The task of fostering better listening skills and a deeper understanding of music becomes easier with an understanding of how students describe the music. Patricia J. Flowers introduces the subject of listening with a discussion of how teachers can encourage meaningful music description.
Research article
Restricted accessResearch articleFirst published December, 1990pp. 24-27
An understanding of how students develop listening skills also requires an understanding of the sense of hearing. Alice-Ann Darrow explains how the ear and the brain work together to make music listening possible.
Research article
Restricted accessResearch articleFirst published December, 1990pp. 28-32
How comprehensive should responsible arts education be? Paul Haack explains why, in addition to teaching about the objective properties of music, music educators should openly address the subjective, “feelingful” side of music listening.
Research article
Restricted accessResearch articleFirst published December, 1990pp. 33-37
In this overview of recent research on music listening, Steve Hedden presents some ideas that may help teachers improve listening instruction in their classrooms.
Research article
Restricted accessResearch articleFirst published December, 1990pp. 38-42
The instrumental rehearsal makes learning listening skills not only possible but necessary. Using specific examples, James Byo shows how to promote active, thoughtful listening in your students.
Research article
Restricted accessResearch articleFirst published December, 1990pp. 47-51
Training the ear and the mind to discriminate and enjoy elements of choral performance can be a tremendous challenge. Charles R. Robinson examines the ways different hearers respond to musical sound.
Other
Restricted accessOtherFirst published December, 1990pp. 52-53