it is vital to consider the circumstances and practices that create and shape them. Page (2011: 218, cited in Annison, 2018: 315) likewise acknowledged the relationship between ‘social structural factors’ and ‘the battles between actors to shape criminal punishment’. Researchers, therefore, need to be alive to the possibility that the relationships between discourse, policy and practice may be constructed differently depending on the place and time (see McNeill et al. 2009). At the same time, the role of global influences must also be recognised since vertical or external influences can contribute to narrative development at local level. For instance, international actors may demand that policies and practices are reconfigured in a particular manner to comply with relevant legal frameworks or human rights protections. As a result, discourse, policies and practices may develop that appear at odds with, or reinforce and strengthen, domestic commitments. That narratives can respond to external forces and local contextual sensitivities reveals their dynamic, fluid and situational nature.
Thirdly, the analysis advances narrative criminology by highlighting the need to consider different types of narratives, including institutional narratives which are particularly under-researched, as well as the structural contexts in which narratives are situated. In particular, the analysis reveals the importance of employing multi-level designs in narrative studies to identify and explain any gaps between discourse, policy and practice (see McNeill et al. 2009; Terpstra and Fyfe, 2015), to capture the role of agency, agonistic voices, vertical influences (such as the EU and ECtHR), and to recognise jurisdictional exceptionalism in the development of policy and practice. Multilevel approaches take account of influences across the criminal justice spectrum, from politics to policymaking to practice, offering a method to observe how narratives are translated, moulded, and shaped into policy and practice by different actors at different levels. Diverse actors imbue criminal justice narratives with a range of experiences, concerns, values and priorities, and these voices can conflict with each other at times (see Page et al., 2019). Criminal justice narratives and outcomes can be influenced by such conflict and, as a result, are not always cohesive or internally coherent. Because of this, the analysis of diverse voices as narratives travel from the macro- to the micro-level (or vice versa) is needed ‘to reflect on the different meanings and functions… in different phases of its social life in the different parts of the criminal justice system’ (Kruse, 2015: 152). Acknowledging the importance of diverse voices may also encourage scholars to consider the influence of actors not typically included in policy and practice narrative research, such as victims, people who commit crime, legal professionals and non-governmental agents.
Lastly, the analysis highlights some future directions for theory and research in this area, including the need to better understand the relationship between narratives and criminal justice outcomes. Research suggests that narratives can wield substantial power, having been used to defend truth claims, exercise control and marshal support for collective action (Savin-Baden and Van Niekerk, 2007; O’Toole, 2018). However, knowledge about the specific roles played by different kinds of narratives in generating policy actions is under-developed and there is little understanding of how narratives and their effects vary between jurisdictions. It is hoped that this article will start a critical conversation about the criminal justice narratives so often deployed in criminological research and policymaking and encourage further analyses of how these narratives are constructed, emplotted and deployed in order to produce a more robust and nuanced understanding of the criminal justice policy and practice landscape.
Footnotes
Acknowledgements
This article formed part of Dr O’Connell's PhD research and she is thankful to the UCD Sutherland School of Law for funding the PhD research.
Declaration of conflicting interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article
