Abstract
This article traces women’s narratives of the political struggle in Kashmir through the realm of ordinary, scattered, and everyday practices of resistance. It attempts to undo the narrative that overlooks the complexity of women’s lives in the face of ongoing violent political conflict; instead it argues that women in Kashmir escape easy categorization into victimhood. This article is embedded in the idea that there is something spectacular in the everydayness of lives embedded in violence; that the everyday is ruptured and layered like the memory of its people. “In Kashmir, which is a historically and politically complex quagmire of violent protests, morbid silence, and killable lives, it is through the barbed spaces of the everyday we see varied surging affects: of loss, of pain, of anger, of endurance, of fear, and of silence” (Kaur). And in this article, I locate women as the protagonists of these circulating affects, inscribing new meanings to the “political” through the politics of emotion.
Keywords
Introduction: “Political experiences” of women
When I entered the tiny courtyard of their Battamaloo home,
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Ruksana’s hands were lathered with soap from the clothes she was washing. She was not expecting a stranger to break the monotony of her morning chores with questions about Nasir. She stood near the frothy bucket full of clothes, silently, perhaps ruminating what memories of Nasir should she recount: those from when he was alive or those that tormented her after he was killed. Ruksana rummaged through the oft-repeated details, stoically: “her brother Nasir Iqbal Shah, roll number card for 1st year exams, Nawakadal degree college, Battamaloo bus stop, bomb blast, dead body in their ‘sehen’,
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1st May 1991, Wednesday and a pheran
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” (27th June 2016). These were details that were chiseled into her heart, she just had to read them aloud and get back to washing clothes. The simultaneous acts of remembering her dead brother and washing clothes offered an insight into how the tragic weaves itself into the everyday life in Kashmir. Unlike her mother who refrained from saying anything during this conversation, Ruksana seemed to have a fascination for the human capacity for word-making, for articulating into speech the grief she has suffered for years. In contrast, even when her mother did not have the vocabulary for loss, her grief was palpable because memory is both: a silence and a storm. Memory moves, sticks, slides, and opens up emotions that are shaped by contact with objects (Ahmed, 2004: 18). For Ruksana’s mother, that particular object was Nisar’s pheran (cloak) that became the only available anchor of remembrance for her to register the death of her violently killed young son. It was a Wednesday morning. Since then, for last 26 years, our mother remembers him from the hour of ‘fazr’ prayer in the morning to ‘isha namaaz’ at night. She has replaced the jai-namaaz
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with Nisar’s pheran. He was wearing this pheran when he was killed and when he was last brought to this courtyard. My mother considers this pheran as an artifact of her dead son’s palpable life: to be preserved, to be nurtured, to be prayed on (Ruksana, 27 June 2016)
Through this ethnographic unfolding of remembrance, the question that I keep revisiting persistently in this article is: can we read these lived and endured experiences of grief as registers through which the idea of the political can be re-inscribed and re-imagined in Kashmir? The conventional understanding of political implies a contestation or a relentless power relation between the state and its people in which the state claims the monopoly of legitimate use of physical force or “the state is seen as the sole grantor of the ‘right’ to physical force” (Weber,
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1965: 136). In this asymmetrical negotiation of power between the state and its people, there has been a foregrounding of only forms of the political that are explicit, evental or sayable in nature such as formation of political parties, or staging of political rallies. Therefore, the idea of political has always been inevitably associated with and marked by an action or the force of a sensational event. However, while conducting ethnographic fieldwork in a conflict zone such as Kashmir wherein traumatic experiences of unabated political violence saturate the everyday, this conventional notion of the political is too limited as it does not capture the non-sensational: the sensory, the emotive and everyday experiences that circulate in a violent political space. Serematakis (1996) in her work on perception and memory examines that, the sensory sphere is experienced in such a manner that profound transformations occurring in it or imposed on it are rendered imperceptible to the individual eye. This is precisely why everyday life in modernity has become the site for far-reaching historical transformations … This sensory structure of the everyday life is experienced as naturalized, almost cosmic time over and against which eruptive, “sensational events” … are profiled. But the narrativity of the sensational event is itself made possible by a relation of foreground and background. (p. 19, emphasis added)
In this article, I make similar inquiries by subverting the meaning traditionally imposed on these dialectically opposing categories of foreground/background, political/apolitical, public/private, and street/home by claiming and illustrating ethnographically through my work in Kashmir that the background and the lives embedded therein are fundamentally political. In saying so, I am not limiting the domain of women’s political struggles to only the everyday, but on the contrary, I am arguing that the complex history of the resistance movement in Kashmir cannot be fully comprehended without examining and acknowledging the lives of women whose everyday practices of survival and endurance have been relegated to the background of the political struggle. I posit that apart from underscoring the presence of women in the political foreground, it is in the subverted background of everyday life from where I am visibilizing the “political experiences” of women in Kashmir because they remain, as mentioned above, “unmarked, unvoiced and unattended to”.
I borrow the phrase “political experience” from Aretxaga (1997) in her work on the Nationalist struggle in Northern Ireland and the location of Irish women therein. She argues that the nationalist women who lived under the military occupation of British colonialism “explicitly blend their lived experience into a political view of social relations, into what I call ‘political experience’, the experience of an engagement to change the world in which they live from a particular social position” (1997: 8, emphasis added). This foregrounding of experiences of nationalist women that remain socially unrecognized or excluded from public discourse, she asserts, is necessarily a political act. Similarly, the foregrounding that is being performed in this article attempts to demonstrate that in a conflict militarized zone, the very composition of the social, the sensory, the everyday in itself is political as discussed through the work of Serematakis (1996). I propose that within this understanding of the political, what comes to be the anthropological meaning of resistance is perhaps constitutive of almost everything: resistance most simply is the shape taken by people’s memories or resistance is about enduring the political conflict or as Heimo and Pettonen (2003) say in the context of Finnish Civil War, “for the way in which people remember and speak those memories” (p. 43).
While writing this article, the dilemma I grappled with the most was why does it become critical to look at the particularities of women’s experiences in a conflict zone? In an attempt to redress the absence of women’s lives and experiences from what is traditionally understood as “political”, I argue that what has happened in Kashmir is that images and narratives of women’s victimization have become the symbolic representation of conflict, thus framing them as almost reified passive receivers of suffering; “used in particular to convey the depth of atrocities” (Jacobs, 2004: 234). However, in this article, I intend to re-shuffle this frame and look at those narratives and images of the everyday that have been voiced, embodied, performed, and affected by women. In doing so I undo the narrative which looks at a grieving mother or wife as a reified passive receiver of suffering and I ask: can grief be politicizing? And is women’s interrogation of suffering political? (Butler, 2004).
However, the challenge of this article is to foreground the re-imagined understanding of the political which is intricately braided with the intimate enduring lives of the research informants. In the context of Kashmir where there is no tangible end to the continuing political violence, imposing pre-fixed notions of resistance or establishing a “standing-language” (Segal, 2016: 6) of grief can be constricting because the gendered practices of surviving the everyday will always fall outside these limits. Therefore, I attempt to look at the ways in which emotional and sensory responses to everyday militarized life create an affective circulation of resistance (and grief) in the social world of Kashmir and I call this the “politics of emotion” (Ahmed, 2004). In the ethnographic vignette of Nisar’s violent and untimely killing, discussed in the beginning of the article, an attempt is being made to delineate that even after 28 years of his killing his mother and sister have distinct practices of remembering the painful event. Their remembrance acquires a temporality in which grief exceeds the duration of the event, 1st May 1991, and is constantly re-actualized and circulated in the everyday as a wound or an affect that is manifested through narratives, through objects (such as pheran) and through silence alike. The attempt here is to “attend to the different ways in which ‘wounds’ enter politics” (Ahmed, 2004: 32).
The ethnographic vignettes in this article are located within the complex political history of tehreek, the ongoing movement for self-determination in Kashmir. While tehreek can be genealogically traced to the demand for political sovereignty among the masses that started with an uprising against the Dogra rulers in 1931, it was during and after the Partition of India in 1947 that the movement acquired a more sustained political form. A temporary Instrument of Accession was signed between the Indian government and the then Dogra ruler, Hari Singh, on 27th October 1947. When the first Prime Minister of India, Jawaharlal Nehru, took the Kashmir issue to United Nations, Kashmir was recognized as an international dispute mediated by the United Nations Security Council in 1948 that called for an immediate cease-fire line and a plebiscite. However, the promise of a plebiscite or the right to self-determination was never upheld by the Indian state and while the two nation states fought three wars over Kashmir, the local tehreek (movement) in Kashmir kept acquiring different voices, forms, and practices ranging from political negotiations with the government of India from 1947 to early 1970s, an indigenous armed insurgency against the Indian state from late 1980s onwards, and a civilian uprising from 2008 onwards. Through these various configurations of the political movement for azadi (freedom) there has been a constant making and unmaking of the social wherein it was the site of peoples’ everyday lives that was subjected to extreme forms of vulnerabilities. The slow erosion of the constitutional right to a UN mandated plebiscite, the dense militarization 7 of the landscape and a brutal counter-insurgency equipped with an architecture of impunity has killed more than 80,000 people, subjected 8000 people to Enforced Disappearances, and resulted in mass blinding and disabilities over the course of the long protracted conflict. However, while this remains the broader context, I delve into the making of an everyday life in a militarized space “where violence, betrayal and fear are actualized” (Segal, 2016: 17) and where “what is most violent about the situation … is that it continues without end” (2016: 16). The ethnographic narratives for this article were collected over the course of a long-term field engagement in different districts of Kashmir Valley from 2011 onwards wherein I looked at disparate political experiences and practices of women that emanate from the everyday but weave a politics of emotion, an effect of grief that transcends the personal and becomes the re-imagined political.
Identifying the threshold: Where does resistance start?
To understand the political experiences of women in Kashmir, the central question remains: how have women been resisting the violence and coerciveness of the Indian state in Kashmir? These gendered practices of contestations and remembrance in a militarized space have extended the threshold of resistance and this can be delineated in two broad mutually interacting patterns:
One: resistance as a conscious act of subversion, the foreground. Here I attempt to position women, along with men, as the frontrunners of tehreek, the movement for self-determination. In this form, resistance acquires a sensational and evental nature wherein women actively participate in events that are considered conventionally political and public. From becoming camouflaged carriers of arms from one checkpoint to another to documenting crackdowns with a camera under their veil; from housing-feeding militants, and beating tin roofs during night vigils against the army, to embodying operational code-names like militants, women have provided a political anchorage for the movement. It is this form of resistance that is conventionally understood as political.
Two: resistance as “enduring the everyday”, the background. In this article, I focus on this second aspect which locates women’s resistance as an affective response in the form of grief, anger, fear or endurance to an everyday negotiation with the power relations they are embedded in. In this form, resistance is an everyday and sensory circulation of emotions; a capacity developed for survival despite the violence. It is this form of women’s resistance that I am attempting to animate, to give meaning to in the article.
In doing so, I do not take away from women their spectacular struggles and their active rapturous protests confronting the Indian state as a conscious act of subversion; rather in the context of Kashmir, I suggest that understanding women’s role in the resistance struggle has to partake of the ambiguities and the rhetoric of the everyday: of the ordinary, the mundane, the scattered, and the liminal. What I emphasize is that there is a multiplicity of narratives that women live, perform, ruffle with and leave unfinished in the everyday, including grief and mourning. If one narrative is of collective euphoria of resistance, then there is a seemingly contrasting narrative that situates women in the trauma and suffering of everyday. Arguably the threshold between these two forms is porous and not strictly defined. However what I argue is that both these and other intermediate narratives of resistance, of endurance, of memory are central to an understanding of women’s predicament and positionality in a conflict zone. Therefore, I focus on what Aretxaga (1997) calls the political experience 8 (p. 8) of women and ask: “how does gender become a symbolic terrain wherein arguments of domination and resistance are formulated?”(p. 11). Through Ruksana and her mother’s narrative I attempt to foreground that women in Kashmir have been as much political subjects of the violent legacy of this movement as have been men and therefore the resistance struggle unequivocally belongs as much to women. But because their resistance has played out more on the terrain of the everyday, or is caught in the contested discourse of being ‘trapped victims’, there is an invisibility of women in the political process and their resistance narratives remain, what Das (2006) describes in the context of Partition memory, “very much on the surface, yet there were fences created around them” (p. 11).
To explicate this further, I cite a brief ethnographic vignette to illustrate the complex ways in which women have been positioned and implicated during the long-standing political conflict. Four months after her wedding, Zeenat’s husband Ghulam Hasan was killed by the Border Security Force during a crackdown in Battamaloo locality of Srinagar in 1993. Zeenat was two months pregnant at the time of his killing. She gave birth to a son who she named Ghulam Hasan in the memory of her husband and soon after decided to initiate a legal case against his custodial killing. The case went to the Home Ministry of India last year, but since then has been waiting for sanction.
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She told me her experience of pursuing a legal battle as a young mother and the social and cultural conundrums it entailed, political awareness mil gayi lekin mujhe nahi pata tha court kya hai. Hum kabhi gaye hi nahi. Starting main mereko sharm aati thi, main burqa laga ke jaati thi. Phir baad main mujhe 2 courts main ikhate jaana hota tha … toh gaya burqa … mujhe halaaton ne sikhaya (Zeenat) (“I acquired political awareness with time but I still didn’t know what courts were. We had never gone to a court before. In the beginning I used to feel ashamed to be in a courtroom, so I would wear a veil. Then later I had to go to two courts back to back, so I had to let go of the veil … my circumstances compelled me to learn … ”)
Transgressions between the home and the street: House-raids and crackdowns
In this section, I un-layer the relationship between foreground and background that we discussed earlier through the localized and milititarized phenomenon of crackdowns and house-raids that were routinely conducted in Kashmir during the 1990s.
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A crackdown implies a military siege of the locality (or multiple localities) wherein announcements made through the loudspeakers of local mosques or rakshak police jeeps commanded all the men and young boys of the neighborhood to assemble in a large space in the vicinity. This phenomenon of crackdowns, structured around gendered lines, led to a concomitant military practice of house-raids wherein Indian army and paramilitary forces entered the homes for search operations particularly when women and children were left behind during crackdowns to protect the sanctity of the home. While the crackdown becomes the foreground: the explicit, violent act of humiliating, identifying and capturing men in a public space, the house-raids form the background: the invisible, apolitical act of women hiding Urdu literature books before a forced interface with the army in their own homes. It is here that I subvert the foreground and background, the political and apolitical vis-à-vis women’s location in the conflict because what is most interesting is that phenomenon such as crackdowns that are structurally understood as targeting the male population are integrally and functionally tied with the spaces that women embody. The spatial bifurcation of assembling men away from the home and women inside the home is fraught with a gendered dichotomy. And yet women’s methods and practices of evading, manipulating and confronting this dichotomy within the homes is either made invisible or rendered insignificant. Narratives like these often unravel for us the compelling complexities in which women are located and from which women operate in these spaces. It is here that I foreground the primary argument of this article: of women’s capacity to negotiate with a far more powerful enemy through methods and processes that are located in the affectivities and silences of the everyday. To illustrate this entangled affective form of resistance, I cite a narrative from Kashmir: They barged in all at once, a swarm. They didn’t take off their boots. I was standing in the corridor, stealing glances. My mother always seemed fearless; at least she pretended to be. She had to pretend. She took all the keys and began opening every room, every cupboard and every box. All the doors were open. The coziness of our residence was laid bare. My chambers of secrecy held no treasures now. There was no ‘home’ … I was following the trail of the jackboots when my mother stopped them from entering a room which sheltered the Quran. She explained to a trooper that they couldn’t go ahead with their boots on. I wished her to be quiet. How could she defy them? I now realize that resistance comes naturally to women in this place. (Falak, 2013: 83–84)
In doing so, what seems plausible is to locate women at the center of a space that is fraught with tension and violent chaos: the space between the home and the street. The idea of home has always been constructed as a “sanctuary space”, “retaining a traditional topography and traditional practices: as an established feminized domain” (Feldman, 1991: 38). But I ask—is the home an “immune, eulogized space” (Feldman, 1991) in the context of an ongoing political conflict? Or have those boundaries blurred? In the past, feminist scholarship has questioned these neat gendered binaries (see Butler, 2004; Das et al., 2008; 13 Scheper-Hughes, 1993) and I borrow from their corpus of work to argue that the anthropological understanding of the street as a domain of anonymity—dark, violent and threatening, and that of the home as a domain of kinship and sanctuary—intimate, private and safe is not that well demarcated in a space that has been in the throes of violence for the last 70 years. In the conflict space that is Kashmir, the violence and brutality of the everyday unfold in the street but it trespasses this porous boundary and has a bearing on this domestic “sanctuary space” which is “suffused by affects that circulate in the wider politio-jural domain” (Das et al., 2008: 351).
Feldman (1991) argues that the idea of the domestic space constructed as a sanctuary is transgressed by the repeated violation of house-raids. These actions of the state, such as house-raids, constitute an interstitial space, blurring the boundaries between the home and the street, and bear seminal meaning vis-à-vis the position of women. It opens up for us a continuous paradigm wherein the home and the street overlap; the violence of the street is spilled over and penetrates the walls of the home. What happens when the violence of the street penetrates the calmness of the home through a certain performative code of say, house-raids? Is it then a transgression? In what way do women now respond to conflict, to violence?
This takes us to the ethnographic site of Kunan Poshpora,
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where the violence of the street spilled over and penetrated the walls of the home. Where do we situate the women of Kunan Poshpora, who stood vigilant at the threshold of their home and the street during one such “house-raid”? In February 1991, when the soldiers of 4th Rajputana Rifles (RR) invaded the bodies of women inside their homes and four feet of snow made the outside inaccessible to escape, “the walls of her home functioned as a defiled border, a register of the crumbling boundary between the inside and the outside, the private and the public” (Feldman, 1991: 93). “Trath (Lightening)”, said Shameema.
She used this word to describe what happened to her and others that night. “It felt like lightening was struck upon us” and almost instinctively she pulled her kameez (long shirt) over her head to show me the geography of assault on her body. From the stomach to the chest to the neck to the forehead, ceaseless stitches branched out, like a river on its way to meet its many tributaries, engraving the brutality of occupation on her bare skin. Her body was stitched back, like a torn cloth, after the knives of RR had performed their pervert acts of transgression upon it. “Mothers, daughters, grand-daughters”, she said, “were all raped together, somewhere in separate rooms, in different floors of the house and somewhere in the same room. I tried to run but for the snow … [pause] … they caught me not far from my home and left me in the hope that I was a dead body.” (A rape survivor, Kunanposhpora, March 2012)
Politics of emotion
The ethnographic narratives discussed in this article situate women traditionally in their gendered roles of a grieving mother, a widow, a woman getting her house searched by the army and a rape survivor. Their emotional expressions for violent loss have not been categorized as political or even as resistance in the contemporary understanding about Kashmir because historically women have been dismissed for “being emotional”. This “dismissability of women” on the basis of “the association of the feminine with feeling” (Campbell, 1994: 49) has had a long-standing historical ground that has been challenged by a bourgeoning feminist scholarship. In this article, I question these dichotomies by analyzing “the ways in which these terms of emotional dismissal can be put to powerful political use” (Campbell, 1994: 46). In the to and fro movement that the women in this ethnography have charted from inside the homes to outside in the streets and vice versa, it becomes imperative to ask: what makes a Kashmiri woman undertake this shift of location? How did women’s practices, conventionally understood as emotional, started acquiring new political meanings?
To answer this question on the relationship between emotion and politics, I borrow from Ahmed (2004) who builds her work along the lines of a long tradition of feminist theory of rejecting the gendered dichotomy of emotion/cognition and theoretically enquires into the potential political force of emotions. She borrows conceptually from the work of feminist scholars such as Butler (1993) 16 who have shown that “emotions ‘matter’ for politics; emotions show us how power shapes the very surface of bodies as well as worlds” (Ahmed, 2004: 12). In this article, where the emphasis is on the multiple forms and patterns that the word “political” takes on, absorbs, and resists, I primarily interrogate: Is grief political? or as Ahmed asks “How does pain enter politics?” (2004: 20).
Wanawun: The songs of grief and celebration
The category of grief otherwise anchored around the durations of painful events, permeates and partakes of the temporality of everyday lived experiences of people in Kashmir. Grief interweaves itself into an everyday emotionality and co-exists with other emotions such as happiness, fear, and anger. This can be illustrated through women’s rendition of Kashmiri wedding songs locally referred to as wanawun. This folk genre of wedding songs transformed perceptively after the onset of the political movement, but particularly from late 1980s onwards because the armed confrontations between Indian army and local militants led to an upsurge in the number of everyday killings. As a result there was a tragic incorporation of grieving (wahwella) and political freedom (azaadi) into the lyrics and rhythm of wedding songs.
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This interweaving and overlap of two disparate emotions is particularly stark because during weddings these songs are sung and performed through an indigenous musical instrument called tumbaknaer (a drum). The celebratory rhythms of this drum are superimposed by the lyrics of grief, of remembrance, of political freedom. The incorporation of loss even in a marriage setting transports these women, implicates them in a past which is being re-experienced in a painful present. Butler (2004) examines this: “perhaps mourning has to do with agreeing to undergo a transformation, the full result of which cannot be known in advance—the transformative effect of loss—cannot be charted or planned” (p. 21). Wanawun, therefore, becomes an expression of grief, a form of poetic lamentation which distinctly locates women as constant mediators of memory because the political struggle for freedom is inextricable from women’s struggle. Therefore, grieving in Kashmir acquires a quotidian value and befittingly illustrates the complex “sociality of emotions” (Ahmed, 2004: 8) because it is not restricted to the event of funerals or killings in a particular family, instead grief becomes an affective economy, an object of emotion that circulates between bodies. In her work, Ahmed (2004) proposed a model of “sociality of emotions” wherein she rejects both the psychological and sociological models of emotions
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and argues that, emotions create the very effect of surfaces and boundaries that allow us to distinguish an inside and an outside in the first place. So emotions are not simply something ‘I’ or ‘we’ have. Rather it is through emotions or how we respond to objects and others that surfaces or boundaries are made … Emotion does not circulate, it is the objects of emotion that circulate. Such objects become sticky, or saturated with affect as sites of personal and social tension. (p. 10)
Why I look at this particular vignette is because it is similar to Zeenat’s ethnographic account of going to the courts after her husband’s killing. Both the narratives are situated in a similar paradigm—of women ‘learning’ political consciousness through personal loss. I criticize this formulation not because it is a problematic one; rather it is a limiting one. While Aretxaga (1997) uses the idea of “politics of emotion” in her work, she uses it in a context in which “maternal suffering refracted a broader collective pain, stirring, a mixture of social and personal guilt” (p. 108). Her theory is similar to the “psychological model of emotion” or the “inside out model” (Ahmed, 2004: 9) wherein emotions move unilaterally from within to outwards. Ahmed (2004) criticizes this model and says that “emotions should not be regarded as psychological states but as social and cultural practices” (p. 9; also see Lutz and Abu-Lughod, 1990). I agree with Aretxaga’s premise that women’s motivation for political consciousness is sometimes strongly rooted in personal tragedies across various conflict situations, but Ahmed’s (2004) thesis on the “sociality of emotions” that we discuss in this article opens up the terrain of the “political” wherein it is not emotions (of anger or sadness) that circulate, instead it is the objects of emotion (such as pain and grief) that circulate, become sticky, and saturate with affect. I, therefore, take Aretxaga’s idea of “women learning political consciousness through personal loss” and extend it to Ahmed’s “politics of emotion” wherein grief acquires a political affectivity that can shape the social and political lives in Kashmir today. I delineate this theoretical extension through the monthly sit-ins that have been organized by “Association of Parents of Disappeared Persons” (APDP) 19 over the last 25 years and attempt to understand the politics of emotion embedded therein.
APDP sit-ins: The body of the silent protestor
At first sight, the women of APDP very aptly fit the “women learning political consciousness through personal loss” clause because their first interface with what constitutes the political emanates from when their family members were subjected to Enforced Disappearances. 20 The forced arrest and abduction of a family member (particularly an adult man or a young boy) from their home by the security forces and thereafter the refusal to disclose the whereabouts of the disappeared person has compelled thousands of women in Kashmir to cross the threshold from the private to the public, from the home to the street and to the camp. This emanation of loss in their personal lives gradually became a pattern and echoed in the lives of multiple women whose sons, husbands, fathers or brothers were similarly disappeared by the army. The formation of Association for Parents of Disappeared Persons (APDP) in 1994 by these women befittingly unravels the trajectory from personal loss to an affective circulation of that loss or grief, wherein the APDP protests become, not just a space for personal catharsis, but also a social and cultural practice or signifier of political (and gendered) resistance in the overtly militarized landscape of Kashmir. On 10th of every month the mothers, wives, and families of persons subjected to Enforced Disappearances silently sit together in a park at the center of the city, Lal Chowk, and holding the photographs of their sons, husbands, and fathers, ask a pervasive question written on flex posters and billboards—“where are our dear ones?”. Considering the varied emotive spectatorship that this protest generates, I ask, what is the imprint of these silent protest demonstrations on the political landscape of Kashmir?
The case of Enforced and Involuntary Disappearances in Argentina during the “Dirty War” (Schindel and Colombo, 2014: 205) allows us to investigate this further. In the context of Argentinian women who formed Mothers of Plaza de Mayo (Schindel and Colombo, 2014: 122) to demand the return of their disappeared children, “the grief and anger of their political radicalization, channeled and elaborated into a project of political resistance that transcended their individual predicaments” (Aretxaga, 1997: 115). However, I argue that the pain of these women who had lost their children not only shifted from being a private loss and transcended into a collective emotion of loss; rather, I posit that the loss acquired a sociality wherein it was not contained in individual or collective bodies, but circulated as grief through, between and beyond the silent bodies of the protestors.
To ethnographically un-layer the making of the APDP protest and to delineate it as a social space that is unambiguously political, I refer to Feldman’s (1991) analysis of the body as an “embodied transcript” or a “social hieroglyph” that carries semantic codes. Feldman illustrates this through the image of the “body of the hunger striker” 21 in Northern Ireland and I locate this spectacle through the body of the silent protestor in the sit-in. I argue that the body in the center of the protest becomes a unit of power, a site of memory. Despite the absence of explicit political speeches and slogans, these protest sit-ins spanning over the last 25 years, have claimed an affectivity of grief that does not only materialize the body in the protest but also transforms the social world of Kashmir. It is here that, “political space attains extreme concentration and highest level of semantic expansion … this weaving of a new body through language (or the lack of it) [ … ] testifies to the emergence of political agency” (Feldman, 1991: 10).
The body of the silent protestor in the sit-in, therefore, transforms personal familial pain into a political affect that circulates and saturates the social life in Kashmir. It is this re-imagination of the political that has been undertaken and delineated in the article. Therefore, the meaning of political is being navigated from personal grief of a woman to a politics of emotion wherein there is an affective circulation of grief in the everyday whether in the form of wanawun songs or in the protest sit-ins of APDP. These incorporations and absorptions of pain and grief in the practices of everyday allow us to delineate the precarious forms of life produced through the infrastructure of militarization in Kashmir and within that to locate women’s political experiences emanating from both: grief as well as from a conscious act of subversion.
Grief is political: A conclusion
“The oppressors even denied us grieving—our resistance” (Falak, 2013: 81) “many people think that grief is privatizing, that it returns us to a solitary situation, and is, depoliticizing”. But on the contrary, “grief furnishes a sense of political community of a complex order [ … ] to grieve, and to make grief itself into a resource for politics, is not to be resigned to inaction, but it may be understood as the slow process by which we develop a ‘point of identification’ with suffering itself”. (pp. 22–23) resistance is not an identifiable thing or an object to be retrieved, much less a coherent one. Rather it is a strategic articulation of power relations among social groups, including women at multiple discursive levels and involving diverse identities [ … ] instead of looking at women’s position as binary—of either radical achievers or victims—we will have to unearth women as subjects in seemingly conflictual and fractured positions. (2007: 16–18)
Footnotes
Acknowledgements
This paper was presented at the Centre for Studies in Gender and Sexuality at Ashoka University on 22nd November 2019 as a part of their ISHQ (Issues in Society, History, and Queerness) series.
Author’s Note
Bhavneet Kaur is also affiliated with Jindal Global Law School, O.P Jindal Global University, Sonipat, Haryana.
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article.
