Abstract
The purpose of this review is to expand understanding of the ways culturally, ethnically, and racially diverse youth have begun to reimagine urban and rural spaces using digital storytelling and photovoice, two methods that often fall under the broad field of youth participatory action research. To explain the conditions under which these methods favor movement toward socially just ideas and actions, we also build on and extend research in critical youth empowerment to call attention to the relational nature of the kind of work that positions youth as coresearchers and democratically engaged citizens. Of importance are the availability of safe, nurturing spaces that foster youth engagement, the quality of relationships between youth and adults, and the extent to which decisions and actions remain in the hands of youth. Finally, this review considers the implications for further research and what it could mean to reimagine schools and communities as spaces where youth have a voice as civically engaged citizens.
Keywords
The past decade has produced a considerable literature on adolescents’ points of view on school (Cook-Sather, 2009), thus bringing attention to the voices of culturally and racially diverse youth who are in a position to explain how they experience the effects of social policy. This work emerged in response to discrimination, racism, poverty, and the lack of educational opportunities in underresourced schools (Akom, Ginwright, & Cammarota, 2008; Caraballo, Lozenski, Lyiscott, & Morrell, 2017). Other research has broadened the focus of youth-centered research and documented youths’ efforts to create a drug-free public awareness campaign (Kim, Crutchfield, Williams, & Hepler, 1998), promote health through assessing quality of life issues (Cargo, Grams, Ottoson, Ward, & Green, 2003), and develop a community health prevention program (Wallerstein, Sanchez-Merki, & Verlade, 2005) in prisons and hospitals. Jennings, Parra-Medina, Messias, and McLoughlin’s (2006) research with youth organizations also exemplified how empowerment can arise from affecting change of social images of youth, values, and norms.
By highlighting the perspectives of youth, Jennings et al. (2006) have provided a conceptual framework in critical youth empowerment (CYE) to encourage youths’ participation as “critical citizens” in the communities where they live and go to school (p. 40; see also Jennings & Green, 1999). Their framework brings to light some guiding principles that foster youth empowerment, voice, and action that can help make communities more equitable: (a) a welcoming, safe environment where youth can identify problems that are meaningful to them; (b) meaningful participation and engagement; (c) equitable power-sharing between youth and adults; (d) engagement in critical reflection on interpersonal and sociopolitical processes; (e) participation in sociopolitical processes to affect change; and (f) critical reflection to help youth develop a sense of agency while identifying structural problems that reproduce inequality. One key assumption informing this framework is that participation should give young people more control over their own lives and experiences. Educators and youth workers can help position young people to think critically about the structural problems that serve as barriers to equity.
Empowerment in the context of this work is the type of ownership researchers believe youth can take as participants—if not leaders—in community-based projects, while agency signifies the capacity of youth for personal growth and social impact. Both agency and empowerment provide the ground to think strategically about how to live productively in the spaces young people occupy or to transform those spaces for the common good. Jennings et al. (2006) understand that educators and youth workers do not empower youth as much as they create the conditions for empowerment to happen. In this vein, Ellsworth (1989) challenges the idea of empowerment given the unequal power relations that characterize the relationship between youth and adults, even when the goal is to share power. At the same time, as Tuck (2013) cautions, we cannot presume that culturally, ethnically, and racially diverse youth lack voice or the capacity to critique the sociopolitical context of oppression that marginalizes their voices until researchers intervene.
We use this review to synthesize work with youth using digital narratives and photovoice to identify some of the conditions, principles, and tensions that emerge in creating opportunities to foster youths’ sense of agency, particularly as youth learn to take on varied community, familial, and economic roles (cf. Delgado & Staples, 2007). In doing so, we have sought to build on and extend research in CYE, a body of work that intersects with youth participatory action research (YPAR). This intersection is evident in CYE’s focus on critical consciousness, critical reflection, community organizing, and social justice. CYE is also guided by an orientation to engage with youth as coresearchers, sharing decision making, constructing presentations to reach out to community members and policymakers, and developing proposals for change.
Participatory research in the studies we review invites young people to use the visual methods of digital storytelling and photovoice to call attention to social problems that may not be visible to many adults. For researchers (e.g., Johnson, 2008), these methods can enable young adults to take control over the research process because many youth can tell their stories more easily through imagery than in text, mitigate the unequal power relations that often create tensions between young people and adults who collaborate on a given project, and provide opportunities to produce knowledge. For other researchers (e.g., Morrell, 2007; Morrell, Dueñas, Garcia, & López, 2013), using digital storytelling and photovoice also provides a means for increasing young people’s participation in civic life by giving voice to youth’s concerns. The goal of YPAR in fields such as education, psychology, and health is to create meaningful change with community members, motivated by equity and social justice in both school and out of school contexts (see also Cammarota & Fine, 2008; Duncan-Andrade & Morrell, 2008; Fine, Torre, Burns, & Payne, 2007; Mediratta, Shah, & McAlister, 2009). However, in their YPAR project focusing on the school-to-prison pipeline, Winn and Winn (2016) call attention to young people’s uncertainty when they are invited to take the lead in defining issues and guiding the group. In fact, they point out that youth resist taking leadership roles under adults’ guidance, especially when youth may not fully trust adults’ motives for collaborating as partners in research.
In the studies we have reviewed, YPAR is embedded within a broader tradition of CYE. In both cases, adults place the tools of digital storytelling and photovoice in the hands of youth to make social problems visible and promote youth civic engagement. (There are many digital storytelling and photovoice projects that do not involve youth as coresearchers, but these are not included in our review.) A key assumption is that participatory research with youth is itself action oriented, but what are the conditions under which desired outcomes are likely to occur or have been shown to occur? As educators, we need to know more about how youth and adults find ways to share decisions—and power—about the focus of a given project or the approaches that can foster youths’ belief that they can act on their convictions.
Two primary questions motivate this review as we seek to further understand the nature of youth-centered research that is committed to civic engagement: (a) How and in what ways do digital storytelling and photovoice lead to socially just ideas and actions; and in our effort to build on and extend the work in CYE (b) What can we learn about the conditions in and out of school that enable youth to transform what they learn about themselves and the needs of others into action as citizens? Addressing these questions prompts our effort in this review to better understand how methodologies of digital storytelling and photovoice align, differ, and intersect as young people collaborate with adults to explain the assets, possibilities, and challenges in the places where they live and go to school. Thus, educators and youth workers may also be in a better position to more fully understand how young people can use tools at hand to confront forces of inequality and injustice. This is particularly true as youth and adults make sense of what can feel like competing agendas between youth and adults and adjust to new roles as they negotiate how to define and pursue community action. Finally, it is important to examine alternative methods of inquiry (e.g., Hergenrather, Rhodes, Cowan, & Bardhoshi, 2009) and epistemologies that locate knowledge in community (Brayboy, 2005). (For other reviews of photovoice as a methodology, see also Catalini & Minkler, 2000; Delgado, 2015; Hergenrather et al., 2009; Kuratani & Lai, 2011; Latz, 2017.) Clarifying the relationship among youth participation and outcomes such as empowerment, community attachment, and anticipated civic engagement is timely given the accumulation of research describing the potential role that youth can play to ensure that they have the resources they need (Pritzker, LaChapelle, & Tatum, 2012).
A number of researchers suggest that digital storytelling and photovoice provide different but complementary methods to illustrate how images and text in the hands of youth have the potential to foster social responsibility and civic engagement (e.g., Haw, 2008). However, there is little consistency in defining these terms. Therefore, in what follows, we begin to define the concept of youth and explain how youth use digital storytelling and photovoice to tell their stories about the places they occupy both at school and in their communities. We then unpack ideas about empowerment, agency, democratic participation, civic engagement, and social justice, all of which are often discussed as goals in youth-centered research. Clarifying these key concepts focuses our efforts to address the questions motivating our study: How digital storytelling and photovoice lead to socially just ideas and actions and how researchers and youth workers can more fully understand the conditions in and out of school that enable youth to transform what they learn into action as citizens.
Defining Youth
To frame this review, we first identify some assumptions about the very idea of youth. As the United Nations Department of Economic and Social Affairs (2013) notes, the term youth stresses a pivotal and developmentally explosive transitional period between the dependent stage of childhood and full independence of adulthood. Importantly, the concept of youth, or childhood, is culturally situated and varies a great deal across the globe. Many of the studies we review use the terms youth and children interchangeably and refer primarily to those who are under the age of 18 years. In the American lexicon, youth, children, young people, and young adults often operate as synonyms and include those who are not yet of “legal” adult age on the whole. In many other international contexts youth extends far beyond the age of 18 years. For the purposes of this review we assume the American definition of youth.
A nuanced definition of youth shifts the focus from biology and chronological age to the situated nature of youth and childhood that varies by community of practice, political perspective, or other socially learned frameworks. These factors underscore the diversity of any social group. In her work on youth activism and organizing, Bishop (2015) “recognizes the power of young people not as ‘kids’ to be controlled and ‘children’ to be quieted but as growing adults who possess the capacity to be leaders in the present” (p. 2). However, as James (2007) points out, creating the conditions or spaces for youth to confront issues that they have a stake in “is not simply or only about letting children speak” (p. 262). It is also about understanding the unique racial, ethnic, and cultural perspective that youth provide about their social worlds. Given the complexity of identity, it is not possible to write about a particular social group as if they speak as one (Matthews & Limb, 1999). Unfortunately, adults often overlook the assets and capacities that youth possess, and instead identify youth as the cause of community deterioration. Thus, youth, especially African American, Latinx, Native American, LGBTQ (lesbian, gay, bisexual, transgender, queer), and refugees fleeing their oppressive home countries, feel they have little voice (Valaitis, 2005) in the social, economic, or political life of their communities in the United States (Cammarota & Fine, 2008) or in other transnational contexts (e.g., Blundell, 2016). Their voices are underrepresented in dominant narratives about identity informed by White, middle-class heterosexual norms. Dominant narratives limit who belongs to a community—who matters—and ideas about citizenship. Rodriguez (2017) suggests that taking on a “youth lens” allows researchers to challenge the limiting histories linked with the psychological term (and its attendant raced, classed, and gendered baggage) adolescent. Doing so entails exploring the different ways in which young people are always coming to know in contexts that shape their political and cultural realities and the social positions they occupy.
Reframing Youth Identity Through Digital Storytelling and Photovoice
Just as important are the ways youth, in particular, reimagine the neighborhood spaces they occupy by using digital storytelling and photovoice. These methodological tools foster different ways of producing knowledge as young adults master technical skills of producing and editing a video with images, music, and text, on the one hand, or selecting and analyzing photographs for a public exhibition, on the other. They also share similar features, such as making social problems visible and providing opportunities for critical reflection and action.
For Hull (2003; Hull & Katz, 2006), digital storytelling can enable young people to envision possible futures that are not constrained by material and racialized contexts that have historically contributed to the disenfranchisement of Black children and families. This includes the unequal distribution of funding in schools based on race (Baker, Luhm, Johnson, & Sciarra, 2017); the deterioration of low-income neighborhoods that limit access to rich, literate environments (e.g., Neuman & Celano, 2001); or the displacement that occurs when neighborhoods are gentrified to accommodate wealthy investors (Greene, 2013). Salazar’s (2010) participatory study of newly arrived immigrant and refugee youth in Australia gave Cambodian and African youth the opportunity to speak to dehumanizing narratives in the popular press. However, a key question is the degree to which digital storytelling can be empowering and foster leadership when youth construct alternative representations of who they are.
As a “participatory action research method,” photovoice enables youth to record what matters to them, what they see as assets in a community, challenges, or possibilities, and speak to the effects of policy on their day-to-day lives in hopes that the stories they tell might affect change (Wang & Pies, 2008). Graham, Reyes, Lopez, Gracey, Snow, and Padilla (2013) reveal this potential with African American youth in Detroit whose photographs provided policymakers with an “insider’s perspective” of the issues (e.g., drugs, abandoned buildings) facing their communities with the hope of promoting policy change to mitigate the effects of economic devastation on the community. An exhibition of photographs served as an opportunity for African American youth to teach the community about these issues and demonstrated the extent to which underrepresented youth can contribute to the production of knowledge in the mainstream. As in the United States, Brann-Barrett (2011) documents the deterioration of public spaces with youth in Canada and a lack of funding to revitalize parts of the city. Although youths’ photographs raise public awareness of the material and youths’ socioemotional needs—a measure of their evolving sense of agency—she leaves open the question of how young people can affect change in an infrastructure when the city lacks the means to improve the conditions where youth live and attend school.
Youth Identity and Neighborhood Spaces
Recent work with digital narratives and photovoice alert us to the ways that young people often appropriate spaces such as parks, abandoned lots and houses, cemeteries, forests, alleys, and sidewalks for purposes often invisible to adults, let alone city planners. When youth attach meaning to these relatively abstract spaces, they become places that are not only physical and material. They often embody the social relationships they build with other youth and adults. Although space and place are often seen as binaries, Cresswell (2004) points out that the extent to which the spaces youth create through social interaction may also be seen as a place-making activity that enables young people to maintain a sense of identity and belonging. Tuan (1977) understands place as a “pause” in the movement through an abstract, undefined space (see also Soja, 1996, who offers an expansive discussion of space and place). Young people can make these moments of pause visible as they interact with, produce, and revise the places of their lives in creative, troubling, and powerful ways as citizens.
Citizenship and the Pursuit of Socially Just Practices
Researchers suggest that digital storytelling and photovoice are participatory methods that have the potential to promote critical dialogue and to bring about change through developing civically engaged practices of advocacy and activism. However, Wood (2016) also urges educators and youth workers to assess how social interactions among young people, in this case Maori youth, and adults shape the experiences of both “inclusion and exclusion, and indeed the experience of being a young citizen” (p. 313). This is especially true when youth and young adults enter contested spaces where their citizenship is challenged or when community leaders resist their proposals for change. So what does it mean for youth to practice citizenship and democracy?
For Richards-Schuster and Dobbie (2011), “Youth civic action is the process by which young people engage in the public issues and institutions that impact their lives” (p. 235). Westheimer and Kahne (2004) observe that ideas about democracy vary and their research helps us see that ideas about citizenship and civic engagement can exist along a continuum. Civic engagement can include forms of personal responsibility or forms of participatory citizenship in which individuals “actively participate in the civic affairs and the social life of the local community” (p. 241), such as educating the community about a judicial system that can remedy persistent inequality in housing. Westheimer and Kahne (2004) add that justice-oriented citizens are not only committed to collected works of the community but also to analyzing and critiquing social issues and injustice as a form of civic engagement (see also Bowman, 2011).
Educators and youth workers have aligned their collaborations with youth with activist traditions that seek to produce justice-oriented citizens who participate in public policy advocacy, community organizing, and organizational decision making (Derr, Chawla, Mintzer, Cushing, & Van Vliet, 2013). For the purposes of clarity, we define socially just practices in studies with youth and actions that (a) ensure that everyone, particularly youth, has a voice in critical decisions about the equitable distribution of resources and that no one is excluded; (b) make certain that people have access to what they need to lead full lives, personally, socially, politically, and economically (Chambers & Gopaul, 2010); and as Johnston-Goodstar (2013) points out (c) recognize “alternative perspectives, values, and ways of being and democratically engaging in the world” (p. 316). Altogether, such a view of social justice promotes inclusion, values an asset-based approach to education, and underscores the equitable distribution of material, spatial, and emotional resources.
However, justice is also more than the equitable distribution of resources. Researchers claim that justice must also reclaim difference and give voice to alternative histories and cultures that have been erased. For that matter socially just practices can take the form of resistance that refuses to perpetuate a system one has experienced as oppressive and violent, whether through racism or the systematic removal of Indigenous people from their land (e.g., Tuck & Yang, 2014). Acknowledging refusal as a form of engagement (Tuck, 2009), indeed as civic responsibility, reframes the way educators and youth workers might think about success and outcomes in participatory work with youth (e.g., Burke, Greene, & McKenna, 2017). That is, naming and reclaiming traditions and culture without changing policies can still be a powerful form of civic engagement. This is also true when youth critique cultural exclusion (Wood, 2016). Within an international context, the global migration of people fleeing their homelands brings to mind the historically contested meanings of citizenship, civic engagement, and social justice. As young refugees and their families cross borders, they must find ways to develop a sense of belonging in nation states that resist their presence and deny their right to citizenship. To possess rights of citizenship is a difficult, oftentimes impossible path. However, Salazar (2010) explains that the challenge immigrant youth and their families face is to find ways to practice citizenship by using storytelling to develop collective capacity and counternarratives of oppression.
Organization of the Review
In what follows, we explain our method for compiling the data sources for this review. We then describe the ways researchers across fields in different socioeconomic and transnational contexts have sought to use digital storytelling and photovoice to foster youth civic engagement, the focus of the first question motivating this review. In doing so, we also call attention to the relational nature of this kind of work that positions youth as coresearchers and experts. Of importance are the spaces that foster young people’s engagement as civic actors, the quality of relationships between youth and adults, and the ways they negotiate power to ensure that decisions and actions remain in the hands of youth. We are especially concerned with youth from nondominant groups whose families continually bear witness to the effects of neoliberal reforms. With fewer safety nets, persistent inequality in health care, employment, housing, education, and an erosion of public spaces, youth and their families must find ways to navigate the sociopolitical structures that determine the extent to which a community has access to resources it needs to flourish. We also consider both the potential outcomes of an education that seeks to foster youths’ engagement in their communities and how it is that educators and youth workers can gauge youths’ developing conceptions of identity, literacy, citizenship, and social justice. Analyzing the potential outcomes of this work with young people informs the second question motivating this review: What are the conditions that enable youth to use what they learn to become active citizens? Finally, we discuss the implications of ongoing efforts in fields such as social work, urban planning, education, and health that seek to empower youth to become socially responsible citizens by creating school–community–university partnerships.
Method
This literature review is primarily based on electronic searches for journal articles and books focused on four target words or categories of words using our library’s search engine, which gave us access to EBSCO, ERIC, Academic Search Premier, Education Full Text, and Education Index: (a) critical youth empowerment; (b) digital storytelling and youth civic engagement; (c) photovoice and youth civic engagement; and (d) youth participatory action research and activism. We searched for peer-reviewed articles in English conducted primarily not only in the United States but also in Canada, the United Kingdom, New Zealand, and Australia between 1995 and 2016. We limited the search to the past 20 years, a period that reflects a growing use of digital tools and photovoice in studies that examine the intersections between work on youth identity and civic engagement. This search produced a total of 781 articles (430 focusing on digital storytelling and 351 on photovoice). After reading the abstracts of each of these articles, we narrowed our search further by only including studies that met the following four criteria: (a) they focused primarily on youths’ participation in a school or community project using digital storytelling and/or photovoice; (b) they described a project that sought to engage underrepresented youth or youth in low-income neighborhoods at each phase of a given project in efforts to create change as coresearchers; (c) they documented youth using images to chronicle their research and elicit responses from peers and adults; and (d) they provided information about the number of young people participating in the study, demographic information, the context of the study, research questions, methodology for collecting and analyzing data, and both conclusions and implications. Our aim was to be as inclusive as possible. All the studies we reviewed were conducted within the context of a school or community project using digital storytelling and/or photovoice. None of the studies we identified were sponsored by faith-based institutions such as churches or mosques.
After narrowing our search based on these four criteria, we were left with a total of 152 peer-reviewed articles (39 studies focusing on digital storytelling and 113 on photovoice). The first author read all 152 articles and made decisions about which of these articles to include in the review based on whether or not they met these four criteria—especially studies in which youth served as coresearchers—and their relevance. In addition, we conducted supplementary searches in the reference lists of published reviews, books, and articles and used Google Scholar to locate relevant research that we might have overlooked. These were not qualitatively different from those we identified using the library database. In the end, 82 studies fulfilled our criteria, 27 focusing on digital storytelling and 55 studies using photovoice. Eighty-two percent of the studies using digital storytelling or photovoice were conducted in the United States. We identified a smaller number of studies conducted in Canada (7), Australia (4), New Zealand (3), the United Kingdom (3), and Africa (1).
Not all studies defined equity, social justice, citizenship, or civic engagement consistently or in the ways we have defined these terms above. Therefore, the goals of a given project varied and complicate efforts to generalize across studies and even identify relevant work. For example, some studies of youth-centered teaching and research using media in the title of their publication did not appear in our search, even if the authors of these studies connected media (e.g., video) to civic engagement (e.g., Johnston-Goodstar & Sethi, 2013; Morrell, 2004, 2007; Morrell et al., 2013). This may be attributed to the ways in which texts are catalogued and whether or not publishers and authors include relevant search terms that could be identified using our criteria. In fact, 20% of the studies that we include in the two attached supplemental tables (available in the online version of the article) appeared in reference lists and Google Scholar that did not appear in our search of EBSCO, ERIC, Academic Search Premier, Education Full Text, and Education Index. The supplemental tables include information about the source of a given study (i.e., the discipline and whether it was initiated by researchers in a university, school, or the community), age and background of participating youth, method of analyzing data, and the outcomes the researchers describe (e.g., youth empowerment based on youths’ evolving sense of confidence, leadership, and actions youth took as a result of their participation). In constructing this review, we acknowledge that our review is neither complete nor unchanging given the evolving nature of media and studies of civic engagement in different sociocultural and transnational contexts.
Importantly, we distinguish our approach to civic engagement and social responsibility from research that documents youths’ attitudes toward voting and youths’ voting patterns, a focus of research in many studies included in the recent launch of CivicLEADS—Civic Learning, Engagement, and Action Data Sharing. We did not include commentaries or conceptual pieces (e.g., Cook, 2015) or research that did not fulfill our four criteria. One example is Mirra, Filipiak, and Garcia’s (2015) reflective essay in which the authors describe their work with youth and explain how their ideas about research changed when honoring the voices of youth. In this case, youth challenged their ideas about what knowledge is, who produces knowledge, and for whom. Thus, the authors’ aim in this article was to explain how YPAR changed their approach to teaching.
Results
We return now to the two research questions motivating this review: (a) How and in what ways do digital storytelling and photovoice lead to socially just ideas and actions; and in our effort to build on and extend the work in CYE (b) What can we learn about the conditions in and out of school that enable youth to transform what they learn about themselves and the needs of others into action as citizens? To address these questions, analyses will focus on the 27 studies we identified documenting the use of digital storytelling and 55 studies using photovoice as methods that provide youth with opportunities to tell their stories and act on their commitments to civic engagement and change. We summarize the studies in the two supplemental tables (available in the online version of the article).
The average age of youth participating in the projects using digital storytelling and photovoice fell in the range of 13 to 17 years. Our search intended to locate studies of youth across methodologies in different disciplinary fields, but the studies we have identified show that researchers across fields relied on a set of common methods to gauge youth’s understanding of their role as coresearchers. These methods included semistructured interviews with youth, youths’ writing, maps, media artifacts, focus groups, written reflections, observation, and field notes. These studies relied on descriptive analyses to connect the uses of digital storytelling and photovoice to civic engagement, voice, and empowerment; youths’ perceptions of their own capacities for building community and influencing policy changes; identity formation; and learning in schools and in after school programs. Just three studies used mixed methods (i.e., pre–post interviews and focus groups) to quantify the effects of different interventions on youth perceptions of self-efficacy, agency, connections to community, and a commitment to community engagement (DeGenerro, 2008; Nicotera, 2008; Pritzker et al., 2012). That researchers have relied on qualitative methods, especially narrative research (e.g., Leitch, 2008), is not surprising given the emphasis on hearing youth voices and youths’ interpretations of their worlds based on image and text. This is an epistemological choice that grounds what researchers using photovoice and digital narratives choose to make visible in youth’s everyday lives, often aiming for “particularity,” not “generalizability” (Charmaraman, 2013).
In 30% of the studies reviewed, researchers brought to light young people’s contributions to making a visible change in a given community. In 21% of the studies, researchers documented youths’ ability to make connections with the communities they served. Twelve percent of studies described how youth used stories to define themselves in order to challenge stereotypes that tended to pathologize low-income minority youth of color and youth whose families had arrived in the United States as refugees. Finally, 3% of researchers observed that youth benefited from opportunities to produce knowledge by learning new skills—not just consuming knowledge—to evaluate the assets and challenges in the neighborhoods they occupy and developed skills to promote political efficacy and civic engagement.
Researchers and youth workers, however, also conclude that digital storytelling and photovoice alone cannot challenge the inequality, displacement and dispossession, or barriers to success that youth document in moving toward socially just ideas or action. Instead, researchers consistently describe the role that community-based organizations committed to social justice play in framing the process of using digital storytelling and photovoice to identify assets and problems in a community. The underlying assumption in the studies we reviewed is that critically analyzing the source of social issues such as poverty and the unequal distribution of resources in schools will prompt social action. Researchers also understood the need to provide young adults with models of other young people who planned and designed changes in their community (Duncan-Andrade, 2006).
Our review found that the relational nature of participatory research using digital storytelling and photovoice underscores the collaborative nature of research. But developing relationships in work that embraces social justice and action is an ongoing process of negotiating power to ensure that the work of YPAR and CYE places decisions in the hands of youth. Researchers (e.g., Goldman, Booker, & McDermott, 2008) stress both the context of producing digital narratives (e.g., collaboration, debate, discussion, support) that leads youth to recognizing their own capacity for inquiry and social activism and expectations of presenting their work to the public as conditions promoting both leadership and agency (i.e., the confidence to speak up). They also describe frustration youth had with each other, with the process, and tensions between adults and youth, thus pointing to the challenges of doing this kind of work (Wilson et al., 2007).
In what follows, we address the first question motivating this review: How and in what ways do digital storytelling, photovoice, and other youth-engaged research lead to socially just ideas and actions? In doing so, we focus on themes of digital storytelling and researchers’ emphasis on the process of making meaning using multiple modalities such as image, music, and text; the extent to which young people use storytelling to reframe identity; and the ways their stories form the ground for activism. We also discuss researchers’ understanding of how digital storytelling provides a means for reimagining education. We then turn to photovoice as a means for examining youths’ lived experiences and take up the argument that the affordances of photovoice and the relational nature of this work have the potential to promote civic engagement.
Digital Storytelling, Identity Formation, and Voice
Researchers in both health and education have foregrounded the extent to which digital storytelling affects youths’ identity by giving youth opportunities to resist oppression and act on their convictions (e.g., Goodman & Cocca, 2013); the value of community–university partnerships that provide the conditions for youth development as civically engaged citizens (Garcia, Minkler, Cardenas, Grill, & Porter, 2015); the importance of community-based research as a means for cultivating youth voice and youth empowerment by providing alternative learning practices (Guajardo, 2013); and opportunities to inform policy in health and education (Fletcher & Mullett, 2016). Researchers have observed that youth make meaning through multiple means of expression (Hull, 2003), and the best way to know youth and the worlds they inhabit is through both knowing youths’ multiple stories and sharing those stories (Hughes, 2009; Vasudevan & DeJaynes, 2013). The power of images highlights the dynamics of youths’ relationship to physical places and the spaces that they create through forging relationships with one another. Researchers have consistently observed that the images that young adults capture not only serve as a means for increasing youth participation in civic life but also influencing change in a community (e.g., Denner & Martinez, 2015).
Reframing Identity Through Telling and Sharing Stories
Youth who participate in the projects we review begin to reframe, if not transform, the ways listeners understand social issues. Youth Radio, an independent media company, is one example of how storytelling can serve as a form of civic engagement (Soep & Chavez, 2010). A diverse group of Black and Latinx youth between 14 and 20 years in Oakland focused on issues that were meaningful to them, including but not limited to violence in their neighborhoods, music, the AIDS epidemic, music, health, and environmental justice. Mapping communities in their neighborhoods and using media, young people of “mixed ethnicities” opened up conversations about the hazards that make people sick. They did so by evoking visceral images of sights of bellowing smoke or the pain of a parent telling a child that she had AIDS, each story humanizing the lives of families living in poverty.
Similarly, Goodman (2003) provided urban high school–aged youth of color with video cameras to tell stories of the emotional challenges they face and their sense of hope. Goodman makes an important distinction between what the author calls a story-making process in a workshop setting with supportive adults and a story-producing process. That is, both adults and young people learn a great deal about themselves throughout the story-making process that includes planning and creating scripts, discussing and debating social issues, conducting interviews, and editing film. This process informs, but is also distinct from, the story-producing process that has a specific end goal in mind: completing a given project that represents the social problems in the schools youth attend and neighborhoods they occupy. Here we are reminded of the potential for inclusive spaces that adults and youth create construct together. The process of creating relationships is a form of social action for Goodman is critical to building community based on trust, relationships, and empathy. Relationships are essential to youth recognizing their own agency. Rogers, Winters, and LaMonde (2014) demonstrate how producing a film, 20 Straws, can enable youth to challenge stereotypes. They underscore the extent to which out of school spaces allowed a “diverse group” of 15 young adults from 15 to 20 schools in Vancouver to be actively engaged in public debates and conversations, in contrast to the limitations of the curriculum in school. This kind of engagement reflects the researchers’ understanding that citizenship includes the practice of autonomy and control in addressing what they see as the broken promises of democracy.
Educators have sought to provide underserved youth with tools of digital storytelling that also offer the possibility for youth to re-envision their life paths. The stories that Hull and her colleagues tell (Hull & James, 2006; Hull & Katz, 2006) provide a lens through which to see the ways African American youth as young as 9 develop a view of themselves as important agents of change. Through constructing digital stories and sharing them with one another and their adult mentors, youth have the ability to influence their present and future lives as socially responsible people. Unfortunately, policies in housing and education have disenfranchised young people of color in spaces that criminalize Black and Brown youth and their families. By using image, music, and text, youth in the DUSTY project—an after school program housed at a university—youth counter such a narrative. The stories young people tell reveal their investments in spaces that feel like home to them, despite the blight that surrounds them. These are neighborhoods where they feel a sense of belonging, and the stories they produce help reframe the identity of youth living in East Los Angeles in ways that challenge stereotypes and racism. Importantly, Hill and Vasudevan (2007) have sought to interrupt the notion that students are passive recipients of media and make an argument for “paying careful ethnographic attention to the relationships between youth, media, and pedagogy” (p. 5). At the same time, they acknowledge the extent to which the ways youth engage media in schools can be profoundly disconnected from their lives outside of school.
Within a rural context, high school–aged Latinx youth in the Llano Grande Project in Southwest Texas (e.g., Guajardo, 2013; Guajardo, Guajardo, & Cantu, 2016) develop images of themselves as community leaders in a digital storytelling project. This project emphasizes intergenerational sharing and reflection on both history and geographical location. Latinx youths’ stories reinvigorate a sense of community by examining the depth of history in the rural southwest; the struggles that family members overcame to create a place where they could flourish despite discriminatory practices in all aspects of their lives; and forge connections across generations of young and old alike. The stories that this group of high school–aged youth told challenge assumptions that so many Americans have about migrant families. One young woman, in particular, Myrta, used her story to embrace her identity as the child of a migrant family. She detailed a life of struggle and hard work and attributes her success as a student and athlete to the persistence and dignity that her parents taught her. In the end, she humanized the lives of families on whom others build economic success and used the tools of digital storytelling to connect schooling and daily life that is invisible to most people (http://www.llanogrande.org/videos/edcouch-elsa-myrtas-story/).
Digital Storytelling as a Form of Activism
The use of images, music, and text embedded in digital storytelling can serve as a form of activism that begins with single stories that youth connect to a broader sociopolitical context. Young adults use digital storytelling to open up classrooms as transformational spaces (Filipiak & Miller, 2014). They also use their personal and private artistry to make public and political statements (Charmaraman, 2013). This is the case in Beucher’s study (2016) detailing one high school senior student’s approach to composing an autobiographical digital story. The case study of Farrah was part of a 3-year longitudinal study conducted at a diverse urban public high school. Although the school hosted a small population of Arab refugees and practicing Muslims, Farrah was the only student from Afghanistan. Her marginal and visible identities (for instance, she wore hijab) played a significant role in how she felt she was positioned within the classes she attended and the corridors of the school. Beucher’s analysis brings into focus how Farrah juxtaposed traditional images of Muslim women, media representations of Muslim terrorism, and images of strong Muslim women in seemingly nontraditional roles to challenge a dominant narrative of Muslim culture.
Kinloch (2010) offers a poignant account of how African American youth can use multiple literacies to challenge structural inequality, in this case, gentrification in Harlem. In this work, youth remind us of how the transformation of the built environment has not only erased the cultural history of Black people and their identity but has also displaced long-time residents who no longer have any sense of belonging to the place they once called home. Through their writing, interviews, and video recordings of interviews with people and places in Harlem, two high school students, Phillip and Khaleeq, raised significant questions: What are the spatial implications of changes in the urban landscape? What is lost and what are the effects of geographical shifts in capital and disinvestment in public spaces? Whose interests are served?
Researchers suggest that providing opportunities for underserved youth in blighted communities to create and produce digital stories engages them as experts of what it means to create and sustain healthy communities. They become involved in not only assessing and creating messages by learning new skills, but they can also raise public awareness of the ways poverty and trauma affect them materially, psychologically, and emotionally. As experts about community spaces, defined more by relationships than by the physical landscape, they begin to take ownership of their lives by naming problems, elevating issues, and becoming political actors. For example, Duncan-Andrade’s (2006) study of 26 Black and Latinx high school students in south central Los Angeles examined the effects of deteriorating urban neighborhoods and schools on youths’ psychological well-being. Duncan-Andrade explains that in order to prompt social action, the youth of color he worked with needed to have models of other youth who planned and designed changes in their community. Such an approach complemented their inquiry into the source of social issues such as poverty and the unequal distribution of resources in schools. In this instance, the digital video these young adults produced contributed to a change in curriculum for teacher-educators, served as a powerful counternarrative to widely held views of the residents of inner cities as apathetic and disengaged, and provided opportunities to critique conditions in low-income neighborhoods.
Garcia et al. (2015) documented 15 Black and Latinx youth, whose average age was 15 years, as coresearchers who examined the effects of homelessness on youth living on “Skid Row” in Los Angeles. Project organizers sought to foster a sense of community among youth and adults by debating issues related to poverty and racial disparities and stressing the importance of giving back to the community. Their project helped humanize homeless youth through video presentations, hearings, and strategic planning. Youth played a key role in achieving several policy victories related to the educational rights and equitable treatment of homeless students. Equally relevant is Wexler, Gubrium, Griffin, and DiFulvio’s (2013) study of middle school– and elementary school–aged youth living in marginalized and economically struggling Native American communities in Alaska. The young people who participated in a suicide prevention program used the digital stories they created as a way to strengthen interpersonal relationships, to provide an affirming process for reflection, and to promote a mechanism for conveying their cultural strengths to outsiders. Perhaps most important, for the researchers, is the extent to which digital storytelling served as a vehicle that enabled youth to participate in their communities with a sense of dignity.
Reimagining Education
Stories of youth film projects illustrate the efforts that educators are making to network youth of color in ways that help amplify their voices in order to reimagine possible futures in the digitally connected classroom. Garcia et al. (2014) illustrate the kind of innovative tools that many educators within the National Writing Project have developed to meet the needs of a changing student population in public schools, especially within a context of increased testing, standards, and accountability. These educators have sought to make teaching relevant to young people by providing a bridge between their literate experiences in and out of school. Youth make “sophisticated observations and critiques of the inequalities and injustices around them that educators need to honor and build upon” (p. 11). That is, if educators provide them with the space to do so (Jocson, 2013).
Researchers argue that critical educators must take advantage of this formative moment—a multimedia turn—to inform the possibilities for multimodal composition. Young people need to develop strategies for both analyzing the media texts they read and also producing media to inform educators and others about youths’ day-to-day lives. After all, digital storytelling practices and products have the potential to position youth to construct affirming and agentic self-images (Gibbons, Drift, & Drift, 2010). Witness the production of a video by LGBTQ youth as a means of reaching out to policymakers in a profound instance of advocacy for civil and human rights (Rhoades, 2012). The adult-initiated project allowed 14 high school–aged youth to determine the direction of their work as a group in the community. These workshops offered a safe space for LGBTQ youth to discuss and debate public issues. They were able to build community and learn skills of filmmaking as a means to promote advocacy and community change in a space dedicated to encouraging their participatory research while combatting damaging stereotypes.
Similarly, young adults’ stories served as an impetus to change practices in schools that push students out. Goldman et al. (2008) stress the context of producing digital narratives (e.g., collaboration, debate, discussion, support) that leads youth to recognize their own capacity for inquiry and social activism (i.e., the confidence to speak up). The roots of these efforts and modern practices lay squarely in the emancipatory promises of oral traditions over time for disenfranchised and underserved communities throughout the history of the United States and other countries. Still, Haw’s (2008) study of high school–aged youth in the United Kingdom offers a cautionary tale of how power and self-interest can stifle young people’s voices. With the support of educators who expressed the value of relationships as a “key part of the participatory research process” (p. 195), these young people produced a video on the lack of fairness in school. They developed technical skills to convey their concerns about the “unfairness” of school and conducted interviews with the member of the governing body at the school, as well as social workers and teachers. However, a member of the governing body silenced students in their efforts to voice their concerns in an exclusionary space that contested their right to an education.
Photovoice and the Lived Experience of Youth
Thus far, we have described how researchers across different fields have adopted YPAR as an orientation to engaging young people as coresearchers who use digital storytelling to give voice to concerns about identity, equity, and justice. The stories researchers tell open a window into the tensions and possibilities that provide a nuanced a story of youth voices. How young people use the tools of digital storytelling varies according to context and their goals for participating in a given project. We now turn to photovoice projects that integrate youth perspectives in programs that attempt to foster leadership motivated by a human rights perspective. Derr et al. (2013) discuss the importance of engaging young people where they are, whether it is in a classroom or out-of-school program, building trust, and providing opportunities for youth to interact with business owners, city planners, and educators. The challenge is to balance community issues with those that are relevant to children’s lives to foster youth-centered dialogue.
The photographs taken by young people in neighborhoods and communities have brought into focus the major issues affecting their daily lives, ranging from family, maternal, and child health (e.g., Wang & Pies, 2004), homelessness (e.g., Wang, Cash, & Powers, 2000), the effects of community development on social cohesion (e.g., Derr et al., 2013), violence in the context of persistent economic devastation (e.g., Graham et al., 2013), access to healthy food (e.g., Hackett, Gillens-Eromosele, & Dixon, 2015), and inclusion (e.g., Walton, Schleien, Brake, Trovato, & Oakes, 2012). How youth experience community spaces, school, and socioeconomic health constituted 60% of the studies we examined. Engaging youth as coresearchers using photovoice included experiences in gathering research, coding data, narrating walking tours, developing racial consciousness, and connecting identity, family history, and community.
Researchers observe that listening to young people tell their stories through photographic images enables educators to think differently about how policy has begun to alter the lived and perceived realities of children (e.g., Graham et al., 2013). The image of one’s self and one’s surroundings has the potential to assist in reclaiming public and private spaces, restore humanity, and promote social activism (Halsall & Forneris, 2016). However, researchers also call attention to the extent to which “participatory photography” is embedded within “the politics of power and representation,” particularly when we consider who is speaking and who is listening (Haw, 2008, p. 177). That is, young people often enter spaces—defined and controlled by adults—where their presence as active citizens can be contested and where their efforts to document their world can be muted by educators and policymakers who resist challenges to authority (I. Kaplan, 2008). Wood (2016) describes the sense of exclusion that the more than 60 Maori youth, aged 13 to 15 years, experienced as coresearchers in New Zealand. The project was designed to give marginalized youth a voice in their communities where there was significant racial and economic inequality. They had opportunities to document the history of Maori presence in this community and celebrate their culture in a public event. But this turned out to be a story of what Wood described as the enduring stigma and stereotyping associated with race and class when a member of the local council prevented youth from having a public celebration of Maori culture. The members of the council exerted power that ultimately limited youths’ modes of expression and cultural practices. Morrell’s (2004) study of 25 African American youths’ efforts to gain access to public meeting places also made visible a similar type of exclusion. In this case, youth used photographs and digital video to document the ways major media outlets prevented them from covering a significant political event.
Photovoice and Youth Activism
Against this backdrop of inclusion and exclusion, a number of researchers have suggested that young people are able to create social change by representing alternative images of themselves as thoughtful and goal-oriented activists committed to equity. In one community–university partnership focusing on health, “Youth Making a Difference,” Messias, Jennings, Ford, McLoughlin, and Parra-Medina (2008) conducted a survey of programs of youth activism and asked youth to participate in a photovoice project. They collaborated with 32 African American, mixed race, and Latinx youth, ranging in age from 11 to 18 years, who revealed in their photographs the extent to which their peers are very much a presence in local and statewide initiatives. Unbeknownst to many adults, youth were engaged in community volunteer work, building houses for Habitat for Humanity, collecting money for nonprofit organizations, conducting litter pick-up in parks and on the roadside, and serving meals to those in need.
In a similar kind of partnership, 15 high school–aged African American and Latinx youth in Detroit Youth Passages documented the blight brought about by the collapse of the auto industry and the collapse of the housing market. Prompted to capture the causes of violence in their communities, these young people used their writing and photography to inform policymakers and members of nonprofits about the need to clean up, rebuild, and invest in underdeveloped neighborhoods (Graham et al., 2013). An exhibition of photographs served as an opportunity for youth to teach the community about these issues and demonstrated the extent to which young people can contribute to the production of knowledge. According to the researchers, these opportunities “empowered” youth to creatively present their ideas to the community. Hackett et al. (2015) collaborated with nine African American and Latinx youth, aged 15 to 17 years, in a “majority minority” suburban community in New York to document their neighborhood’s assets and barriers to nutrition and physical activity. Youths’ photographs provided insightful perspectives on persistent inequities, such as limited access to fresh, healthy food and safe spaces for physical activity. In turn, youth were able to open up dialogue with community stakeholders and policymakers about wellness that extended beyond concerns about nutrition and physical activity. When meeting with policymakers, they argued for changes to address the ways the built environment in a segregated community exacerbated health disparities between wealthy and underserved neighborhoods.
Teixeira (2015), too, collaborated with youth, aged 14 to 17 years, in an afterschool program in Pittsburgh supported by a nonprofit organization to examine their perceptions of the built environment through mapping, neighborhood walks, and photovoice to understand the ways youth navigated a world of abandoned houses and environmental hazards. Speaking to members of the nonprofit offered these young adults an opportunity to explain how blight masks the violence that exists where they live, limits their movement and opportunities for growth, and negatively affects their own sense of belonging and self-worth. Teixeira explained that this sense of belonging was essential to building trusting relationships with youth who served as coresearchers. In the end, youth offered ways to address the problems they identified by collecting significant data to reveal the most vulnerable neighborhoods and the psychological effects on children living there. In a university–community partnership that sponsored an after school program, Greene, Burke, and McKenna (2014) collaborated with 11 youth, aged 12 to 14 years, to document the assets of their community, the possibilities that presented themselves (e.g., vacant buildings and houses), and challenges that youth wanted to change. Weekly meetings set aside time for reflection, discussion of neighborhood issues such as the effects of gentrification, analysis of photographs, and development of an action plan. Youth presented their plan to refurbish a park with the representatives of a neighborhood association, the mayor, who supported youth’s proposal, and architects who collaborated with youth to enact their plan. Researchers concluded that youths’ conversations with the mayor, architects, and homeowners in the neighborhood served as evidence of youths’ developing sense of agency, voice, and empowerment. The impact included informing neighbors about the need for more play spaces. These young people also raised money for play equipment that now serves as the centerpiece of the park.
In each case, researchers argued that photovoice helped make visible the thoughts, values, and assumptions that youth hold, but which may be misunderstood if educators, youth workers, and others fail to listen to youth. This is especially true of youths’ ideas about civic engagement. Researchers have argued that young people of color and low-income students in particular are not engaged in traditional ways in civic life, in large part due to a lack of access to technology (Al-Kodmany, 2011). However, Pellegrino, Zenkov, Gallagher, and Long (2016) tell the story of a photovoice YPAR project that offered some perspective on the claim that youth of color are not engaged. In their study, they explore the civic experiences of middle school students of color, the concerns they see in their communities, and the means through which they believe their concerns might be addressed. Supported by one-on-one mentoring relationships with teacher candidates in a university–school partnership, youth took dozens of photographs to explore their points of view, wrote slam poetry, illustrated and performed their work, and then met with the teacher candidates to discuss three primary questions: “What do you believe makes a good citizen?” “What is justice—in and out of school?” and “What is equity—in and out of school?” The researchers described the evolution of youths’ concepts of civics and their engagement in the community, paralleled by teacher candidates’ growth in their abilities to elicit adolescents’ perspectives, images, and words.
Similarly, Delgado (2015) documents a high school youth program, Camp CAMERA, to illustrate the ways several nonprofit youth organizations and a university collaborate to foster young adults’ leadership through multiple literacies, including photography. Especially important for the organizers was the need to provide a safe space for the 80 participants, primarily African American, Asian American, and Latinx youth, who confronted challenges of homelessness, drug abuse, and violence, not unlike the population of youth that others in this review also describe. Moreover, program organizers conveyed to youth the values of diversity, community investment, cultural competency, and the legitimacy of local knowledge, all in an effort to affect change in students and their respective communities. A public display of youths’ photographs reaffirmed their growing sense of agency, their connection to the community, and a willingness to break out of their comfort zones. Perhaps most important for the researcher, youth began to rethink their own life paths, believing that higher education was within reach.
Valuing Youth Perspectives
As a number of researchers contend, photovoice has the potential to shed light on the assets that adults may often overlook in assessing questions of value in framing what we think we know as educators, health professionals, and youth workers. Elaine Kaplan’s (2013) use of photovoice with urban youth, for example, throws into relief the extent to which young adults recognize spatial inequality and the failures of policy to distribute wealth and opportunity equitably. At the same time, Kaplan suggests that youths’ photographs help viewers see the transformative effects of photovoice as youth use images of their neighborhoods to tell a story of personal empowerment, race, class, and inequality. In their study of school spaces, Tupper, Carson, Johnson, and Mangat (2008) observe that it is also important to understand the extent to which the physical and social environment affects learning and students’ sense of identity as “responsible citizens.” They point out that young people need both the educational and rhetorical spaces that value their experiences, give them the ability to engage in critical, creative analyses of their lived experiences, and provide opportunities to resist others’ constructions of who they are or what they need.
Discussion
The studies we reviewed highlight the ways that young people use digital stories and photographic images to identify social problems in the United States and transnational contexts, influence change, and serve as a means for increasing youth participation in civic life. These studies also urge educators and youth workers to pay greater attention to how social interactions shape experiences and the conditions that foster youths’ ability to take ownership of decisions that affect them.
Grasping the relational nature of work that centers the voices of youth as researchers is the focus of the second question motivating our review: What can we learn about the conditions in and out of school that enable youth to transform what they learn about themselves and the needs of others into action as citizens? In what follows, we draw on the extant research to provide greater specificity and clarity to explain the conditions that foster young people’s investments in their communities and civic engagement, building on the work Jennings et al. (2006) have done in the area of CYE.
Specifically, we outline five guiding principles for fostering CYE that have emerged from our review: (a) conceptualize the places where youth use the tools of digital storytelling and photovoice as sources of growth; (b) share decision making in ways that encourage youth to uncover their own capacities for creating meaningful change; (c) provide opportunities for reflection at every stage of work; (d) help youth unpack and understand the sociopolitical contexts of community engagement and change that contribute to inequality; and (e) encourage youth to interact strategically with community activists. For descriptive purposes, we have created categories, which, at times, overlap, in order to highlight themes that touch on the ways researchers understand space in and out of school, interpret what it means to promote authentic learning, foreground the sociopolitical contexts of education, and define empowerment.
Furthermore, we acknowledge that not all studies we have reviewed address each of these guiding principles. Instead, we offer a forward-looking set of ideas that provide a way to think about how educators and youth workers have explained the conditions that foster youth engagement, agency, and civic responsibility, as well as challenges to these conditions. Wilson et al. (2007) explain the conditions under which desired outcomes are likely to occur or have been shown to occur depends on a range of contextual factors: motivation, program goals, time management, the extent to which adults are willing and able to modify curriculum, group behavior, and the ability to guide critical dialogue.
Conceptualize Space as a Source of Multiple Affordances for Learning
Digital storytelling and photovoice are the means, in this review in any case, by which young people represent the assets of their communities, the social problems that they want to call attention to, and the things that they want to change. However, material spaces can limit or enable young people (Wood, 2016) and their families when they seek opportunities for growth, development, and economic well-being. These are also the sites where young people collaborate with adults, which include community centers, neighborhood associations, and university sponsored after school programs. Much depends on whether or not youth interpret the places they occupy as free, welcoming environments that follow youths’ rhythms of learning as in the case of LGBTQ students (Rhoades, 2012) or newly arrived immigrant youth (Beucher, 2016) who often experience hostility in and out school. Researchers consistently explain that fruitful collaborations occur in spaces that foster caring, cooperative, trusting relationships; convey the importance of and model socially just practices; ensure that youth develop a sense of belonging; and enable youth to take risks.
That is, space is not a given but is influenced by youths’ experiences of physical places that house the work they do as coresearchers, the history that surrounds and informs their experiences, and the relationships embedded in the places where young people can engage in the social practices of literacies and civic engagement. Geographical segregation, layered on economic disinvestment and generational poverty (Sharkey, 2013), for example, has disproportionately negative effects on African American, Native, and Latinx children, something Carter and Reardon (2014) tie particularly to “neighborhood economic conditions” that affect disparities in access to “schools, parks, and health care institutions” (p. 4). These disparities affect where young people can practice democracy. Parks and other out of school spaces have the potential to provide youth with “educational opportunity zones” where they can forge relationships, develop a sense of belonging, and have access to resources necessary for ensuring their health and emotional well-being (Miller, 2012). If educators aim to build free, welcoming environments in which to help youth develop as active citizens, then work has to be done to think about community spaces as teaching spaces—inclusive places where kids can explore and learn about the world. Indeed, Fernandez and Langhout (2014) claim that attachment to people and places facilitates participation in one’s community.
Researchers claim that what we teach through the use of space, rendered through the eyes, words, and art of youth, can be a starting point when thinking about how to differently conceive of pedagogies rooted in place across disciplines (Greene et al., 2014, 2016). We can begin by listening to young people explain how they make sense of their “lived spaces” within the context of activity in their social worlds (Richards-Schuster & Dobbie, 2011). At the same time, the studies we reviewed underscore the work that must be done to acknowledge and mitigate the harm that physical places might cause youth. Mitigating the sense of harm can be accomplished by acknowledging the assets, hidden promise, and rich histories embedded in those places (E. Kaplan, 2013).
Share Power and Authority
Researchers have explained that sharing decision making and power in participatory research has the potential to foster young people’s sense of belonging and identity, and to facilitate youths’ capacity for contributing to the well-being of their communities. Adopting such an approach (a) shifts the emphasis from deficit thinking about youth to asset-based thinking that stresses the knowledge that youth bring to understanding healthy, flourishing communities; (b) moves young people’s rich histories and experiences from the margins to the center of research, whether in school or out (e.g., Fletcher & Mullett, 2016); (c) provides ongoing support through dialogue, reciprocity, care (Luttrell, 2010), and feedback about how to translate youths’ literate experiences into concrete actions they can take; and (d) fosters in students a literate identity—that is, writing, reading, performing, photographing, telling stories, and inquiring—and the sense that these literacies, these parts of who they are, can be the impetus for change (e.g., Ewald, Hyde, & Lord, 2011).
For underserved youth, the act of defining and telling their own story, or counterstories, through language, image, and art is a potential first step toward creating the conditions for agency and voice. Johnson (2008), the principal of a primary school in southern Australia, makes an important point about the value of multiple literacies and power sharing when she observes that such an approach “counteracts the likelihood of ‘othering,’ which can occur when a researcher [adult] attempts to understand the culture [of the child] and promote children as coresearchers rather than simply as participants in the research” (p. 81). Sharing power also entails providing young people with spaces where they can take risks and explore their own realities. These seem critical to understanding how educators and youth workers can develop a sustainable movement that motivates youth into continued civic-minded behaviors.
In practice, it is often difficult to achieve and maintain an equitable balance of decision making and power within youth-centered programs. One strategy for promoting youth empowerment is for adults to transfer decision making gradually over time (Cargo et al., 2003). In turn, youth need time and support to learn how to effectively harness power that they may have never had before (Jennings et al., 2006; Zeldin, Camino, & Calvert, 2003). Others (e.g., Burke, Greene & McKenna, 2016) point to resistance in their photovoice project when youth simply did not take photographs until they developed relationships with the researchers. Stressing the implications of recent innovations in technology, Goldman et al. (2008) observed that adults and youth often struggle “to find their place in the process, sometimes successfully and sometimes not” (p. 193). And they caution that projects informed by critical literacy “can ultimately be the result of work of an adult-initiated vision of justice or social change” (p. 193) that can mute youths’ voices. It follows that researchers try to understand youths’ sources of resistance and the ways in which nonparticipation and silence might very well reflect youths’ engagement as civic actors.
Provide Opportunities for Reflection
Researchers consistently describe the importance of encouraging young people to think critically about their own lived experiences before they consider how they could participate in a project using digital storytelling or photovoice. Jennings et al. (2006) suggest that the process of reflection can and should focus on “increasing youths’ understanding of community, institutional, and bureaucratic structures; participating in assessment of community resources; and reflecting on challenging events in order to inform subsequent actions” (p. 47). For Freire (1970), liberating and empowering education involves listening, dialogue, critical reflection, and reflective action (Haw, 2008; Jennings et al., 2006). Young people can lead discussions that center on issues that matter to them. For example, they can reflect on how youth perpetrating violence against one another affects their day-to-day lives and how they can ameliorate the problem (Chonody, Ferman, Amitrani-Welsh, & Martin, 2013). As Pellegrino et al. (2016) also suggest, it is important to provide opportunities to enable young people to reflect on the very idea of citizenship and what it means to be an engaged citizen, while Griebling, Vaughn, Howell, Ramstetter, and Dole (2013) explain that “active reflection” creates the conditions for identifying individual and community strengths and challenges (p. 17). Reflection can focus on (a) the content of an issue, such as how resources are distributed in different neighborhoods and schools; (b) the strategies one might use to carry out an action plan; (c) the procedures for carrying out a plan for action; or (d) the conditions under which certain kinds of strategies might work in one context or another.
Help Youth Understand the Sociopolitical Contexts of Community Engagement
From the perspective of CYE, youth are empowered when they have the capacity to address the structures, processes, social values, and practices of the issues at hand. That is, it is one thing to encourage youth to reflect on their own sense of agency and voice and to promote discussions of responsible citizenship and engagement using the tools of digital storytelling and photovoice. It is quite another to focus on the structural problems that affect the unequal power dynamics that have erased certain histories, culture, and traditions (Tuck, 2013); to examine the unequal distribution of resources in schools and neighborhoods (Denner & Martinez, 2015); to analyze the ways in which a lack of environmental justice has affected the health and well-being of children and families (Hackett et al., 2015); or to address the ways that research itself can reproduce the very conditions of injustice that it seeks to disrupt (Tuck & Yang, 2014). In cases such as the above, the gaze, as Tuck (2013) explains, is not on young people but on the institutions, structures, and ideologies that would otherwise silence, marginalize, and erase histories of laws and policies that oppress youth and their families.
However, researchers claim that young people need spaces that value their experiences, give them the time and ability to engage in critical, creative analyses of their lived experiences and resist others’ constructions of who they are (e.g., Rhoades, 2012). These are what Gutiérrez (2008) describes as “third spaces” that exist outside of the contexts of school or even after school programs and provide contexts for transformational thinking. Third spaces, or educational opportunity zones, exist in conversation on sidewalks, in public parks, and in quiet hallway conversations—really anywhere where youth are engaged in discussions or activities that focus on what they value.
Encourage Youth to Interact With Community Activists
Researchers recognize the capacity of young people to contribute to the communities within which they live—school, neighborhood, city, state, and even national and global communities (Zeldin et al., 2003). As important is the need to create intergenerational relationships between youth and community leaders of all ages (e.g., Fletcher & Mullett, 2016). This will mean making room to be honest with young people about the forces that create inequity and fracture communities, including racism, poverty, neoliberalism, factionalism, and entrenched political interests that favor the inertia of the status quo over radical change. It also means making space for adults to engage in what Ginwright and Cammarota (2007) describe as “critical civic praxis,” the kind of intergenerational mentoring that has the potential to remake communities and neighborhoods by connecting past and present to help youth imagine a new future rooted in hope and possibility. When elders expect youth to become politically engaged, youth may very well begin to take on the role of political actors in their communities (Ginwright, 2010). At times, these encounters with the politically engaged can be discouraging but they may also contribute to building trust (Zenkov, Harmon, Bell, Ewaida, & Lynch, 2011) and widening youths’ circle of support.
Indeed, studies have indicated that elders in the community broaden youths’ political consciousness by describing their own activism, identifying issues that young people may not have thought about, and helping them make connections to organizations that can support their efforts to create change (Bang, Faber, Gurneau, Marin, & Soto, 2016). Intergenerational dialogue opens spaces for discussion and reflection (Andreouth, Skovdal & Campbell, 2013), and this can occur in classrooms, after school spaces, community centers, or in the context of exhibiting student work in different settings, including schools and museums. Researchers (e.g., Delgado, 2015) underscore the importance of providing opportunities for youth to showcase their work in the community and present their work in different forums where youth can have meaningful conversations with adults and their peers about their proposals for change and receive feedback. Hearing the stories of elders can be empowering in that elders give youth permission to act, but it is equally important to ensure that elders listen to youths’ stories of erasure, silencing, and hope. For some researchers, a useful starting point is to ask youth what they need (Burke & Greene, 2015) and then get out of the way of dialogue between youth and elders once it has begun. In this way, young adults can take responsibility, voice their opinions, make decisions, and take action to achieve their goals.
Finally, fostering civic engagement and responsibility entails providing support (e.g., Guajardo et al., 2016) beyond any single project and long after the photos might be put away. Winn’s (2016) longitudinal study underscores the challenges youth face over time and the value of providing ongoing mentorship with adults to encourage youth to persist as civically engaged citizens. Even within a supportive environment that affirmed youths’ capacities to produce a script and a digital film to challenge misperceptions about who youth are, Goodman (2003) points out that this was not without challenges. This was especially true when youth tried to choose topics, were expected to meet deadlines, develop a script, and acquire the skills needed to produce a film. In another study, Greene et al. (2014) tell the story of youths’ efforts to refurbish a park, which took place during a 4-year period. These researchers found that it was important to address with youth the sociopolitical contexts that challenge efforts to create change. It would be easy for young people to grow cynical (e.g., I. Kaplan, 2008) in the face of structural problems that impeded change, so fostering civic responsibility should be seen as a long-term engagement. Tuck (2013) reminds us that participation can vary and does not ensure that collaboration with youth can dismantle the damage-centered narratives that ignore structural inequality. Calling attention to oppression is not a sufficient means for creating change.
Implications
Researchers in the United States, as well as in Canada, Australia, New Zealand, the United Kingdom, and Africa, suggest that digital storytelling and photovoice can encourage youth to see themselves as active citizens. Work that fosters such an identity can lead young people to pursue socially just ideas and actions. This is evident when adults provide meaningful contexts in safe spaces that allow youth time for reflection; share power and place decision making in the hands of youth; examine the sociopolitical contexts that serve as barriers to youths’ health and well-being; and foster intergenerational conversations that maintain the dignity of youth voices. Digital storytelling and photovoice, in particular, have a unique potential to facilitate youths’ opportunities for expressing their views to audiences who actively listen to their voices in spaces that matter and who are committed to responding appropriately. As Delgado (2015) points out in citing Lundy (2007), the values underlying the use of digital storytelling and photovoice are also consistent with the United Nations Conventions on the Rights of the Child (see also Thomson, 2008). Indeed, youth can provide a source of knowledge and expertise that influence personal and community action (Wang et al., 2000).
Within the context of culturally sustaining and responsive relationships, digital storytelling and photovoice have the potential to foster youths’ civic engagement (Halsall & Forneris, 2016). Interactions among youth and adults provide models for the kind of culturally sustaining (Paris & Alim, 2017) work that stresses the literate practices of youth as “resources and assets to honor, explore, and extend” (p. 4). We witness the work at the Llano Grande Center where the pathways to “rich and varied practices” are embedded in local cultural traditions. Youth forge relationships that solidify their commitment to robust practices that sustain their heritage. In a study not included in our review, Indigenous youth affirm the connection to history when they join their elders in critiquing efforts to assimilate underrepresented peoples “into normative forms of knowing and disciplinary knowledge” (Bang & Vossoughi, 2016, p. 175). Through these intergenerational conversations, youth reveal their understanding of sovereignty and collectivity (e.g., Tuck, 2009). Intergenerational studies, then, reflect a commitment to maintaining culture in an effort to advance social justice and equity within the lived realities of culture and history (Beucher, 2016). This includes embracing difference as a source of strength and recognizes alternative ways of being in the world (Davis, 2011; Fletcher & Mullett, 2016; Johnston-Goodstar, 2013). Such a conclusion points to the conditions in and out of school that enable youth to transform what they learn about themselves and the needs of others into action as citizens.
However, there is much we can understand about learning as a collaborative process involving adult educators working with youth. Education is a transactional experience that is, or should be, reciprocal, respectful, and responsive to the assets that youth possess and that educators can learn from. Writing about her forays into a group of youth “power writers” in New York City 10 years ago, Winn (2016) posits the value of long-term relationships and seeks to measure, through narrative accounts, the impact of a program whose effects challenge objective, positivist accounts of development and change. Taking the long view in longitudinal studies is as important as “articulat[ing] social goals, near-term outcomes, and the underlying logic of the change process” (Stern & Seifert, 2009, p. 5). However, it would be important to study further how young people see themselves as evolving civic agents and the ways collaborative research in their communities changes their own life paths as engaged citizens committed to the health and well-being of where they live.
Researchers point out that teachers, teacher educators, and scholars working in racially and economically diverse contexts have long been concerned with their students’ limited interest in civics (Pellegrino et al., 2016). The result is what some might call a civic engagement gap between African American and Latinx youth and their generally Whiter and wealthier peers (Levinson, 2012; Marcelo, Lopez, & Kirby, 2007). However, such a perspective overlooks the extent to which youth of color have been victims of an education debt (Ladson-Billings, 2006) and struggle against the effects of economic and spatial disadvantage (Sharkey, 2013). Therefore, one could argue that the civic engagement gap may be reframed as “a civic opportunity gap” (Mirra, Morrell, Cain, Scorza, & Ford, 2013). Without opportunities, they may very well be reluctant to be assertive in the public sphere because they fear their voices won’t be heard (Derr et al., 2013).
Westheimer and Kahne (2004) are right to ask, “What kind of citizens are the schools trying to shape” (p. 263)? As educators interested in schooling’s civic purposes, they maintain that it is not enough to argue that democratic values are as important as traditional academic priorities. We must also ask, what kind of democratic values? What political and ideological interests are embedded in or attached to varied conceptions of citizenship that researchers describe? There are the very tangible results that illustrate youths’ contributions to redesigning a park or participating in the marketing and distribution of nutritious foods. But how do capacity building and collective efficacy fit into conceptions of justice, advocacy, and activism? For that matter, how can we as a research community measure agency and empowerment beyond the inferences that researchers have drawn from observation? In addition, how can we as educators and youth workers ensure that youth have access to places where they can practice democracy and the kinds of spaces where they can imagine alternative futures where they are no longer silenced or dispossessed? Unfortunately, education reform and economic development have ignored these questions almost entirely.
CYE and YPAR offer an epistemological perspective that locates knowledge in youth. Digital narratives and photovoice highlight the same perspectives but neither one can ensure participation, the quality of relationships among youth, families, practitioners, or community members, much less the ongoing pursuit of justice through collective efforts. Thus, research can begin to test some of the assumptions that researchers make about the approaches or conditions that can foster civic engagement. For example, what is the relationship between reflection and agency as a measure of youths’ contributions to policy changes or long term planning in a community? What factors have predictive value in how and to what extent youth become invested in their neighborhoods? Despite the accumulated body of research that connects digital storytelling, photovoice, and civic engagement, it will be important to measure and document changes in the attitudes, beliefs, behaviors, and practices of young people, educators, and community members over time. Drawing out the differences and similarities between digital storytelling and photovoice can also yield a valuable discussion about the affordances of each method for fostering critical literacy, serving as a medium for building community, participating in advocacy and activism in order to create change, and becoming leaders.
Researchers suggest that designing learning spaces that foster youth civic engagement and participatory research cannot be limited to school but expanded to include the spaces that connect identity to historical, cultural, and linguistic traditions that affirm youth and their capacities as learners. Bang and Vossoughi (2016) ask critical questions in the design of learning spaces that acknowledge what matters, to whom at a given moment, and toward what ends. As researchers and youth workers, our own pathways for learning can be guided by efforts to understand more fully ways to construct authentic opportunities for youth to engage with community activists, leaders, and decision makers (Lee & Soep, 2016).
The studies we have reviewed suggest that education can serve as a site of possibility and cultivate in children and young adults an ethic of action, democracy, dialogue, and positive interdependency. If this is true, we can better understand the ways voice intersects with power in the context of race, class, gender, faith, sexuality, and age. As Matthews and Limb (1999) point out, inviting youth to design the spaces that most affect them is “a valued end in itself” and paves the way for youth to practice democracy. Perhaps just as important is that researchers can also understand the effects of silencing young people in matters that concern them.
Supplemental Material
DS_10.3102_0034654318794134 – Supplemental material for A Review of Research Connecting Digital Storytelling, Photovoice, and Civic Engagement
Supplemental material, DS_10.3102_0034654318794134 for A Review of Research Connecting Digital Storytelling, Photovoice, and Civic Engagement by Stuart Greene, Kevin J. Burke and Maria McKenna in Review of Educational Research
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