Modern China

Using materials from police reports to song chapbooks, this article traces the experience of and discourse about sexually explicit media in late Qing and early Republican Beijing. Although explicit representations of sex and efforts to control them had a long history in China, two new forces converged in this period: ideas about reproductive bodies and technologies of reproducing information. These factors injected unprecedented volatility into the parameters of legitimate sexual representation, allowing them to be truly and widely contested for the first time. Existing Euro-American scholarship takes both the “invention of pornography” and the rise of modernity as peculiarly Western phenomena. Fin-de-siècle Beijing presents a corrective case: the fusion of mass-circulated media and sexuality not only casts a telling light on China in the twentieth century but has also embedded Chinese experiences ever more tightly in a complex ongoing saga of global modernities.

This article explores the intricate relationship among print capitalism, war, and the popularization of newspapers in 1930s China by analyzing the motivations for publishing the Libao 立报 and the reasons behind its success. Most of the print capitalists publishing major broadsheet newspapers in Shanghai in the early 1930s did not have a strong financial motivation to popularize such broadsheets especially because of the relatively small circulation of printed materials, the underdevelopment of communications infrastructures, the low level of literacy, and the small size of the middle class. However, this study of the Libao published in the mid-1930s demonstrates that the simultaneity of the commercialization of print media and the outbreak of the national crisis in the 1930s gave rise to the expansion of a politicized reading public and to popular nationalism, and provided print capitalists with financial motives to popularize and politicize newspapers.

Chinese dictionaries have long been an important tool for promoting the political agenda of the state. Not much has changed in the twenty-first century. A conventional assumption is that dictionary compilation has been controlled by the state. An examination of the history of the Contemporary Chinese Dictionary 现代汉语词典 suggests that such a claim is exaggerated. While the state was indeed actively involved in the compilation of the dictionary before the 1980s, the presumed propagandistic content of the dictionary in the twenty-first century has been more a result of the profit-seeking behavior of its publisher, the Commercial Press 商务印书馆, than direct state control. In order to defend the market share of its product, the Commercial Press needs to struggle with rival publishers to present to the public a close affinity with the state, which has the authority to define linguistic correctness. Consequently, the Contemporary Chinese Dictionary has been revised in accordance with the changing political agenda of the state and thus continues to support its nation-building project. This finding revises the conventional wisdom on several scores, particularly by deepening the analysis of language politics and reaffirming its importance in contemporary China.