Abstract
The aim of this article is to grasp professional journalists’ point of view: the journalists’ self-understanding and their conceptualisation of newswork. The article presents an analysis of journalists’ everyday language, in particular of their everyday metaphors, and what these metaphors show about the given suppositions behind the journalists’ conceptualisation of newswork. This analysis is an explication of an important part of these professional practitioners’ tacit expert knowledge and the conclusion is that several different metaphors – and thus different conceptualisations of newswork – coexist. These results provide an opportunity to nuance previous research as it demonstrates how the journalists’ multi-layered conceptions of newswork are not mutually exclusive but rather co-present in the journalists’ consciousness. Furthermore, the analysis creates an opportunity for journalists to gain a more nuanced insight into their routinised linguistic practice, and thereby makes it possible to discuss and reflect upon this knowledge.
Keywords
Media sociology forms the theoretical background for this research project; in particular, the tradition of the sociological organization of newswork (Schudson, 1989), focusing on the routines and culture of everyday newswork. This tradition has provided journalism research with important knowledge on how news is produced. For a review of the tradition see Cottle (2003) and Tuchman (2002). However, my focus on the journalists calls for the involvement of theories of profession. Professional journalists must be considered an example of what theories of profession conceptualise as reflective practitioners (Schön, 1983), who have a vast implicit knowledge that is taken for granted, and closely connected to the professionals’ routinised practice (Giddens, 1984). Theories of profession perceive journalists as intuitive experts (Dreyfus and Dreyfus, 1986), whose tacit expert knowledge (Nonaka and Takeuchi, 1995; Perrin, 2010; Polanyi, 1966; Wackerhausen, 1998) is based on a repertoire of experience and cognitively structured as intuition and therefore not easily articulated (Dreyfus and Dreyfus, 1986; Ettema and Glasser, 1998; Schön, 1983). The expert does not constantly reflect upon all options available for action in a given situation, he reacts as experience has taught him is appropriate. This often happens unconsciously, automatically and naturally.
Schön (1983) distinguishes between two different types of reflection performed by the practitioner: reflection-in-action and reflection-on-action. Reflection-in-action takes place when the professional in a work situation reflects upon a given work task at hand. The professional practitioner carries out reflection-on-action when he subsequently explains what happened in a given situation at work. Therefore the study of a profession must always take its point of departure in the study of actual professional practice (Abbott, 1988). This rather rare combination of journalism studies and theories of profession (Schudson and Anderson, 2009) 1 creates a theoretical framework aimed at offering a nuanced description and analysis of the journalists’ self-understanding and conceptualisation of newswork.
Furthermore, linguistic analyses of journalists’ everyday language can complement theories of profession and media sociology when the aim is to grasp the professionals’ point of view (Malinowski, 1922). The linguistic practice is a very important part of the routinised, professional practice because this practice along with the professional identity (Wackerhausen, 2004) is, to a large extent, discursively created.
Thus, revitalising the ethnographic methods of the 1970s and 1980s and combining these with linguistic micro-analysis offers a linguistically sensitive, ethnographic approach to news production (Catenaccio et al., 2010). Studying the discourse in a professional domain means getting vivid insights into culturally and socially contextualised language use in order to develop situated knowledge (Gnach and Perrin, 2008; Perrin, 2010); in this case, knowledge about how the journalists’ tacit knowledge and default assumptions are manifested linguistically. According to Løgstrup, ‘we do not see the eyes with which we see’ (1995[1976]), 2 but by analysing professionals’ everyday language we can gain knowledge of their professional practical consciousness (Giddens, 1984), as well as knowledge on how the journalists, from their first-hand perspective (Zahavi, 2004), conceptualise their social world. Furthermore, these analyses can be based on something tangible – on the professionals’ actual language usage. 3
The routinised linguistic practice
Everyday language plays a crucial role in the formation of cultural subjectivities and an analysis of this provides an account of how speakers produce and reproduce particular social identities through their language use (Bucholtz and Hall, 2005). Hence, many efforts have been made within linguistic anthropology to investigate individual subjectivity and social agency in the linguistic construction of selfhood (Ochs and Capps, 1996). This is also the ambition in this study, which examines linguistic metaphors (Lakoff and Johnson, 1980) in naturally occurring workplace discourse in a particular community of practice (Lave and Wenger, 1991).
Traditionally, analysis of media discourse has focused on news products (Bell, 1991, 1998; Fairclough, 1995; Van Dijk, 1998) or on news interviews (Clayman and Heritage, 2002). However, the research focus has recently turned to discursive practices taking place in the news production process in the newsroom (Catenacio et al., 2010; Clayman and Reisner, 1998; Cotter, 2001; Hout and Jacobs, 2008; Jacobs et al., 2008; Perrin, 2010; Peterson, 2001, 2003). These researchers bring together insights from sociology, anthropology and linguistics to study the situated practices of news production, especially the discourse of news management which is one of the few remaining missing links in journalism studies (Catenaccio et al., 2010; Jacobs et al., 2008).
So far, metaphors have been examined within political discourse (Charteris-Black, 2004; Chilton, 1996), education (Cameron, 2003), business media discourse (Koller, 2004a, 2004b) and in conflictual business meetings (Handford and Koester, 2010). 4 Recently, we have also seen research on naturally occurring metaphors in everyday workplace discourse (Handford, 2007; Hardie et al., 2007; Koester, 2000, 2006). Only a little research has been done on metaphors occurring in journalists’ language. Two exceptions are Zelizer (2004: 29ff.) and Mindich (1998) who both conduct analyses of how journalists, 5 on a more global level, talk about journalism in general. However, none of these studies are based on linguistic anthropological methods.
Journalistic self-understanding
In order to study journalists’ self-understanding and role perceptions, a great number of international surveys of journalists have been conducted (Weaver, 1998). In this research, there is widespread acknowledgement that the journalists’ professional values are emphasised and interpreted differently by journalists operating in different countries (Deuze, 2002; Donsbach and Klett, 1993; Weaver and Wu, 1998). Hence we cannot talk about a coherent global journalistic profession (Weaver, 1998). Simultaneously, many surveys show that, on a national level, there are often strong core agreements among journalists with regard to their professional values (Skovsgaard, 2010; Tsfati et al., 2006). At a national level, journalists belong to communities that are constituted through shared training and socialising processes into common professional values and practices (Breed, 1955; Gravengaard and Rimestad, forthcoming; Plaisance and Skewes, 2003; Zhu et al., 1997).
Regarding the journalists’ self-conceptions of their professional role, researchers have suggested a typology of journalistic roles (Hjarvard, 2010b; Patterson, 1998; Weaver and Wilhoit, 1996) or they have categorised journalists’ role perceptions, for instance referring to dogs as watchdog, lapdog, guarddog (Bro, 2004; Christians et al., 2009). Research has also shown how different roles are given different priority by the journalists (Plaisance and Skewes, 2003; Weaver and Wilhoit, 1996).
The surveys among journalists have been criticised by referring to the fact that answers to questions on professional values are highly normative and thus not informing journalistic practice to any significant extent (Josephi, 2005; Mancini, 2000). Also, it is evident that journalists’ answers in these self-reporting surveys are not actual practice, but rather reflection-on-action (Schön, 1983).
Journalists’ self-understanding has also been investigated through interviews with experienced journalists (Ettema and Glasser, 1998) and editors (Kunelius and Ruusunoksa, 2008). Ettema and Glasser (1998) describe skills not taught in textbooks, thus explicating an important part of the professionals’ tacit expert knowledge. Kunelius and Ruusunoksa (2008) study the professional imagination of journalists, and provide an insight into how the professional discourse modifies the current changes in professionally acceptable ideals. Both interview and survey methods generate data about journalists’ reflection-on-action and their accounts about their routinised practice.
When studying actual practice in the newsroom, journalism research has a long tradition of making sense of professional practices from the perspective of the everyday routines of newswork. As a part of the second wave of news ethnographies (Cottle, 2000) complementing previous findings, we have seen research in Denmark on everyday construction of newsworthiness in journalistic practice (Schultz, 2007) and on the routinised construction of and selection among ideas for potential news stories (Gravengaard, 2008). In this current study, ethnographic work and in-depth interviews are combined with linguistics, thus providing knowledge about both the journalists’ reflection-in-action and reflection-on-action, offering an opportunity to gain an insight into the implicit part of these professionals’ expert knowledge.
Everyday metaphors
The metaphor analyses in this study are inspired by Lakoff and Johnson’s (1980) cognitive metaphor theory on metaphors we live by. Cognitive linguistics regards metaphors as being fundamental to language, thought and experience (Gibbs, 1994; Gibbs and Steen, 1999; Hardie et al., 2007; Kövecses, 2002; Lakoff, 1987) and conceptualises them as a ubiquitous part of both ordinary language and everyday cognition, creating human social and cultural reality (Gibbs, 2006; Kövecses, 2002; Lakoff and Johnson, 1999).
In the cognitive linguistic view, a metaphor is defined as understanding one conceptual domain in terms of another conceptual domain, invoking certain attributes of one semantic area and transferring these to another. Consequently, the metaphorical linguistic expressions are manifestations of the underlying conceptual metaphors with which people conceptualise abstract domains of knowledge (Lakoff and Johnson, 1980). The conceptual metaphors have psychological reality (Gibbs, 1994) and therefore partly structure what people do and how they understand what they do, while doing it.
Metaphors are linguistic expressions for interpretative strategies socially shared in a group to such an extent that they can be used to give a simple explanation of something that can often be very complex. Fahnestock defines metaphors as condensed arguments and describes how metaphors are ‘linked to corresponding modes of reasoning’ (2002: 24).
Metaphors are conventionalised, hardly noticed and effortlessly used in the routinised linguistic practice. Therefore, analyses of the conceptual basis of these linguistic categories are important, as the conventional metaphorical patterns in authentic everyday language are reflections of general conceptual organisation, categorisation principles, and processing mechanisms (Gibbs, 1994; Hardie et al., 2007). Thus, the metaphor analysis becomes an analytic tool capable of facilitating an understanding of news production seen from the journalists’ point of view. The metaphors voice parts of the tacit expert knowledge that informs the journalists’ actions and therefore contain important information regarding the journalists’ self-understanding.
Cognitive linguistics can be advantageously linked to the essential insight from Discourse Analysis (Fairclough, 1992; Laclau and Mouffe, 1985; Wetherell et al., 2001) that discourse is an important element in construction of social reality. Language plays an important role in creating this reality and the social identities and relations within it. In other words, metaphors are not just expressions of how journalists perceive reality, metaphors also play an important role in creating the reality in which they are used – and they affect the actors’ perceptions of this reality and the way they act in it. Thus, different language usage creates different frameworks and different identities for the actors to assume.
Research design
This study is primarily based on one month of ethnographic fieldwork conducted in the domestic newsroom of a Danish national paid daily, where I followed two journalists, participated in all the newsroom meetings, talked to other journalists in the newsroom and observed conversations between journalists. This was followed up by an interview study conducted among reporters at the three Danish national paid dailies: Berlingske, Politiken and Jyllands-Posten. Furthermore, I have conducted shorter ethnographic fieldwork and interviews at two of the Danish national paid dailies, at the two Danish TV stations (DR and TV2) and at the national Danish news agency, Ritzau.
This research design makes it possible to observe both the professionals’ reflection-in-action (the field studies) and their reflection-on-action (the interviews).
Building on the work of Cameron (1999, 2003) and Handford and Koester (2010), I performed a manual analysis of my data (field notes, transcriptions of meetings and interviews) and identified all the metaphors used by journalists in their routinised practice. I focused on stretches of talk, looking for words or phrases being somehow incongruous within the context of their use – because there was another more literal way of interpreting this word or sentence (Cameron, 1999, 2003). Each metaphorical item within my data was analysed to gain an insight into the realisation of idiomatic language as it occurred in authentic discourse in the routinised practice.
When performing an exploratory and inductive categorisation of the metaphors, I identified five groups of conceptual metaphors conceptualising newswork, the journalists’ role and news stories in different ways. In the following, I describe these five groups and lay out the important correspondences between constituent elements of the source and the target domain, thus characterising each conceptual metaphor and the chain of reasoning behind it.
Newswork described in metaphors
The five most often used conceptual metaphors in the journalists’ routinised linguistic practice are:
NEWSWORK IS SELECTION
NEWSWORK IS CONSTRUCTION
NEWSWORK IS A RACE
NEWSWORK IS TRADING
NEWSWORK IS A POWER GAME
It is important to note that these metaphors – and hence different conceptualisations of newswork, of the journalists’ role and of news stories – coexist in the journalists’ everyday language and in their self-understanding.
Newswork is selection
Journalists very often talk about newswork as selection. This conceptual metaphor is the most common among journalists. A very dominant metaphor is the one concerning the personified news stories fighting against each other. In these metaphors the news stories fight against each other on four different levels.
On the first level, a news story can ‘be pressing’ or can ‘intrude’. 6 In these metaphors, the news story is portrayed as the active element intruding in relation to the journalist. Here the news stories are brought to life and one almost imagines news stories persistently knocking on the journalist’s door because they want to be written in the newspaper.
On the second level, news stories fight with other news stories in order to be selected by the journalist. For instance, a journalist can say: ‘This news story can beat the other story’ and the journalists can describe an idea for a news story as being part of ‘a field of ideas’. Both metaphors refer to fights or competitions where the goal is to win, and the word ‘field’ connotes a sporting event, such as a bicycle race in which the racing cyclists – here the news stories – all want to finish first and win; that is, want to be chosen by the journalist.
However, when the news story is selected by the journalist, the fight is not over. The journalists are interested in choosing the best news story and ‘try to select a news story that can make its way to the front page’. At this third level, the news stories fight with the other stories chosen by the journalists in order to be placed on the most desirable page in the newspaper – the front page.
On the fourth level, the news stories fight against all the other news stories in the media on a given day. An exclusive story fights to ‘become a part of the news flow’, to become cited in the other media. These types of metaphors conceptualise newswork and news production as selection – and news stories as autonomous beings. The journalists are assigned a role as story selectors.
Another important metaphor conceptualising newswork as selection concerns the journalists’ way of talking about the news stories and the media agenda of which these stories become a part. To understand these metaphors, one can imagine journalists from different media stationed at a river bank. This river is the ‘news flow’, and it is always ‘moving forward’. On the river, news stories are floating like rafts, and the journalists can choose to ‘get on’ or ‘keep out of’ these stories. There is no middle position. The journalist can consider: ‘Should we get on it, or not?’ That means, should we write this story or not? The news stories that several journalists from different media write about at the same time are called ‘the common stories’. These are news stories that several journalists have ‘got on’ – and figuratively speaking several journalists now stand side by side on this news story raft in the news flow river.
The conceptualisation in these metaphors of news stories as finished products floating like rafts, and of the journalists as the ones choosing to get on them or not, signal that the journalists select the news stories. At the same time, the metaphors support the line of thought that ideas for news stories exist as entities in the world independent of the journalists as observers.
Newswork is construction
A journalist can ‘put a good news story together’ or ‘create a news story’. If an idea is not considered to be ‘a news story’, the journalist ‘can make it a news story’. The metaphors in this category conceptualise newswork as construction and place the journalists in the role of constructors. Hence, the news stories are conceptualised as products made by the journalists.
Even though the selection perspective occurs more often than the construction perspective in the journalists’ everyday language, the metaphor analysis shows that these two conceptualisations coexist. A journalist can describe how he can ‘create several ideas for news stories’ from the same event and ‘rewrite the same material from numerous news angles’, and, in this manner, the journalist’s active role is accentuated. If a particular idea is not categorised as a news story, the journalists can ‘transform it into a news story’. This expression presupposes that the news story does not exist yet, but that the idea can become a news story. A journalist explained how he could ‘create a news story’:
I could easily call the National Health Service now and ask: ‘Could you tell me how many people are taking anti-depressants? Could you also give me the figures from last year?’ […] Then I could ask: ‘Could you give me the figures for different age groups for example? How many 15–17-year-olds?’ […] Then you could say: ‘Damn, all of a sudden 25 per cent more 15–17-year-olds are treated with anti-depressants’ […] Thus, a news story is created.
Journalists might also discuss the following: ‘How can we make this a good story?’ and ‘How can you make the best of a news story?’ In these utterances, the construction work is also accentuated. The news story does not just exist in final form beforehand.
Newswork is a race
Journalists compete against other journalists; media organisations compete against other media organisations. The journalists’ aim is to be the first to write the newest news stories – and to not write stories identical to other media’s stories. The ideal is ‘the exclusive news story’. Exclusives are considered to be good journalism as they demonstrate that the journalists have ‘eyes and ears wide open’, ‘can think for themselves’ and ‘are capable of posing their own questions’. When exclusive news stories are good journalism, the journalists writing the exclusives automatically become good journalists.
The possibility of differentiating oneself from others is important both to the individual journalist and to the media organisation. For the individual journalist this means that he has the possibility of showing his professional skills. The exclusive calls forth praise and recognition from other journalists and from the editors and therefore means prestige for the individual journalist. A journalist described how even at the first job interview he had been presented with this demand from the newspaper’s leading staff: ‘You have to be number one within your specific area. It is expected that you are at the front line.’ For the media organisation, the exclusives are equally important, as they are opportunities to differentiate the newspaper from other media and show that this newspaper is better and faster than the others.
In the prevailing race metaphor, it is desirable to lead. The goal is to finish first and win. The journalists do not want to ‘run after’ or ‘rush after’ the other newspapers’ stories. These metaphors connote the image of a running track at an athletics stadium, where a journalist runs with a news story in his hand, and a group of journalists follow him closely. Everyone wants to snatch the news story out of the leading journalist’s hand so that they can become the leading journalist. Journalists can also talk about ‘following in the footsteps of others with the one goal: to lead’, and the journalists can try ‘to run ahead of the others for tomorrow’s newspaper […] Then the next day, when everybody else writes the same thing, to write something that delves deeper than their stories.’
The race metaphors conceptualise newswork and news production as an internal race between journalists and between media organisations. The journalists are assigned a role as race competitors and the news story is the dépêche the runners (the journalists) have in their hand.
Newswork is trading
When journalists refer to newswork, they might also talk about ‘selling somebody a news story’. Sources want to ‘sell stories’ to the journalists, and the journalists wish to ‘sell’ their ideas for news stories to their editors and thereby get permission to work with these ideas.
Often the journalists employ an obvious trading metaphor concerning the sources: ‘They want to sell a news story.’ The metaphor clearly underlines the mutual exchange of services taking place when the exclusive news story passes into somebody else’s possession – from the source (‘idea salesman’) to the journalist (‘idea buyer’). The journalists’ relations toward the sources are ambivalent. The journalists need the sources in order to be able to write news stories; at the same time, the journalists are uneasy and critical towards the thought of being controlled by sources offering them pre-fabricated news stories. Still, it is exactly these news stories that can give the journalists the opportunity to present the news first and set the media agenda.
The journalist and the source come to an agreement, in which the source gets a story on the media agenda and thereby attention to a particular topic. In return, the journalist gets the desirable exclusive and thereby an opportunity to differentiate himself and his newspaper from others.
The trade involving ideas also takes place between the journalists and the editors in the newsroom. In a bureaucratic and hierarchic media organisation, with different allocation of power resources, an important goal is for the journalists to convince their editors to ‘buy’ their ideas for news stories. All ideas for news stories have to be approved by the leading staff and this typically takes place in the staff meetings or in face-to-face conversations (Gravengaard, 2008). The journalist endeavours to present his idea in a way that gets it approved or ‘bought’ by the editors so that the journalist can continue working on this particular idea. Because of this demand for approval, several journalists describe how they anticipate the reactions of their superiors and quickly find out what kind of stories the different editors like, and consequently hold ideas back if they think that it is more likely that the editor on duty the following day will be more positive towards the idea.
The metaphors in this group conceptualise newswork as trading and negotiation, and the journalists are either idea buyers or idea salesmen. The news stories are conceptualised as goods. This conceptualisation suggests a market place in which one aims to make the best bargain with a satisfying profit.
Newswork is a power game
Journalists want to be in control. They want to decide for themselves what news stories they will write. They do not want to be controlled by others, neither by internal actors as editors nor by external actors such as sources, other journalists or other media organisations. The journalists want ‘to set the media agenda’. They want other journalists and other media to ‘follow them’ – to follow up on their news stories. However, they themselves do not wish to follow up on other media’s stories. A journalist stated: ‘Personally, I make it a point of honour to be the leading journalist within my area. That I am the one setting the news agenda.’
Writing exclusive news stories is a victory for the individual journalist. It is a sign that he has ‘beaten his competitors’: the other journalists. When other journalists and media follow up on one’s news story, it is considered an acknowledgement of the quality of the story and thereby an acknowledgement of the newspaper and of the journalist who wrote it. It gives the journalist and the leading staff a feeling of power, to be in control in relation to the other media when these feel that they ‘have to get on our news story’. Both the individual journalist and the media organisation have the ambition to control the agenda and thereby affect what other journalists write about. The goal is ‘to be in control and in front’.
When it comes to sources, a journalist can say ‘Berlingeren [the newspaper: Berlingske] ate it’, when describing how another newspaper has accepted an idea from a source he himself had turned down the day before. ‘To eat’ is not a positive term in this context. Rather, this word connotes that the reporting journalist has ‘swallowed the news story raw’, that he has allowed some external actor to persuade him to ‘eat’ the news story – without discovering that he was actually being fed by hand. Thus, this utterance becomes patronising since ‘to eat’ is alluding to a non-reflective way to accept a story; such as when a fish eats a worm without noticing that there is hook present. And thereby the metaphor connotes that someone has ‘hooked somebody’; that somebody has controlled the journalist.
In this category of metaphors, newswork is conceptualised as a power game, in which the journalists fight against others in order to influence and control the newswork. The news stories are the artefacts everybody wants to control.
Conceptual metaphors and interpretive repertoires
All these metaphors are continuously employed in the journalists’ routinised linguistic practice. Newswork is all these things at the same time. The journalists select news stories, they create news stories, they try to win; defeating the other journalists and other media by writing the newest stories, they buy and sell stories, and they struggle to control this entire process. The conceptual metaphors coexist – and so do the conceptualisations of newswork. Consequently, a large number of metaphorical source domains jointly produce this particular target concept: news production (Kövecses, 2002).
My analysis did not reveal any difference between the involved media organisations when it comes to the journalists’ linguistic practice. Neither did I experience any significant difference in the metaphors used in the journalists’ reflections ‘in’ and ‘on’ action. All five conceptual metaphors appeared in both types of reflection. In the journalists’ reflection-in-action, metaphors are used naturally and never explained or elaborated upon, functioning as unmarked language in the routinised linguistic practice involving cultural insiders. In the journalists’ reflection-on-action, when I interviewed them, they sometimes explained parts of the meaning of their metaphorical expressions, signalling that they did not expect a cultural outsider to automatically understand all this. This difference in reflection-in-action and on-action was never voiced by the journalists, thereby demonstrating how their tacit expert knowledge – what vocabulary to use when talking to a cultural insider/outsider – is visible in their linguistic practice.
As mentioned, metaphors are not just expressions of how the journalists conceptualise reality, they also have important consequences for how the social world and the identities and relations in this world are constructed (Potter and Wetherell, 1987). Consequently, the analyses reveal important interpretive repertoires and show how each of the conceptual metaphors constitutes objects, subjects, processes and events in certain ways in different narratives about reality, and each of these narratives installs blind spots by constructing a given field (news production) in a certain way and accentuating or concealing certain aspects in this particular field (Kövecses, 2002; Lakoff and Johnson, 1980). Hence, the variety in these metaphors accentuates the fundamental fact that journalistic self-understanding is complex and contradictory at times.
One of the most important discussions here is the dominant conceptualisation of newswork as selection. News stories do not exist as finished products, and news does not write itself (Darnton, 1975; Mindich, 1998). Furthermore, only a very small proportion of all the occurrences that take place in the world every day end up in news stories in the media (Fishman, 1980; Molotch and Lester, 1974). The metaphors conceptualising the journalist as the one selecting news stories conceal the construction aspect in newswork. The metaphors create the image of the active news story wanting to defeat the other news stories. However, it is the journalists, not the stories, who are active in this process. It is the journalists who construct and assess the ideas for news stories and who fight against other journalists in order to write the news first. What happens is a metonymical transfer of the journalists’ own goals and ambitions to the objects they work with, hence creating a possibility for the journalists to legitimise their work. The metaphors tend to objectify the news stories written by the journalists: reality is out there, and we uncover it. However, by employing these metaphors the journalists disclaim their responsibility as story constructors and appear as independent observers who are relaying transparent and objective media describing reality. Thus, the professional self-understanding logically succeeding from this is dominated by a transmission perspective (Epstein, 1973; Tunstall, 1971) blind to the insight that journalists function both as participants and as story creators in the production of news (Bennett, 1982; Darnton, 1975; Fiske and Hartley, 1978; Hackett, 1984; Hall, 1982). This could be a sign that journalists in their routinised practice are not aware of the role they actually have. If a journalist does not consider newswork to be construction as well, it may become superfluous to ask oneself what techniques one uses when constructing news stories that end up as articles in the newspaper.
Newswork – not just selection
However, my analyses demonstrate that the journalists also voice and even accentuate the construction aspect in newswork. Hence, the journalists also recognise the doubleness of selection and construction in newswork; a trend seen around the world (Hackett, 1984; Hindman, 2005; Tsfati et al., 2006). This happens in their reflection both ‘in’ and ‘on’ action. The Danish journalists are not, as for instance proposed by Schudson (1989), refusing the construction perspective.
Furthermore, conceptualisations of newswork as a race, as trading and as a power game also exist. Thus, different discourses coexist, all attempting to organise the same social world. Hence the journalists are over-determined; that is, positioned in several conflicting discourses at the same time (Carpentier, 2005; Laclau and Mouffe, 1985). This reveals that the journalists’ self-understanding is complex and richly faceted as well as conflictual. One of the consistent findings in surveys examining journalistic role perceptions is that these are not one-dimensional since journalists often adhere to several more or less contradictory role perceptions at the same time (Deuze, 2002; Latila, 1995; Plaisance and Skewes, 2003; Tsfati et al., 2006; Weaver and Wilhoit, 1996; Weaver et al., 2007). The present study shows that this is also the case when examining journalists’ conceptualisation of news production. These multi-layered conceptions of newswork are not mutually exclusive but rather co-present in the journalists’ consciousness. I shall elaborate on this.
The race metaphors and the image of journalists and media organisations in constant competition imply a professional role and self-understanding as a career maker. The aim with the exclusive news stories is precisely to position oneself as better than the others (Gans, 1979; Schultz, 2007). This social identity is in opposition to the often proclaimed journalistic ideal to pass on what the journalists regard as the ‘most important’ information about society to the readers. Thus, a possible danger in the career maker identity is that the journalists’ focus on exclusive news stories and personal positioning now and then can be given higher priority than the demand for what the journalists would label ‘an important news story’ – important for society and for the citizens. Potentially this might become a democratic problem.
Furthermore, the metaphors conceptualising newswork as trading uncover the conflictual relation between, on the one hand, the journalists’ desire ‘not to be in anybody’s pocket’ and not to be controlled by either external or internal actors and, on the other hand, the necessity of the journalists actually adapting and adjusting to external as well as internal actors – and thereby giving up some control. Externally, the relations with the sources mean that the journalists have the opportunity to write exclusives and therefore ‘the trade’ is desirable to them despite their knowledge that the source at the same time uses the journalist to place a certain issue on the media agenda (Carlson, 2009; Darnton, 1975; Eason, 1988; Gans, 1979). Internally in the newsroom, a hierarchic organisation and fixed conditions of production also affect the journalists’ work as they need to adapt the values and goals of the organisation in order to be able to ‘sell’ their ideas to their editors (Cook, 1998; Gans, 1979; Shoemaker and Reese, 1996). The journalists’ dependence on access to the public through employment in news organisations (Aldridge and Evett, 2003) and their embeddedness in these hierarchic organisations are important constraints on the individual journalist (Shomaker and Reese, 1996).
This conflict is also important in the metaphors conceptualising newswork as a power game. Here the journalists’ ideal ambition about being powerful in the newswork (Carlson, 2009; Eason, 1988; Skovsgaard, 2010) and the notion of the autonomous journalist (Gravengaard, 2008) are contrasted by all the stakeholders (Mintzberg, 1963) that journalists act in relation to as a part of their routinised practice (see also Darnton, 1975):

The journalist’s stakeholders (Gravengaard, 2008)
In their routinised everyday practice, journalists have to navigate in this field of conflicting forces, and all these stakeholders can make competing and even contradictory demands on the journalists. Furthermore, journalists also operate in a particular society (Hallin and Mancini, 2004) where ideological, cultural and economic structures also function as constraining forces (Giddens, 1984; Shoemaker and Reese, 1996).
In this way, when analysing the discursive level of the routinised practice, important contradictions occurring in everyday practice in the newsroom are materialised in different conceptual metaphors. Furthermore, the conceptual metaphors and their tensions are also manifestations of the changes and tensions within contemporary news media and journalism; in Denmark and in general. Journalism’s permanent state of flux (Carlson, 2009; Hjarvard, 2010a) is characterised by a growing influence from the internet, free content on the web and in free newspapers, increased commercial pressure (Hallin and Mancini, 2004), and an increased focus on the audience (Eide, 2010; Hjarvard, 2010a; Willig, 2010). Simultaneously, we see a severe decline in circulation and advertising revenues, especially for national paid newspapers. These changes challenge the business models of existing media, and Hjarvard (2010a) describes this as an over-determined process encouraged by several factors, which each has its own rationale and direction. The current study demonstrates how this overdetermination of practice is also present in the mind of the individual journalists (see also Kunelius and Ruusunoksa, 2008) and thereby resembles research showing how, for instance, technical transformations can challenge and change occupational identities among groups of journalists (e.g. Boczkowski, 2004).
Taking point of departure in the journalists’ self-understanding as well as perceiving journalists as intuitive experts, this study of news management discourse allows us to nuance our knowledge on journalistic self-understanding as opposed to the ethnographies of the 1970s where several researchers pointed out that journalists generally think of news production from a selection perspective (Epstein, 1973; Tuchman, 1978; Tunstall, 1971) and are dismissive of the construction perspective (Schudson, 1989).
Professional reflexivity
As the analyses of the metaphors provide an opportunity to transform parts of the journalists’ tacit expert knowledge into a voiced knowledge, this creates an opportunity for journalists to gain a more nuanced insight into their routinised practice. Furthermore, it makes it possible for them to discuss and reflect on this knowledge. Being in the role of the outsider, it has been my ambition to deliver a workable and relevant outsight (Toulmin, 1963) and thereby create a creative disturbance (Gleerup, 2004) in the journalists’ professional identity. Journalists need to have an awareness of, and to reflect on, their routinised linguistic practice, not only in their media texts (Eide, 1999), but also in the processes in which these texts are constructed. These given suppositions already tacitly guide journalistic practice and therefore they have to be explicated and discussed (Ettema and Glasser, 1998; Schön, 1983). This reflexivity empowers journalists to better control parts of their professional autonomy. If journalists fail to recognise the diversity of professional identities and the conflicting roles and ideals existing in their practice and in their self-understanding they severely restrict their reflexive potential (Kunelius and Ruusunoksa, 2008). Furthermore, they deny themselves a powerful moral vocabulary (Ettema and Glasser, 1998) with which to conduct self-reflection and legitimate their professional work in a new media environment (Eide, 2010). Therefore, it is important to make these research results available to the practitioners aiming to facilitate a common language, understanding (Bro, 2004; Kunelius, 1999), and discussion between journalists and journalism researchers creating a more public scholarship (Rosen, 1995) and a knowledge-creating relation where both journalists and journalism researchers acknowledge each others’ knowledge of journalism practice.
This study is based on Danish journalists, which means that a comparison with journalists bred in other news cultures is not possible (Deuze, 2002). This leaves the question of generalisability of the results rather open. Research has shown that role perceptions of journalists vary considerably across countries (Patterson, 1998; Weaver, 1998), and that the national political context exceeds the influence of the organisational level and the individual level (Zhu et al., 1997). However, Yu (1998) suggests that many conceptual metaphors underlie conventional expressions across different languages and therefore a working hypothesis for further research would be to expect results somewhat similar to the ones from the Danish study if this was repeated in countries also belonging to the North European model of media systems (Hallin and Mancini, 2004). Obviously, generalisability across different news cultures and media systems is one of the questions that need to be addressed in future research.
The linking of media sociology, theories of profession and linguistics creates a relevant and workable theoretical framework for analysing professionals’ self-understanding. By taking the professional practice as the point of departure, it becomes possible to explicate important parts of the tacit professional knowledge that is normally taken for granted in the routinised practice. As pointed out, the results are relevant to both researchers and professional practitioners when aiming to nuance their understanding of practice as the explication provides a foundation for reflection and discussion. Hence, this theoretical framework is also to a large extent applicable when studying professionals in other professions.
Footnotes
Acknowledgements
I would like to express sincere gratitude for valuable comments and constructive suggestions from Mie Femø Nielsen, John Christian Jørgensen, Anne Gry Haugland and Christine Isager, University of Copenhagen; Professor Daniel Perrin and Alexandra Gnach, Zurich University of Applied Sciences, School of Applied Linguistics; Professor Barbie Zelizer, Annenberg School for Communication, University of Pennsylvania; Professor Martin Eide, University of Bergen; and Heidi Jønch-Clausen, University of Southern Denmark. Also, I am very grateful for the critical and perceptive readings offered by the two reviewers commissioned by Journalism.
