European Journal of Criminology

This paper analyses a series of subsequent and connected investigations by a domestic European regulator on the network of distribution of counterfeit alcohol across two jurisdictions. The analysis mixes script analysis, a narrative framework for enhancing the understanding of how crimes unfold and are organized, with multi-node multi-link social network analysis, to observe the social structure in which crime scripts take place. We focus our attention on the key players that occupy strategic positions within the network of the crime commission process, from where they overview and control the various phases (scenes) and perform brokerage activities across the scenes, and on strategies of concealment of illicit products beyond the facade of legitimate business. Our findings indicate that actors in charge of managing the proceeds of the criminal activity are also the ones better positioned to monitor the entire process. The overall structure of the criminal network shows a good level of resilience and efficiency, although actors do not adopt common traits of a criminal lifestyle that facilitate secrecy and covertness. We believe that, by shifting the analysis from the nature of the group organization to the network of links between all the aspects of a crime commission process, the organizational structure and its weakest links become more detectable, easier to compare across proto- and meta-scripts, and ultimately more prone to situational preventive measures.

Homicide statistics are often seen as the most reliable and comparable indicator of violent deaths around the world. However, the analysis of Russian homicide statistics challenges this understanding and suggests that international comparisons of homicide levels can be hazardous. Drawing on an institutionalist perspective on crime statistics, official crime-based homicide statistics in Russia are approached as a social construct, a performance indicator and a tool of governance. The paper discusses several incentives to misrepresent official homicide data in contemporary Russia, including politicization of homicide statistics as a legacy of the Soviet’ era’s falsified crime statistics and the role of policing. Mainly, the paper identifies and describes the exact legal, statistical and country-specific substantive mechanisms that allow homicide statistics to be distorted in Russia. By considering legal mechanisms alone, the more accurate homicide rate may be at least 1.6 times higher than that reported in the United Nations Office on Drugs and Crime Global Study on Homicide 2013.

Sex trafficking has become established as one of the most significant (crime) problems in the Western world. This article provides a greater understanding of how the work of certain actors, that is claims-makers, established sex trafficking as a prominent problem on the political and media agendas in Sweden during the 2000s. It can help us understand how certain crimes can achieve the position of social problems. The study analyses political texts and debates, newspaper articles and reports published by the Swedish police. The sex-trafficking discourses that were particularly dominant in the material were: ‘The ideal sex slave Lilya’ (referring to the film Lilya 4-ever), ‘The foreign threat from the East’ and ‘Hidden but well-established organized crime’. By defining sex trafficking as an important problem, with the aid of these three discourses, a large number of claims-makers were given the opportunity to emphasize threatening and racialized discourses about ‘sex slaves’, immigration and organized crime. These discourses on sex trafficking create moral borders between innocence and guilt, between belonging and unbelonging, and between purity and danger.

Presenting a large threat to irreplaceable heritage, property, cultural knowledge and cultural economies across the world, heritage and cultural property crimes offer case studies through which to consider the challenges, choices and practices that shape 21st-century policing. This article uses empirical research conducted in England & Wales, France and Italy to examine heritage and cultural property policing. It considers the threat before investigating three crucial questions. First, who is involved in this policing? Second, how are they involved in this policing? Third, why are they involved? This last question is the most important and is central to the article as it examines why, in an era of severe economic challenges for the governments in the case studies, the public sector would choose to lead policing.

The main purpose of this article is to discuss some ethical-methodological issues associated with scientific research in confinement settings, particularly those that result from the relationship with the confined individual in the framework of qualitative research. Basing the reflection on empirical research developed by both authors in Portuguese confinement settings – prisons and youth educational centres – we examine the significant challenges and dilemmas this type of research entails, exploring the interface between procedural ethics and ethics in practice at three points in the analytical process: before, during and after data collection. This article illustrates the interplay between formal and informal procedures, and between the initial distancing and strangeness when making contact with confinement settings and their social actors and the institutional and relational dynamics that become ingrained in our everyday practice. Our goal is to give visibility to these institutional and relational dynamics and to reflect on the challenges experienced by those who enter confinement settings to do research, in an effort to make the research process more transparent and at the same time more reflexive. We end our reflection advocating more ethically committed and critical scientific research.

Victims are often conceptualized as single, human and static entities with certain risk factors that make them more vulnerable and attractive for offenders. This framework is challenged by emerging forms of high-tech cybercrime, such as ransomware, botnets and virtual theft, in which the offender targets a composite of human, technical and virtual entities. This study critically assesses the current theorization of the cyber victim and offers an alternative approach. Drawing on actor-network theory and three empirical case studies, it analyses the cyber victim as a hybrid actor-network consisting of different entities that, together with the offender, make the victimization possible. The proposed concepts of victim composition, delegation and translation enable a more profound understanding of the hybrid and complex process of becoming a high-tech cyber victim. Keywords: cybercrime, cyber victimization, actor-network theory, botnet, ransomware, virtual theft