24:I[63208,["8920","static/chunks/8920-efbff8517d590b7e.js","9097","static/chunks/9097-7e60ff382fede0de.js","5914","static/chunks/5914-356082358a498a0b.js","9903","static/chunks/9903-11222066602aad8e.js","5438","static/chunks/5438-cfc6cd3ec63ed58c.js","3851","static/chunks/3851-d9d99b9df58ccefb.js","4621","static/chunks/4621-60797c2425663d2a.js","6871","static/chunks/6871-85cb03c97585f46a.js","6736","static/chunks/6736-932312a004c99faf.js","4550","static/chunks/4550-0bf059e3050c08b3.js","688","static/chunks/688-a6a2ac7bff269cd3.js","3984","static/chunks/3984-063c0b62f32133c7.js","7038","static/chunks/7038-4f87670d4e55ef18.js","9039","static/chunks/9039-75366c62dc7d0d0e.js","4563","static/chunks/4563-ad980d1babbf7b0b.js","6761","static/chunks/6761-0c10d1446de7ae1c.js","744","static/chunks/744-1e76229abb9e297b.js","7342","static/chunks/7342-1586df78600bf911.js","3617","static/chunks/3617-1f62a097637f4747.js","5895","static/chunks/5895-caa6c774914eb108.js","7481","static/chunks/7481-3b84c503a2ebfb3f.js","3668","static/chunks/3668-7dab69e4121c33af.js","39","static/chunks/39-e93a27d0920e6d92.js","2881","static/chunks/2881-445cc2384af2c6f9.js","2364","static/chunks/2364-e83d52fb21729d99.js","3208","static/chunks/3208-e65462d166bd3688.js","7582","static/chunks/app/toc/%5Btla%5D/%5Bvolume%5D/%5Bissue%5D/page-694a0e465c2c1334.js"],"default"] 25:T413,

This article dealt with how media outlets in a selected number of countries handled the problem of the republication of Charlie Hebdo's controversial “Je Suis Charlie” Mohammed cartoon cover after the terrorist attack of 7 January 2015 against the newspaper. A textual analysis of editorials and policy statements found that editorial decisions to republish or not to republish the Mohammed cartoon in different countries constituted journalistic paradigm work that reflected specific journalistic cultures. The dominant themes that emerged were (1) transnational journalistic solidarity as a form of paradigm work and (2) the use of editorial independence as a paradigm defense and repair mechanism. Furthermore, we found that the American media, which practice the journalistic craft under the First Amendment, were not as unanimous as the Continental European media in considering republication of the Je Suis Charlie Mohammed cartoon as a barometer of transnational journalistic solidarity and support for freedom of expression.

26:T490,

Most comparative research on journalistic objectivity, and particularly the relation between objectivity and professional roles, has been carried out in the context of Western media systems and from the perspective of journalists’ role conceptions. However, the relation between role performance and the implementation of the objectivity norm remains unsolved, especially in countries with no clear-cut journalistic tradition of objectivity. Based on a content analysis of news stories published in Chile, Mexico, and Spain (N = 7,868), this study examines (1) the use of four objective reporting methods in newspapers from Spain, Mexico, and Chile, and (2) the influence of the performance of six journalistic roles in those methods. The results show that the materialization of objectivity varies across journalistic cultures, revealing also a significant influence of the performance of professional roles on the implementation of objectivity in news. The study sheds some light on the implication of these results in countries expected to display similar traits due to their historical and cultural affinities but which show very distinctive patterns.

27:T51a,

This article combines framing analysis and critical textual analysis in a qualitative investigation of the ways in which popular culture texts, in particular articles in Australian women's magazines, frame transnational celebrity activism. Using three recent case studies of commercial representations of popular female celebrities – Nicole Kidman in Marie Claire (Australia), Angelina Jolie in Vogue (Australia) and Emma Watson in Cleo (Australia)