This article analyses the visual construction of human suffering in war, with special reference to the signifying practices of the photographs published in Greek newspapers during the Second Iraq War. The author carries out a socio-semiotic analysis, arguing that the overall construction of the Second Iraq War in the Greek press — illustrated by two case studies which are examined in detail — combines contradictory elements and assumptions. Representations of the war are `framed' by the `overpoliticization' of the Greek public sphere and the dominant political culture synthesizing themes of `anti-Americanism', `anti-globalization' and `pro-Third Worldism', but also a particular version of what Said called `Orientalism'. More specifically, the insistence on spectacular images of suffering, and the combination of a humanitarian discourse of compassion for the `innocent distant victims of war' with populist and Greek Christian Orthodox conceptualizations of the self are constitutive elements of the newspapers' signifying practices, which aid the Greek press to be critical of the hegemonic western discourse regarding the Second Iraq War without, however, slipping to the other side of `Orientalist binary oppositions'. On the contrary, this persistence on the humanitarian discourse of compassion towards victims is pivotal in identifying with the western moral virtues of `civilized' humanity.
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