Perception

Findings from studies of visual memory and change detection have revealed a surprising inability to detect large changes to scenes from one view to the next (‘change blindness’). When some form of disruption is introduced between an original and modified display, observers often fail to notice the change. This disruption can take many forms (eg an eye movement, a flashed blank screen, a blink, a cut in a motion picture, etc) with similar results. In all cases, the changes are sufficiently large that, were they to occur instantaneously, they would consistently be detected. Prior research on change blindness was predicated on the assumption that, in the absence of a visual disruption, the signal caused by the change would draw attention, leading to detection. In two experiments, we demonstrate that change blindness can occur even in the absence of a visual disruption. In one experiment, subjects actually detected more changes with a disruption than without one. When changes are sufficiently gradual, the visible change signal does not seem to draw attention, and large changes can go undetected. The findings are discussed in the context of metacognitive beliefs about change detection and the strategic decisions those beliefs entail.

In the McGurk effect (McGurk and MacDonald, 1976 Nature 264 746–748), illusory auditory perception is produced if the visual information from lip movements is discrepant from the auditory information from the voice. A study is reported of the tolerance of the effect to varying levels of spatial degradation (videotaped images of a speaker's face were quantised by a mosaic transform). The illusory effect systematically decreased with an increase in the coarseness of the spatial quantisation. However, even with the coarsest level (11.2 pixels/face) the illusion did not completely disappear. In addition, those participants who did not experience the illusion nevertheless showed the effects of auditory–visual interaction in their clarity ratings of the auditory stimulus. It is concluded that auditory – visual interaction in visible speech perception is based on relatively coarse-spatial-scale information.

How do the colors of surfaces seen through fog depend on the chromatic properties of the fog? Prior work (eg Chen and D'Zmura, 1998 Perception 27 595–608) shows that the colors of surfaces seen through a transparent filter can be described by a convergence model. The convergence model takes into account color shift and change in contrast. Whether the convergence model can also be applied to fog was tested experimentally with an asymmetric matching task. In computer graphic simulation, observers adjusted the color of a surface seen through fog in order to match the color of a surface seen in the absence of fog. The convergence model fits the data well. The results suggest that the color constancy revealed in this task with fog is described best by a model that takes into account both shift in color and change in contrast.

The spatial spread of attentional modulation of selective adaptation was investigated in four experiments in which the duration of the movement aftereffect (MAE) was measured with and without processing of intermittently changing digits at the fixation point. In the first experiment, the effects of diverting attention on MAE duration were found to reduce as the distance between the fixation digits and the inner edge of the surrounding adapt/test grating was increased. A second experiment suggested that eye movements were unlikely to underlie the attentional effects. In experiment 3, the attentional effect stayed constant as the outer diameter of the adapt/test gratings was increased. In experiment 4 (as in experiment 1) the modulatory effects of attention were larger the closer the adapt/test gratings were to the locus of attention, when the area of the grating was held constant but its eccentricity varied. In experiments 1 and 4, an intermittently changing fixation digit was found to reduce MAE durations more than an unchanging digit, even when subjects were not required to process it, suggesting that exogenous as well as endogenous attentional processes modulate early motion processing.

We examined whether the apparent extent of motion affects speed perception. On the first presentation of each trial, a light dot travelled horizontally across a central circle of one of the Ebbinghaus configurations (with either small or large inducing elements). On the second presentation, observers adjusted the speed of a dot moving within the central circle alone so as to match the speed perceived in the first presentation. For all stimulus speeds (1.3, 2.1, and 5.5 deg s⁻¹), the matched speed with small inducing circles was systematically less than that with large inducing circles. The findings indicate that the perceived speed depends on the apparent extent of motion: the larger the apparent size of a frame, the slower the apparent speed. These results are consistent with the predictions of transposition effects in visual motion.

When the white disks in a scintillating grid are reduced in size, and outlined in black, they tend to disappear. One sees only a few of them at a time, in clusters which move erratically on the page. Where they are not seen, the grey alleys seem to be continuous, generating grey crossings that are not actually present. Some black sparkling can be seen at those crossings where no disk is seen. The illusion also works in reverse contrast.

The reliability of curvature judgments for linear elements was studied, with stereograms that contained a binocular arc with curvature in depth, and either a binocular frontoparallel arc or a monocular one, on a background representing a hemiellipsoid. The subjects made about 15% errors on binocular arcs with curvature in depth, and 60%–80% of these occurred when both the hemiellipsoid and the arc were convex, the arc being perceived as concave, by transparency through the hemiellipsoid. There were also about 15%–30% errors on frontoparallel arcs, but spread among all situations, with a small prevalence of concave judgments. Curvature in depth was assigned to the monocular stimuli in more than 60% of the cases. There was a curvature bias when the monocular arcs were on the nasal side, and were viewed against a concave background. Assuming parallel viewing, nasal ingoing arcs were usually perceived as concave, and nasal outgoing arcs usually perceived as convex, in agreement with geometrical likelihood. Nasal-side elements captured by one eye are, in general, those with the highest likelihood of having matching elements in the other eye. Then the observed nasal bias effect suggests that the matching process in stereopsis could be driven from the nasal sides of the projections in the two cerebral hemispheres.

We apply the ‘patchwork engine’ (PE; van Tonder and Ejima, 2000 Neural Networks forthcoming) to encode spaces between textons in an attempt to find a suitable feature representation of anti-textons [Williams and Julesz, 1991, in Neural Networks for Perception volume 1: Human and Machine Perception Ed. H Wechsler (San Diego, CA: Academic Press); 1992, Proceedings of the National Academy of Sciences of the USA 89 6531–6534]. With computed anti-textons it is possible to show that tessellation and distribution of anti-textons can differ from that of textons depending on the ratio of texton size to anti-texton size. From this we hypothesise that variability of anti-textons can enhance texture segregation, and test our hypothesis in two psychophysical experiments. Texture segregation asymmetry is the topic of the first test. We found that targets on backgrounds with regular anti-textons segregate more strongly than on backgrounds with highly variable anti-textons. This neatly complements other explanations for texture segregation asymmetry (eg Rubenstein and Sagi, 1990 Journal of the Optical Society of America A 7 1632–1643). Second the relative significance of textons and anti-textons in human texture segregation is investigated for a limited set of texture patterns. Subjects consistently judged a combination of texton and anti-texton gradients as more conspicuous than texton-only gradients, and judged texton-only gradients as being more conspicuous than anti-texton-only gradients. In the absence of strong texton gradients the regularity versus irregularity of anti-textons agrees with perceived texture segregation. Using PE outputs as anti-texton features thus enabled the conception of various useful tests on texture segregation. The PE is originally intended as a general image segmentation method based on symmetry axes. With this paper we therefore hope to relate anti-textons with visual processing in a wider sense.

We propose an extension of a systemic model for object recognition formulated by Rybak et al (1998 Vision Research 38 2387–2400) which is based on the functional organisation of the visual systems in primate brains. In contrast to the learning and recognition scheme of Rybak et al we do not assume a behavioural paradigm, ie a visuomotor programmed scanpath that determines the sequence of foveation on the different parts of the object. As in the basis architecture of Rybak et al, the system modules are separated into ‘what’-like subsystems corresponding to the ventral occipito-inferotemporal visual path and ‘where’-like complexes analogous to the dorsal occipito-parietal visual path. The ‘what’ system analyses local features in the actual foveation as in Rybak et al. But, in our case, the ‘where’ memory, instead of programming a behavioural scanpath, scores the spatial relationship between successive fixation and the spatial relationship between the associated main edges. The recognition is based on the identification of parts and their spatial relationship. This gives the learning and recognition mechanisms more flexibility in the sense that, for recognising an object, several different fixation sequences may be accepted.

We report a novel, easily observed, and extraordinarily striking optical illusion mediated by interactions of colour, brightness, form, and motion perception—the Leaning Tower of Pisa (LTOP) illusion. Under some circumstances, the perception of orientation of coloured forms is radically altered by rotary movement. We demonstrate that this kinetic effect—easily reproduced with a common record turntable—is optimised by particular colour and brightness differences between foreground and background with an illusory tilt of 8° and more. The described illusions can be easily studied at home by downloading the colour figures from www.perceptionweb.com/perc1000/ditzinger, printing them on a common colour printer and placing them on a rotating record turntable.