Editorial: ‘The Liveliest Medium’: Television's Aesthetic Relationships with other Arts

Fried Michael , Manet's Modernism: Or The Face of Painting in The 1860s, University of Chicago Press, 1998, p. 13.

Greenberg quoted in Fried, Manet's Modernism, pp. 13–14.

Dercon Chris , ‘Foreword’, in Wood Catherine , (ed.), A Bigger Splash: Painting after Performance, Tate Publishing, 2012, p. 6.

Allen Steven Hubner Laura , Framing Film: Cinema and the Visual Arts, Intellect, 2013.

Ibid., p. 3. The Introduction is also helpful in listing other recent publications with similar interests: Dudley Andrew et al, the Image in Dispute: Art and Cinema in the Age of Photography, University of Texas Press, 1997; Angela Dalle Vacche, Cinema and Painting: How Art is Used in Film, Athlone, 1996; and Susan Felleman, Art in the Cinematic Imagination, University of Texas Press, 2006.

Durgnat Raymond , Films and Feelings, Faber and Faber, 1967, pp. 19–20. Italics are present in the original. At the time of writing, BFI Southbank announced a long overdue panel discussion on Raymond Durgnat (4 September 2014); The Essential Raymond Durgnat is edited by Miller Henry K. and published by BFI in 2014.