Abstract
Preparing graduate students for teaching careers in academia can involve myriad approaches. One such approach is facilitating authentic teaching opportunities for graduate students. The purpose of this multiple case study was to chronicle the perspectives of four humanities graduate students as they participated in a mentored teaching experience at a community college. Specific emphases included the evolution of participants’ teacher identity and how a mentored teaching experience shaped participants’ future career goals. Data sources consisted of semi-structured interviews, classroom observations, journal reflections, and classroom artifacts. Participants identified the fundamental importance of mentor faculty and diverse students as drivers in their own pedagogical development and reflected on the value of interpersonal connections in education. Implications include the need for more pedagogical transparency and discussion in humanities graduate education, as well as the potential of constructing cross-disciplinary and cross-institutional collaborations to support graduate students’ professional development.
Keywords
Introduction
Preparing graduate students for careers in academia can involve myriad approaches. Graduate teaching assistants typically engage in mentoring relationships with faculty to discern the subtleties of teaching, research, and service within the profession, and to explore models of best practice within a particular discipline (Marino, 2020). Given that many graduate assistantships include a range of expectations (e.g., grading, tutoring, assisting with research, facilitating class discussions), the art of teaching itself can become secondary to scholarship and research productivity (Gooblar, 2019). As a result, classroom instructional techniques might receive scant attention (Schram and Wright, 2011). Furthermore, the ways in which graduate students begin to think and feel like educators—rather than like students—can be transformative (Marino, 2020; Zapata, 2019), particularly for humanities graduate students who, in time, could hold university faculty positions that will require them to connect with students through expert and creative teaching practices. While tenure-track career options exist for humanities teaching at research universities and 4-year liberal arts colleges, the landscape of humanities teaching in the United States has changed (Rogers, 2015); simultaneously, employment opportunities at 2-year community colleges have gained attention as desirable options for humanities graduate students upon degree completion (Darling, 2019). Pippins et al. (2019) found that among US community colleges, “the number and share of [humanities and liberal arts] degrees awarded annually has risen since 2000” (2), which further substantiates the large array of humanities courses that many community colleges offer. Thus, preparing graduate students to teach in community college settings is an overriding principle that could help to preserve the quality and integrity of humanities education in a variety of educational contexts. Understanding more about how graduate students come to understand themselves as teachers is an essential component of building successful teacher development programs for future faculty. One path in this endeavor is designing authentic teaching opportunities for graduate students that reveal the pedagogical underpinnings of college teaching.
The current study was based on one such opportunity, HUMN 422, a new seminar designed to provide graduate students in the humanities, arts, and humanistic social sciences with an introduction to teaching careers at community colleges. Throughout this course, graduate students learn to recognize and describe the missions, opportunities, and challenges of teaching careers at community colleges as well as how to respond pedagogically to community college students’ needs. In addition, a competitive fellowship is available to HUMN 422 students who apply to participate in a mentored teaching experience in a subsequent semester. This experience pairs them with a teaching mentor in a specific course in or close to their area of study or expertise at a community college. Assessing this cross-institutional collaboration over its first 2 years led to the current case study on the meanings and connections that graduate students attributed to these experiences, in order to better understand their emerging teacher identities. This case study also served as a means of evaluating a program designed to prepare graduate students for the kinds of teaching they likely will encounter in the future. To situate this study within humanities college teaching, it is important to consider three broad areas of scholarship: (a) community colleges and the humanities, (b) teacher identity in academia, and (c) graduate student mentorship.
Literature review
Community colleges are access-oriented, 2-year tertiary institutions that offer associates degrees and certificate programs in a variety of disciplines (Darling, 2019; Jenkins, 2000). American community colleges have similar missions and curricular structures as technical colleges, intermediate colleges, and further education colleges in other countries. Community colleges typically attract a diverse student body from a variety of backgrounds and life stages (Bickerstaff et al., 2020; Darling, 2019; Kramer et al., 2021), including underrepresented students, first-generation students, and Black students, the majority of whom begin tertiary education at 2-year colleges (Darling, 2019). Thus, community college faculty can assume several roles and identities (e.g., mentor, guide, supporter) in addition to their pedagogical responsibilities. Given that community colleges serve multiple purposes (e.g., workforce training, flexible scheduling, community engagement, preparation for transferring to a 4-year institution), coming to terms with the pedagogical complexities at 2-year institutions could improve teaching practice, bolster institutional identity, and increase understanding of how responsive instruction can shape students’ lives.
One prominent area of community college coursework has been housed in the humanities (e.g., art, history, literature, music, philosophy, theater) and humanistic social sciences (e.g., anthropology, psychology, sociology). While humanities enrollment at American community colleges has been relatively steady (Community College Research Center, 2021; Pippins et al., 2019), researchers have noted the declining status of the humanities in society (Olmos-Peñuela et al., 2015; Rogers, 2015) and have made cases for the humanities’ continued inclusion in 21st-century college curricula (Barnett, 2014; Bickerstaff et al., 2020; Gilead, 2017; Held, 2020). It is unclear how or whether educational and administrative stakeholders will advance arguments for humanities education and graduation requirements in the future. Despite this changing landscape, graduate education—and doctoral education in particular—often has overlooked access-oriented community colleges as fitting and sustainable career choices for humanities graduate students.
Another concept in academic teaching is teacher identity construction among university faculty, which has garnered increased attention (Van Lankveld et al., 2017). Reeves (2018) described teacher identity as “the practice of becoming and being a teacher” that underscores “the symbiotic relationship between identity and practice” (4). While teacher identity can be multidimensional and enigmatic, most scholars have agreed that identity is a socially-constructed, fluid process that is context-dependent (Jenlink, 2021; Reybold, 2003; Rodgers and Scott, 2008). Van Lankveld et al. (2017) explored the strengths and constraints of identity among university faculty and concluded that faculty develop a teaching identity after having taught a few years, and that their teacher-self “is built on other identities, including those of a professional, academic, researcher, or intellectual” (333). Researchers specifically have investigated teacher identity in community college contexts and have found that faculty tend to claim teaching as their most prominent role feature (Mohrbacher, 2015), support and care for students devotedly (Thirolf, 2015), and embrace serving large minority student populations (Zapata, 2019). Exploring teacher identity construction among humanities graduate students could be an essential step in preparing well-versed, self-aware, and professional faculty.
A final element in acquiring college teaching skills is graduate student mentorship. Mentoring graduate students in content, pedagogical, contextual, and professional knowledges is an ongoing process. Researchers have examined a variety of mentoring relationships and practices between faculty and graduate students (Gaff et al., 2003; Marino, 2020; Noy and Ray, 2016). From a pedagogical standpoint, Schram and Wright (2011) reported that while the faculty-graduate student dyad has been celebrated for its apparent ability to embed multiple teaching opportunities, graduate student mentorship can be replete with insufficient or haphazard advising practices. Balleisen and Wisdom (2018) speculated that the structure of many doctoral programs “ensures that preparation for academic positions will be inconsistent and idiosyncratic, depending on the knowledge and mentoring abilities of individual faculty members” (50). Similarly, Gooblar (2019) critically examined how academics typically are prepared to be researchers first and teachers second. Noting the dissonance between scholarly productivity and high classroom expectations, Gooblar (2019) believed that adopting active-learning strategies is fundamental to student-centered classrooms. Given that part-time and full-time faculty, like those in community colleges (Darling, 2019), spend an inordinate amount of time on teaching and preparing to teach as opposed to conducting research (Gooblar, 2019), a greater focus on pedagogy could improve teacher preparedness. Furthermore, graduate students may not have opportunities to explore their motivations for becoming college faculty or to refine teaching skills on a regular basis, which stands in contrast to undergraduate teacher preparation programs that reinforce teacherhood early on through field experiences and student teaching internships (Baumgartner and Councill, 2017; Butler and Cuenca, 2012; Draves, 2013; Gibson, 2003; Jenlink, 2021; Orland-Barak and Wang, 2021). Providing graduate students with mentored teaching experiences could cultivate instructional instincts and spark latent teacher identities.
Rationale and purpose of the study
Previous research has shown the importance of providing graduate students with professional development opportunities (Gaff et al., 2003; Gooblar, 2019) and mentorship in cultivating teaching competences (Balleisen and Wisdom, 2018; Schram and Wright, 2011), including during the COVID-19 pandemic (Nash, 2021). However, the skills required to design and facilitate student-centered classrooms could require additional mentorship beyond the research, academic, and theoretical preparations that typically are associated with graduate programs (Balleisen and Wisdom, 2018; Gooblar, 2019). Additionally, some graduate assistantships include limited teaching opportunities and space for reflecting on contemporary teaching and learning practices. Consequently, the frequency and quality of feedback that graduate students receive about their teaching from faculty can vary widely (Marino, 2020; Van Lankveld et al., 2017). Given the lack of field experience in graduate programs compared to those in undergraduate teacher preparation programs (Baumgartner and Councill, 2017; Butler and Cuenca, 2012; Draves, 2013; Jenlink, 2021; Orland-Barak and Wang, 2021), it is unclear which tools graduate students might appreciate and rely on most as they foster emerging identities as university faculty members, particularly in community college contexts. Collecting the perceptions of humanities graduate students who do have opportunities to refine their pedagogical skills could add to the gestalt conversation surrounding how universities prepare graduate students for classroom teaching.
Therefore, the purpose of this multiple case study was to chronicle the perspectives of four humanities graduate students as they participated in a mentored teaching experience at a community college. A specific focus was placed on the evolution of students’ teacher identity and its relationship to future career goals. The following questions guided this study: (a) How did a mentored teaching experience promote the construction of teacher identity in humanities graduate students? (b) How did the experience inform graduate students’ understanding of community college contexts? and (c) How did the experience shape graduate students’ future career plans?
Method
Design
We based this study on qualitative research techniques associated with a multiple case study design (Stake, 2006). Multiple case studies are used to examine in detail “something having lots of cases, parts, or members” (vi). In a multicase study, the collection of individual cases can reveal stories, problems, and relationships that are critical to understanding the quintain, or the “phenomenon or condition to be studied” (6). In the current study, the quintain was the phenomenon of mentored teaching experiences among humanities graduate students. Because multiple case studies can illuminate relationships between a quintain and individual cases (2006), we selected this design as an appropriate lens for viewing graduate students’ perceptions of college teaching. Such a framework could reveal new understandings related to graduate students’ shifting teacher identities as they approach the college job market. Finally, we viewed teacher identity in the current study from a broad perspective (Jenlink, 2021; Van Lankveld et al., 2017), in order to account for the multiplicity of selves that participants might identify.
Context
This research was inspired by a partnership between Case Western Reserve University (CWRU), a private, 4-year research university, and Cuyahoga Community College (Tri-C), a public, 2-year community college system with four separate campuses across Cleveland, Ohio, a large metropolitan region in the United States. This institutional partnership was an outgrowth of the Cleveland Humanities Collaborative (CHC), which was initiated in 2015 with generous support from the Andrew W. Mellon Foundation, the largest supporter of the arts and humanities in the US (The Andrew W. Mellon Foundation, 2021). Among its many missions, the CHC provides opportunities for Associates of Arts degree students from a variety of area community colleges to matriculate to CWRU to complete an undergraduate Bachelor of Arts degree in any of its humanities disciplines. In 2019, the CHC introduced a zero-credit graduate student component by offering a year-long program that familiarizes CWRU humanities and humanistic social science graduate students with teaching and learning contexts in 2-year colleges, such as Tri-C. Faculty members from CWRU and Tri-C collaboratively designed an introductory course on humanities teaching at community colleges (HUMN 422), and established subsequent opportunities for funded, mentored teaching experiences at Tri-C. Ultimately, this collaboration focused on highlighting 2-year institutions as strong career pathways for graduate students, on building relationships among 2-year and 4-year faculty, and on incorporating the pedagogical and institutional expertise of 2-year faculty into graduate education.
To date, this cross-institutional collaboration has encompassed a two-semester cycle. During the fall semester, bimonthly HUMN 422 seminars offer CWRU graduate students the opportunity to explore the student populations, faculty working conditions, hiring practices, curriculum and course design, and institutional missions of access-oriented community colleges. Later in the semester, students can apply for a competitive Mellon Fellowship that allows selected students to engage with a Tri-C humanities or humanistic social science course during the spring semester, shadowing, collaborating, and teaching with a Tri-C faculty mentor. At the time of this study, the HUMN 422 seminar/Mellon Fellowship cycle was in its second year and reflected online-only sessions due to COVID-19 safety protocols on both campuses. Authors Kruse and Emmons were faculty members at CWRU, while authors Powers, Williams, and Wolken were faculty members at Tri-C. During the fall semester, all of us co-taught HUMN 422, coordinated Mellon Fellow placements with other Tri-C humanities faculty, and held insider perspectives from each of our respective institutions. During the spring semester, however, our roles were reduced substantially so that CWRU students and their paired Tri-C faculty mentors could establish their classroom routines. Throughout the fellowship period, we served in an advisory capacity only. These separate yet complementary roles allowed us to bring both emic and etic perspectives (Patton, 2001) to the study, data collection, and analysis.
Data collection
We collected data in an effort to follow four CWRU graduate students’ experiences during their mentored teaching placements at Tri-C, all while adhering to proper COVID-19 safety protocols (e.g., remote communications only). Data collection spanned an entire spring semester, January through May 2021, and comprised several sources. Primary data sources consisted of two semi-structured interviews with each participant and multiple observations of participants’ synchronous or asynchronous lessons. Interviews lasted between 24 and 54 minutes and were conducted online through Zoom. Remote teaching observations, which lasted approximately 380 minutes in total, yielded additional descriptive accounts of participants’ progress and were conducted online through Google Meet and WebEx. To remain as unobtrusive as possible during remote observations, we turned off our web cameras and microphones and did not interact with students or teachers during instruction time. Secondary data sources included monthly journal entries, email communications, and various artifacts (e.g., class worksheets, listening examples, reading assignments, Blackboard course materials). We created specific journal prompts to elicit participants’ beliefs about their individual motivations, collaborative experiences, teaching strategies, and overall development over the course of the semester. Journal responses revealed new topics for future interviews and served as a reflective exercise for participants as they made sense of their own teaching in relation to student learning.
Analysis
We (Kruse and Emmons) transcribed all individual and focus group interviews using the Zoom audio-to-text transcription feature. We checked completed transcripts for accuracy before analyzing the data iteratively for emergent meanings (Saldaña, 2021), which allowed us to move from a granular approach to a holistic one. First, we employed in vivo coding (Strauss, 1987) to identify salient features within the data, using participants’ actual words and phrases as code markers. First-cycle coding progressed in stages, separately then collectively, with both of us sharing analysis and revision until we confirmed the composite findings. Further within-case analysis involved removing, combining, or reconfiguring codes as the thematic material coalesced. Second, we employed pattern coding (Miles et al., 2014) to assemble the overarching cross-case themes as they related to aggregate data codes and the research questions (Stake, 2006). We increased trustworthiness through member checks, peer review, and the triangulation of primary and secondary data sources (Patton, 2001). Participants performed member checks on preliminary data to ensure the accuracy of data codes and emergent interpretations. Next, we (Powers, Williams, and Wolken) objectively peer-reviewed the codes, themes, and findings, and provided slight modifications to code groupings or inadvertent redundancies. This dual process allowed our respective emic and etic perspectives to inform our analysis from both inductive and deductive approaches (Patton, 2001).
Participants
Four American humanities and humanistic social science graduate students from CWRU participated in this research and were selected through purposeful sampling (Creswell and Poth, 2018). This form of sampling allowed us to focus on the phenomenon at hand through participants’ first-hand accounts. All four students completed HUMN 422 during the fall semester and were awarded one of the competitive Mellon Fellowships for teaching at Tri-C during the spring semester. Student participants, who selected their own pseudonyms, were Annika (musicology), Irene (musicology), Kloe (anthropology), and Nick (English). All four students held some type of graduate teaching assistantship at CWRU, which included a combination of grading, tutoring, lecturing, and facilitating discussions in undergraduate classes. Teaching opportunities at Tri-C were in addition to their obligations at CWRU and served as a counterbalance in their evolution as future higher education instructors.
Annika grew up in California, in one of the “richest, Whitest, meanest, and most competitive towns is the US” (Journal 1). As a student, she had some experience with community colleges, having enrolled in one course in high school and one in college. Early on, however, Annika never wanted to become an educator, because her school teachers consistently assigned her to tutor the most unwilling students in her class, which put her in an uncomfortable position with her peers. As a college music student, she tutored high schoolers in English and geometry, but only began to feel like a teacher when she entered graduate school and started teaching private voice lessons. As a graduate student, Annika enjoyed refining her lecturing and discussion skills in musicology courses and building her voice studio, which included older adults who were often her favorite. At the time of this study, Annika was completing her musicology dissertation and was assigned an introduction to music reading classroom placement at Tri-C.
Irene was a vocalist who attended a 4-year liberal arts college as an undergraduate music history major. During that time, she enrolled in two online summer courses through a community college in another state and became somewhat familiar with community college structures. Throughout her master’s and doctoral coursework, she served as a graduate teaching assistant in music history survey courses and was the instructor of record for an undergraduate music appreciation class for non-music majors. While Irene enjoyed teaching overall, she referred to herself as the “fake-it-till-you-make-it girl” (Interview 1). Nevertheless, her primary career goal was to obtain a music history faculty position at a 2- or 4-year college. At the time of this study, Irene was completing her musicology dissertation and was assigned a music theory classroom placement at Tri-C.
Kloe had fond memories of serving as a learning community leader during her undergraduate career. In this role, she assisted with class preparations, built rapports with students and professors, and was able to witness the degree to which professors impacted students’ lives. This experience became the impetus for Kloe’s resolve to pursue a college teaching career. She believed anthropology widened her perspectives on life and others, and that it made her more empathetic. She also viewed community colleges as an ideal setting for blending her skills and passion for teaching with her interest in serving students with diverse backgrounds. At the time of this study, Kloe was beginning her doctoral coursework in anthropology and was assigned a psychology classroom placement at Tri-C.
Nick graduated high school with mediocre grades and dropped out of a private college after one semester, filling his time with numerous short-lived jobs. Nick eventually discovered a nearby community college and immediately began taking classes, graduating with an associate’s degree in less than a year. After graduating with a bachelor’s degree in English from a 4-year institution, Nick explored a public school teaching career, which did not last. He recalled the community college professors who taught and supported him and who gave him the skills he needed to succeed in the college classroom. He was inspired to become that kind of instructor for students who otherwise might not have access to such opportunities. At the time of this study, Nick was in the final semester of his master’s coursework and was assigned an English classroom placement at Tri-C.
Findings and discussion
Following cross-case analysis, two broad themes emerged: Enculturation, which reflected participants’ familiarization with the practices and responsibilities of community college teaching, and Illumination, which reflected participants’ understandings of their teacher identities and their reconciliation of future career trajectories. We describe these themes below and include supporting material from interviews, observations, and journal entries, as well as pertinent literature related to each theme.
Enculturation
The first theme of enculturation embodied participants’ evolving acclimation to the rhythm of community college teaching. Through weekly classroom observations, co-teaching episodes, and solo teaching segments, participants became more familiar with the structure and pacing of college teaching, particularly with regard to students’ pedagogical needs. However, the online-only format of pandemic-era teaching potentially negated a sense of campus community and workplace conditions that otherwise might have occurred organically in pre-pandemic settings (e.g., faculty networking, campus climate, in-person teaching). Still, over the course of several weeks, the participants grew into their roles as teachers, facilitators, and learners, an enculturation process that ultimately was fueled by two interpersonal aspects at Tri-C: the mentor teachers and the students.
Mentor teacher guidance
The mentor faculty at Tri-C served critical roles in the participants’ enculturation to the profession. These mentors acted as welcoming facilitators who familiarized the participants with their classes, course content, learning objectives, and student profiles. They also functioned as trusted advisors for lesson planning and professional advice following participants’ teaching segments. Overwhelmingly, the participants’ extolled the interpersonal relationships that the faculty cultivated with them, describing their rapport in affectionate terms. According to Kloe, her mentor teacher “gave off a motherly feel,” “worked as a team,” and created “a family feel” (Journal 1), while Nick believed his mentor teacher was “like a good coach” who had a “presence in the asynchronous classroom” (Journal 2). Participants also reported that they were treated like colleagues rather than students and were given more teaching responsibilities as the semester unfolded (e.g., teaching a full unit, leading class discussions, grading assignments, holding Zoom office hours). Additionally, the participants particularly admired how their mentors demonstrated building relationships with students by letting them know that “someone cares about them” (Nick) and connecting them to campus resources (e.g., reading specialists).
A related aspect that participants noted frequently was how invested mentor teachers were with their students’ academic and personal success. According to participants, each mentor practiced various forms of boundary-setting with their students. For example, Annika, Irene, and Kloe’s mentors often held frank conversations with Tri-C students about personal life choices and served as sounding boards for students’ non-academic conundrums (e.g., health issues, family strife, financial concerns, life skills). These honest, transparent discussions contrasted sharply with the participants’ previous experience with their own professors at CWRU. Annika wrote that her “one-woman music department” (Journal 1) mentor was …very accessible to her students. She put two phone numbers (one for texting) on her syllabi, so that students could text or call her anytime, even on the weekends…She has a nuanced understanding of her students’ interests, goals, and abilities as they change from admission to graduation. (Journal 2)
In contrast, Nick observed his mentor’s concrete approach to setting personal and professional boundaries: “From 9 to 5, he is like 100% in the class….but after 5, he’s logged out [of email]. And on the weekends, he’s logged out to be with his family. So I think that’s pretty cool” (Interview 1).
Overall, participants praised their mentor teachers for modeling the human side of teaching that often can be overlooked amid other pressing matters in graduate education, such as research and curricular requirements for degree completion (Gooblar, 2019; Marino, 2020). Mentors’ pedagogical and interpersonal actions also appeared to awaken participants’ conceptualization of how classroom instructional techniques, lesson sequencing, and teacher dispositions can expedite student learning (Schram and Wright, 2011). It is possible that the participants’ immersion in a community college teaching setting with a purposefully-paired mentor was an ideal combination for participants as they learned to negotiate the fluidity of teaching roles (Rodgers and Scott, 2008; Van Lankveld et al., 2017). For the participants, the mentors epitomized the intertwined notions of structured content learning, empathetic student rapport, and positive workplace climate, despite the limitations associated with COVID-era online teaching (Nash, 2021). By and large, these traits appeared to reflect the affirmative dispositional styles of faculty mentors that Noy and Ray (2016) and Balleisen and Wisdom (2018) highlighted. Irene encapsulated these gestalt sentiments when she wrote, [My mentor] was extremely kind, patient, and generous with her time. She was empathetic while making sure her students did the work they needed to do to succeed. It became even clearer to me that the culture at a community college, or at least at Tri-C, is very different from that of a conventional 4-year institution, in that there is generally more investment in the success of their students...I hope to bring the empathy and investment in students I saw in her to whatever teaching opportunities are in my future. (Journal 3)
Student interaction
The students at Tri-C served as the second integral element in participants’ enculturation to community college teaching. Like many 2-year, access-oriented schools (Darling, 2019), Tri-C students reflected a wide range of diversity, including age, race, ability, background, religion, career stage, and socio-economic status. Over the course of the semester, participants became acutely aware of the breadth of experience that community college students bring to the classroom. Participants often worked with students across disparate life stages, from 14-year-olds taking college-credit courses to military veterans, working parents, and retirees seeking career changes or continuing education opportunities. As Nick remarked, “Community college students are real people in that they come from all different kinds of places. They have responsibilities, jobs, families, and these big lives that they need to be responsible for” (Interview 2).
Tri-C students were particularly helpful in familiarizing participants with how to construct meaningful teacher-student relationships. Through consistent classroom interactions and discussions, Tri-C students unwittingly taught the participants how to approach the classroom with a focus on teaching. As Annika wrote, “I enjoyed the back-and-forth interaction as students started to complete their exercises, asked me questions, tried new strategies, and eventually succeeded at their task” (Journal 3). Similarly, Kloe commented that “connecting with the students and watching them connect lessons with previous lessons was a great success. It was good to know that they truly were learning something from the class and sometimes even applying lessons to their own lives” (Journal 3). In addition to making connections between the course material and their life circumstances, Kloe’s students seemed to help facilitate class activities. She said that one “benefit of having older [adult] students in class is that they’re getting others engaged when we do [WebEx] breakout rooms” (Interview 1).
Participants also learned to adjust their teaching approach when lesson segments did not go as planned. Kloe found that teaching online was “an interesting roller coaster,” and that implementing engaging activities in such a medium was challenging. Irene and Nick both noticed a wide range of academic skills among students (e.g., reading comprehension, content retention, self-directedness), which, to them, appeared to be more prevalent than at 4-year institutions. Nick observed that “[t]he biggest challenge in an online asynchronous course is making sure that students complete the course. Only about half of our students will actually finish it” (Journal 3). Nick’s use of collective our in the aforementioned statement (“our students”) appeared to signal an implicit sense of collaborative ownership in the educational process. Finally, Annika reflected on her own moments of impasse during class instruction: The biggest challenge for me has been what to do when I’ve explained a concept and the students are still lost. I try to find multiple ways of explaining [a concept], demonstrating an exercise for practice, referring back to the textbook, or something that my mentor teacher taught. Sometimes, none of my strategies work, and the students still have no idea what the concept is…My main concern was that I hadn’t put a lot of pedagogy to use. There was so much new information to introduce that I didn’t figure out how to use Bloom’s Taxonomy or any other system of cumulative mastery. (Journal 3)
Collectively, participants reported that Tri-C students consistently provided in-the-moment feedback on their teaching through verbal and non-verbal means (e.g., positive interactions, requests for clarifications, quality and timeliness of written assignments). Participants learned to navigate and modify their instruction in real-time or after periods of reflection, which is consistent with literature on undergraduate teacher preparation and mentorship (Baumgartner and Councill, 2017; Butler and Cuenca, 2012; Draves, 2013; Orland-Barak and Wang, 2021). Unlike many 4-year institutions that tend to enroll students within similar peer groups, degree tracks, or life stages, 2-year community colleges can represent a broader swath of society (Bickerstaff et al., 2020; Darling, 2019) and can offer teachers innumerable opportunities for engaging with students who reflect the community-at-large (Kramer et al., 2021; Zapata, 2019). Thus, the Tri-C students and mentor teachers served as twin enculturation agents who helped to shape participants’ concept of community college teaching, as well as the lasting connections that can develop from such interactions. As Irene stated, [The students] really grew on me, and I’m very sad to leave them at the end of the semester. They were great students who were willing to participate, ask questions, and were there to do the work…Yeah, I will miss them. (Interview 2)
Overall, our analysis revealed the importance of the collaborative pairings between faculty mentors and graduate students, and it suggested that administrative attention must be focused on ensuring productive collaborations. In fact, the faculty from Tri-C were actively involved in recruiting their colleagues to serve as mentor teachers for the participants in this study, and, as we will note below, such mentorship deserves compensation and recognition. In our study, the mentor faculty served both as a primary resource for the graduate students’ developing awareness of the context of community college teaching, and as an opportunity for the graduate students to reflect on how they wished to interact with their own future students. That the mentor faculty and the community college students themselves served such an important role in helping the graduate students develop as teachers is perhaps not surprising. It is, however, illuminating to note how labor-intensive such teacher preparation opportunities are to establish and maintain. In humanities and humanistic social science disciplines, attention to interpersonal relationships often has been embedded in the research questions and scholarship (Bickerstaff et al., 2020; Darling, 2019; Pippins et al., 2019). The current study demonstrated the important of attending to these relationships in pedagogical settings as well.
Illumination
The second theme represented participants’ growing awareness of their own potential place(s) within their disciplines and professions. Participants demonstrated their emerging sense of self as future educators by connecting their experiences with prior teaching and learning, including teaching outside of the traditional university classroom (e.g., voice lessons, peer tutoring, learning community engagement). Through these comparisons, participants articulated and refined a sense of themselves as teachers. As they neared the end of the mentored teaching experience, the participants also revealed concrete plans for their professional futures and reflected on what they felt had been missing from their graduate pedagogical development. Thus, the theme of illumination represented professional and pedagogical revelations across three primary domains: the construction of a teacher identity in new instructors, the clarification of potential career paths for humanities graduate students, and the processes that support graduate student professional and pedagogical development.
Teacher identity construction
Throughout the study, the participants spent a great deal of time interrogating their sense of what it meant to be a teacher. This process took a number of different forms, including observations about their mentor teachers’ dispositions and practical classroom strategies, as was discussed in the previous theme. Such practical observations, as well as the preparation for the teaching units that the participants planned, were the subject of multiple conversations between participants and their mentor teachers. The participants all discussed how important these conversations were to them. For example, according to Irene, this dialogue provided “insight into how [my mentor] creates assignments…or what she’s thinking about when she’s conducting the class” (Interview 1).
In addition, the participants looked back to their own educational experiences to draw on positive and negative examples that helped shape their own teacher identities. For example, Kloe spoke about her desire to be seen as approachable and empathetic, in contrast to some of her former professors: I’ve had those very closed-off professors who don’t want to share anything…you call them Dr. Whoever…and you don’t want to go to their office hours, and I don’t want my students to feel that way. I want them to be able to ask me questions, to email me...I want to know about their lives. (Interview 2)
Not only did Kloe differentiate herself from her former professors in this reflection, she also displayed her understanding of her future self as a teacher who will interact with “[her] students” in ways that show she “know[s] about their lives.”
For Nick, the opportunity to teach in an asynchronous English composition course was exciting, he said, because “I love taking asynchronous classes. Love taking them!” (Interview 1). Yet, as a teacher, he wrote that conducting an online, asynchronous course was “a different beast!” (Journal 2). This disconnect between his student-self and his teacher-self forced Nick to refine and expand his teaching repertoire. He wrote of the experience: My two primary strengths as a teacher are my ability to build relationships and the energy I bring to the classroom. Asynchronous, online teaching kneecaps me regarding both skills. As a result, I’ve become more thoughtful, and I’ve slowed down—which are both good. (Journal 2)
Nick’s experience of asynchronous, online teaching was important to his evolving teacher identity, and it highlighted an area for future research and pedagogical development, namely: the rise of online teaching not just as an emergency measure for pandemic education, but as a rapidly increasing educational modality in virtually every sector of higher education (Nash, 2021). While an investigation of the implications of this phenomenon are beyond the scope of the current study, Nick’s new understanding of the difference between teaching and being a student in an online class was a substantial outcome of his experience, and something doctoral programs seeking to prepare the next generation of teachers must address.
In their interviews and journal entries, the participants expressed a number of concerns about inhabiting a teacher identity, including worries about appearing too young, feeling ill-prepared to address all of the students’ needs, and accepting the sometimes imperfect disciplinary fit between their research-selves and the classes in which they participated at Tri-C. At times, participants described these observations from the perspective of others, such as wondering how students were perceiving them in terms of their age or their level of expertise in the subject matter. As the semester unfolded, however, most of the participants began framing their observations as growth opportunities, rather than as anxieties. At the beginning of the semester, Kloe confessed that she “struggled a bit as a lot of the students are [her] age or older” (Journal 2), but as the semester continued, her perspective appeared to shift toward self-reflection. After the midpoint of the semester, Kloe seemed to worry less about how students were perceiving her—“I am just one of their professors” (Interview 2)—and began to use her sense of students’ perceptions to articulate her growing awareness of her own teacher persona. Similarly, Irene admitted to being initially apprehensive about teaching in a music theory course as a musicologist, but eventually gained confidence and felt successful. In her final reflection, she wrote, I was afraid I would not have the knowledge or the analytical skills to engage with the students or teach a unit during the course of the semester. While I was certainly rusty at the start of the class in January, my music theory muscle memory quickly kicked into gear and I soon felt more confident in my analytical abilities. (Journal 4)
All four participants echoed this sense of accomplishment and confidence at various points in the experience; indeed, a sense of confidence seemed to be one of the most substantial factors determining when the participants felt most like teachers. These moments appeared to support Van Lankveld et al.’s (2017) and Jenlink’s (2021) notions of an increased teacher identity over time, as well as Rodgers and Scott’s (2008) descriptions of socially-constructed, context-dependent experiences. Given that the participants negotiated multiple identities concurrently throughout the semester (e.g., teacher, scholar, colleague, graduate student), the complexities of these interactions likely served as socializing factors (Reybold, 2003) that reinforced participants’ problem-solving skills and sense of self as teachers.
Career trajectories
For each of the participants, the mentored teaching experience had a considerable impact on their professional plans. In some cases, the experience solidified a desire to work in the context of an open-access institution. For Nick, the opportunity reconnected him with his identity as a former community college student. He wrote, The community college professors who taught and supported me gave me the skills I needed to succeed in the college classroom…I’m here because I want to help give opportunities to people who otherwise might not have access to them. (Journal 1)
For Kloe, the desire to teach at a community college developed over time, as did her sense of belonging in the classroom. “Coming into [HUMN 422],” she wrote, “I was very unsure of what I wanted to do after graduate school….By the end, I knew I wanted to teach, especially at a community college” (Journal 4). Both Kloe and Nick described concrete actions they planned to take to achieve their career goals. For Nick, this included pursuing his doctorate and “spend[ing] the next 5 years building my teaching CV” (Journal 4); for Kloe, this meant applying for adjunct positions at Tri-C and continuing to work on her teaching skills. She wrote, “Even when I do have a full-time position (and I will not stop until I do), I will continue to find ways to better myself as a teacher…so my students can get the most out of their education” (Journal 3). At the time of this writing, Kloe had been hired to teach two introductory anthropology courses for Tri-C; Nick had moved to his doctoral program out of state and accepted a second assistantship in instructional technology in addition to his work in English.
For Annika and Irene, the experience shaped their career plans by helping them understand their expertise and skills in relation to the diverse needs of access-oriented institutions. Both participants found a strengthened desire to work in education and expressed excitement about the possibility of having variety in their teaching experiences after graduation. Annika described her goals toward the end of the semester: I think an ideal first job at a community college for me would be something with a lot of variety in which I was teaching private voice lessons, music theory, and music history, for example, and preferably some first-year and second-year courses in addition to a prerequisite [such as the course I was assigned to co-teach]. (Journal 3)
Annika specifically commented on the difference between the career her mentor teacher built and what she believed is expected from most doctoral program graduates. She found the multiple roles and community activities available to her teaching mentor exciting and, as she said, “much more similar to what I will end up doing” (Interview 2). Thus, Annika’s experiences highlighted the value of giving graduate students opportunities to explore educational institutions beyond the ones that they have attended. For the participants in this study, a deepening understanding of career pathways was linked to a broader understanding of the diversity of teaching activities required of community college faculty.
For Irene, the idea of wearing “many hats” (Journal 4) was more daunting than energizing. She wrote, This semester has shaped my career goals in that it has confirmed that I want a career as an educator. It has also confirmed that my ideal first job would be at a place where I can work with music majors and non-music majors. I enjoyed working with the students…but this process has also made me aware of the fact that I may not be an ideal candidate for a community college job. (Journal 4)
For Irene, who was not an active performer, the potential of working in an exceptionally small department was not ideal. Instead, she articulated a desire to work collaboratively and to “actively participate in building curriculum and shaping the philosophies and practices” (Journal 3) of her future department. For both Annika and Irene, the experience reinforced a fundamental desire to teach, and it allowed them to identify the aspects of a music career that were most appealing and congruent with their expertise.
Common to all four participants was a desire to work with diverse student populations and to create opportunities through education. For Irene and Nick, the experience strengthened and complicated their senses of their own potential contributions to combating systemic and structural inequality. Irene’s desire to diversify the way that music history often is taught was challenged by the need to maintain curricular consistency, as mandated by articulation agreements and transfer policies. “With few exceptions,” she wrote in her journal, “the current education requirements in higher education [music programs] are rooted in colonialist and white supremacist traditions” (Journal 3). As she struggled to identify and use more diverse musical examples to supplement her teaching, she recognized that “this was a very large undertaking” (Journal 2), especially when teaching unfamiliar material for the first time. Nevertheless, she remained committed to “wrestling with this paradox for the rest of [her] career” (Journal 3). For Nick, a desire to open educational doors led him to consider a future career in administration. Describing his future, he wrote, I want to teach at community college. I decided this in late-April…Community college teaching aligns with my values, and I think I would be good at it…I might one day—after many years of teaching, of course—go into administration…we need leaders with heart and empathy, and I think I fit the bill…If I ever go into administration, it will be because I want to fight…systemic atrocities to the best of my ability. (Journal 4)
The opportunity to engage with both their 4-year graduate institution and the 2-year environment at Tri-C seemed to allow Irene and Nick the space to consider complex educational policies and structures (Reeves, 2018). This process aligns with Thirolf’s (2015) conclusion that teacher identity can be fostered by supporting and caring about students and serving their respective communities. For all four participants, being immersed in Tri-C undertakings encouraged them to consider a wider range of professional futures and missions, a tenet that Balleisen and Wisdom (2018) championed.
Preparation for college teaching
The mentored teaching experience at Tri-C afforded participants various opportunities to reflect on their own graduate preparation and what they believed was most important for their own and their peers’ professional development. They provided important insights into the ways that institutions should work to professionalize new teachers. At times, the participants described having difficulty applying pedagogical theory or even having an awareness of educational theory in general. Nick speculated that this was one result of the hyper-disciplinary attention of most graduate programs: “the training is too discipline-focused and is not about what good teaching is,” he said (Interview 2). More commonly, however, the participants expressed their gratitude for the practical teaching experience the current program offered, and suggested that similar experiences be incorporated into graduate programs. As Annika wrote, “It’s always possible to read more about teaching pedagogy and to become more of a subject matter expert, but actual teaching experience is what I need and want more of” (Journal 1). Similarly, Kloe talked about wishing she could be “more in the classroom and engaged with students” (Journal 2). She recommended allowing graduate assistants—who in her department at CWRU often serve only as graders for courses—“to teach one of the lessons or be maybe a little more involved with the [course] planning” (Interview 2). This practical teaching experience could be enhanced, the participants suggested, by opportunities to talk with their mentor teachers about both their own and their mentors’ teaching choices. Beyond the classroom, Irene believed that demystifying the university itself was essential. As she said, “It is not that the faculty hides anything from us, but…you have to ask those questions to figure out exactly how [the university] works; it can be very mysterious sometimes” (Interview 2). Participants’ sentiments were consistent with previous research on graduate student mentorship, haphazard advising practices, and a lack of focus on teaching skills (Balleisen and Wisdom, 2018; Gooblar, 2019; Schram and Wright, 2011).
The participants’ desire for more collegial communication—as Kloe stated, “I should be able to ask questions. I want to be able to learn if I’m not getting something” (Interview 2)—manifested in another realm, namely the complexities and variety of academic disciplines in general. That the four participants represented three different humanities and humanistic social science departments presented an opportunity for them to engage with each other across traditional boundaries. Irene spoke about this aspect of the experience, and for her, the potential was “less about the other departments, but more bringing to light the way that our music department functions, which I kind of just took for granted” (Interview 2). Thus, the mentored teaching experience—structured across two institutions and supported by faculty from both schools—provided an extracurricular space for the participants to reflect on their preparation and professional development (Balleisen and Wisdom, 2018; Darling, 2019; Gooblar, 2019; Van Lankveld et al., 2017). The constellation of support represented by the faculty members—none of whom had a direct supervisory role for the participants—seemed to promote growth and allowed relatively low-risk opportunities for the participants to experiment with their emerging professional identities.
Conclusions
This multiple case study (Stake, 2006) was designed to explore the particularities of a specific instantiation of a humanities professional development program, which was aimed at introducing graduate students to the possibilities of pursuing a teaching career at 2-year, access-oriented institutions. The four graduate students who participated in this research each served as a case for understanding the inner-workings of the mentored teaching experience, or the quintain. As Stake noted, “the unique life of [each] case is interesting for what it can reveal about the quintain” (vi).
The first research question—How did a mentored teaching experience promote the construction of teacher identity in humanities graduate students?—served as the primary focus of our analysis. Findings indicated that a mentored teaching opportunity was a positive force in helping humanities graduate students develop and articulate their own teacher identities. Factors that contributed to this outcome included the influence of mentor teachers and students at Tri-C; the opportunities that participants had to develop, implement, and reflect on their own teaching activities; and the cross-institutional and cross-disciplinary cohort that comprised students from multiple disciplines and faculty from different institutions. While the COVID-19 pandemic limited our ability to address fully the second research question—How did the experience inform graduate students’ understanding of community college contexts?—we nevertheless found that the participants did leave with a broader understanding of the challenges and opportunities facing students and faculty at access-oriented institutions such as Tri-C. The third research question—How did the experience shape graduate students’ future career plans?—allowed us to observe the ways that the participants expanded and refined their plans for their academic futures. Findings indicated that mentored teaching experiences opened possibilities and allowed graduate students to imagine multiple futures for themselves, while simultaneously giving them practical experiences that served as the foundations for those futures.
Implications
Given the case study nature of this research, the transferability of these findings to other classrooms and locations may be limited and should be applied with caution. Nevertheless, participants’ experiences underscored several possibilities for future humanities graduate student professional development. First, humanities graduate students likely need and want more opportunities to talk about teaching and pedagogical theories in a way that does not add to their curricular load. There could be multiple ways to implement such dialogue, including creating space for discussions of syllabus design; course objectives; assessment; teacher dispositions; and diversity, equity, inclusion, and access initiatives, even within the confines of traditional graduate seminars. Enacting classroom teaching demonstrations also could shift the tenets of good teaching from theoretical concepts to actual teaching practice. As Reeves (2018) maintained, “only through enactment are identities realized” (4–5). Opportunities for hands-on teaching earlier in graduate degree programs could expedite the construction of a professional teacher identity, which is one of several identities that faculty members can occupy (Van Lankveld et al., 2017). Additionally, graduate faculty could make more transparent to students their choices of and organizational schemes for the materials and assignments they include in their seminars. Doing so might allow emerging scholars to adopt and adapt their models of teaching. Similarly, making the overall curricular structure of departments and disciplines more visible to graduate students could help them to envision how the teaching they will do in the future contributes to the humanities profession as a whole. Future researchers could incorporate specific identity frameworks to determine the extent to which humanities graduate students inhabit them.
Second, this study highlighted the value of intentionally-structured and mentored teaching experiences for graduate students entering the profession, especially experiences that anticipate a range of career trajectories, including pathways to 2-year college faculty positions. A challenge surrounding scaffolded opportunities like this is ensuring that they are equitably constructed and maintained. Good mentoring takes effort and energy; relationships develop over time, which is a resource that some humanities research faculty may lack. While the cross-institutional structure of the program featured in this study had many benefits, it was made possible only through generous Mellon Foundation funding (The Andrew W. Mellon Foundation, 2021). Without stipends for the Tri-C mentor faculty, it would border on exploitation to ask such faculty to spend the time and energy on students from another institution. Internal collaborations with schools of education, where those are available, or with other humanities departments at the same institution, could be another tool for structuring mentored teaching experiences that benefit from multiple perspectives. Similarly, without even modest stipends for the graduate student participants, such a program risks adding to an already overburdened curriculum for graduate students. Despite these concerns, however, the benefits of creating novel structures that immerse graduate students in humanities contexts inside and outside of their home departments seems well worth the organizational challenges of creating them. Other models need not be as intricate as the one featured in the current study. Future researchers could explore the characteristics of existing educational collaborations as a way to demonstrate the variety of partnerships that are possible, and how those partnerships can work in concert to cultivate teacher preparedness among humanities graduate students.
Third and finally, the findings showed the value that graduate students can discover in explicit discussion of the range of academic institutions and teaching careers that exist. Asking graduate students to identify the kind of faculty profile they wish to cultivate (e.g., teaching-focused, research-focused, hybrid) is a process that should begin upon matriculation in a graduate program (Gaff et al., 2003). This would require that humanities and humanistic social science graduate faculty have a broader understanding of the range of academic institutions that employ their graduates and, perhaps, to develop more diverse networks for future placements. It also would require that graduate programs scaffold a variety of paths for their students as they work toward the profiles they hope to establish. Just as scholars interested in research need experiences with the tools and methodologies of their discipline, scholars interested in teaching careers need experiences with different student populations and curricular structures. Ongoing discussions like these could help to ensure the vibrancy of the arts and humanities in current and future higher education landscapes.
Footnotes
Declaration of conflicting interests
The authors declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The authors received no financial support for the research, authorship, and/or publication of this article.
