Abstract
The editorial team of Music & Science would like to thank the following non-board expert reviewers who reviewed papers in 2021:
Rebecca Atkins, University of Georgia, USA
Graça Boal-Palheiros, Polytechnic Institute of Porto, Portugal
Birgitta Burger, Universität Hamburg, Germany
Karen Burland, University of Leeds, UK
Emilios Cambouropoulos, Aristotle University of Thessaloniki, Greece
Alexander Carôt, Hochschule Anhalt, Germany
Francesca Carpos, Guildhall School of Music and Drama, UK
Julian Céspedes Guevara, Icesi University, Colombia
Vincent Cheung, Academia Sinica, Taiwan
Annabel Cohen, University of Prince Edward Island, Canada
Leon de Bruin, University of Melbourne, Australia
Reinier de Valk, Moodagent A/S, Denmark
Frank Diaz, Indiana University, USA
Nicola Dibben, University of Sheffield, UK
Sean Gilmore, Ryerson University, Canada
Jackson Graves, École Normale Supérieure, France
Anthony Gritten, Royal Academy of Music, UK
Damien Hall, Newcastle University, UK
Niels Chr. Hansen, Aarhus University, Denmark
Peter Harrison, Max Planck Institute for Empirical Aesthetics, Germany
Ina Henning, Hochschule für Musik Theater und Medien Hannover, Germany
Beatriz Ilari, University of Southern California, USA
David Ireland, University of Leeds, UK
Kelly Jakubowski, Durham University, UK
Dag Jansson, Oslo Metropolitan University, Norway
Dimitra Kokotsaki, Durham University, UK
Haley Kragness, University of Toronto, Canada
Amanda Krause, University of Melbourne, Australia
Gunter Kreutz, Carl von Ossietzky Universität Oldenburg, Germany
Mats Küssner, Humboldt-Universitat zu Berlin, Germany
Arabella Kyprianides, University College London, UK
Stefan Lattner, Sony CSL, France
Tanja Linnavalli, University of Helsinki, Finland
Peter Martens, Texas Tech University System, USA
Kathryn Mason, University College London, UK
Matt McCrary, Hochschule für Musik Theater und Medien Hannover, Germany
Katrina McFerran, University of Melbourne, Australia
Laura McPherson, Dartmouth College, USA
Andrew Milne, Western Sydney University, Australia
Dave Miranda, University of Ottawa, Canada
Ratnesh Mishra, UGent, Belgium
Nikki Moran, University of Edinburgh, UK
Steven Morrison, University of Washington, USA
Naomi Norton, University of York, UK
Kirk Olsen, Macquarie University, Australia
Edvin Østergaard, Norwegian University of Life Sciences, Norway
Ioulia Papageorgi, University of Nicosia, Cyprus
Richard Parncutt, University of Graz, Austria
Nicola Pennill, University of Sheffield, UK
Michelle Phillips, Royal Northern College of Music, UK
Helen Prior, University of Hull, UK
Joëlle Provasi, EPHE PSL, France
Jennifer Publicover, Halifax Institute of Traditional and Early Music, Canada
Tal-Chen Rabinowitch, University of Haifa, Israel
Will Randall, Jyväskylän Yliopisto, Finland
Mark Reybrouck, KU Leuven, Belgium
Juan-Pablo Robledo, Université de Lorraine, France
Dawn Rose, Lucerne University of Applied Sciences and Arts, Switzerland
Kevin Ryan, University of Tennessee, USA
Rebecca Schaefer, Leiden University, Netherlands
Thomas Schäfer, MSB Medical School Berlin, Germany
Maria Schuppert, University of Music Würzburg, Germany
Stefania Serafin, Aalborg University, Denmark
Aleksi Sihvonen, University of Helsinki, Finland
John Sloboda, Guildhall School of Music and Drama, UK
Mark Steedman, University of Edinburgh, UK
Thomas Stegemann, University of Music and Performing Arts Vienna, Austria
Christian Steinmetz, Queen Mary University of London, UK
Arild Stenberg, University of Cambridge, UK
Alex Street, Anglia Ruskin, UK
Swathi Swaminathan, University of Western Ontario, Canada
Jeanette Tamplin, University of Melbourne, Australia
Renzo Torrecuso, Max Planck Institute for Human Cognitive and Brain Sciences, Germany
Silas Villas-Boas, University of Auckland, New Zealand
Christof Weiß, Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany
Barbara Wheeler, Montclair State University, USA.
Karen Wise, Guildhall School of Music and Drama, UK
Jason Yust, Boston University, USA
Lawrence Zbikowski, University of Chicago, USA
… and 64 anonymous reviewers