Perception

A horizontal grey bar that drifts horizontally across a surround of black and white vertical stripes appears to stop and start as it crosses each stripe. A dark bar appears to slow down on a black stripe, where its edges have low contrast, and to accelerate on a white stripe, where its edges have high contrast. A light-grey bar appears to slow down on a white stripe and to accelerate on a black stripe. If the background luminances at the leading and trailing edges of the moving bar are the same, the bar appears to change speed, and if they are different the bar appears to change in length. A plaid surround can induce 2-D illusions that modulate the apparent direction, not just the speed, of moving squares. Thus, the motion salience of a moving edge depends critically on its instantaneous contrast against the background.

Can auditory signals influence the processing of visual information? The present study examined the effects of simple auditory signals (clicks and noise bursts) whose onset was simultaneous with that of the visual target, but which provided no information about the target. It was found that such a signal enhances performance in the visual task: the accessory sound reduced response times for target identification with no cost to accuracy. The spatial location of the sound (whether central to the display or at the target location) did not modify this facilitation. Furthermore, the same pattern of facilitation was evident whether the observer fixated centrally or moved their eyes to the target. The results were not altered by changes in the contrast (and therefore visibility) of the visual stimulus or by the perceived utility of the spatial location of the sound. We speculate that the auditory signal may promote attentional ‘disengagement’ and that, as a result, observers are able to process the visual target sooner when sound accompanies the display relative to when visual information is presented alone.

Rushton et al (1998 Current Biology 8 1191–1194) recently showed that walkers wearing displacing prisms follow curved trajectories determined by the perceived direction of their target. This suggests that optic flow is not important in guidance, since flow cues are unaffected by the prism and should allow a straight, direct trajectory. We replicated Rushton et al's result but also tried to rule out an important artifact associated with the prism. Prisms restrict the field of view and, particularly, access to the foreground optic flow that is likely to be important in providing guidance cues. We found that performance did not improve when walkers directed their gaze to include the foreground flow, suggesting that Rushton et al's results were not due to this artifact. On the other hand, performance did reliably improve when subjects reduced their viewing height by crawling towards the target. This improvement may be due to coarsening of the visual texture or to increased salience of alignment and motion-parallax cues. Whatever its cause, the improvement demonstrates that guidance is not determined only by perceived target direction and that, under some conditions, flow may be important.

Do judgments of texture similarity reflect surface texture or image texture? To find out, we had observers view a rectangular surface that was folded into three panels, much like a brochure. Each panel was textured with an oriented noise pattern and the observers' task was to determine which side panel matched the center panel in surface texture. Information about surface geometry was conveyed by binocular disparity and by the boundaries of the rectangular surface. We found that observers were often consistently wrong, selecting the texture that differed in the image and not on the surface. In sharp contrast, when observers judged the texture orientation on each panel individually, their judgments were accurate reflections of the surface texture. So even when observers can recover surface texture, their judgments of texture similarity may still be based on image texture.

We investigated the temporal properties of the red-green, blue – yellow, and luminance mechanisms in a contour-integration task which required the linking of orientation across space to detect a ‘path’. Reaction times were obtained for simple detection of the stimulus regardless of the presence of a path, and for path detection measured by a yes/no procedure with path and no-path stimuli randomly presented. Additional processing times for contour integration were calculated as the difference between reaction times for simple stimulus detection and path detection, and were measured as a function of stimulus contrast for straight and curved paths. We found that processing time shows effects not apparent in choice reaction-time measurements. (i) Processing time for curved paths is longer than for straight paths. (ii) For straight paths, the achromatic mechanism is faster than the two chromatic ones, with no difference between the red – green and blue – yellow mechanisms. For curved paths there is no difference in processing time between mechanisms. (iii) The extra processing time required to detect curved compared to straight paths is longest for the achromatic mechanism, and similar for the red – green and blue – yellow mechanisms. (iv) Detection of the absence of a path requires at least 50 ms of additional time independently of chromaticity, contrast, and path curvature. The significance of these differences and similarities between postreceptoral mechanisms is discussed.

A new visual phenomenon, inter-attribute illusory (completed) contours, is demonstrated. Contour completions are perceived between any combination of spatially separate pairs of inducing elements (Kanizsa-like ‘pacman’ figures) defined either by pictorial cues (luminance contrast or offset gratings), temporal contrast (motion, second-order-motion or ‘phantom’ contours), or binocular-disparity contrast. In a first experiment, observers reported the perceived occurrence of contour completion for all pair combinations of inducing elements. In a second experiment they rated the perceived clarity of the completed contours. Both methods generated similar results—contour completions were perceived even though the inducing elements were defined by different attributes. Ratings of inter-attribute clarity were no lower than in either of the two corresponding intra-attribute conditions and seem to be the average of these two ratings. The results provide evidence for the existence of attribute-invariant Gestalt processes, and on a mechanistic level indicate that the completion process operates on attribute-invariant contour detectors.

Four groups of eight 4-month-old infants were each habituated to one of four displays consisting of a grating of either low (0.4 cycle deg⁻¹) or high (1.2 cycles deg⁻¹) spatial frequency, whose central portion was covered up with a horizontal occluder which was either narrow (1.33 deg) or broad (4.17 deg). Posthabituation displays consisted of a complete grating of the same frequency as the habituated grating, along with a separate grating whose central portion was replaced with a black gap of the same height as the occluder in the habituation displays. All the infants, except those who were habituated to the high frequency with the broad occluder, looked longer at the separate grating than the complete grating display during posthabituation trials. Previously, we found that infants under 1 month of age perceive the grating continuation only when the occluder height is less than about 0.5 cycle of the grating; our present results show that this figure increases to about 1.6 cycles of the grating frequency in the case of 4-month-old infants. These findings indicate that those developmental changes depend on both the sufficiency of visual information available and the efficiency of the perceptual ability of infants for grasping spatial relationships.

Two experiments were conducted to investigate the role played by dynamic information in identifying facial expressions of emotion. Dynamic expression sequences were created by generating and displaying morph sequences which changed the face from neutral to a peak expression in different numbers of intervening intermediate stages, to create fast (6 frames), medium (26 frames), and slow (101 frames) sequences. In experiment 1, participants were asked to describe what the person shown in each sequence was feeling. Sadness was more accurately identified when slow sequences were shown. Happiness, and to some extent surprise, was better from faster sequences, while anger was most accurately detected from the sequences of medium pace. In experiment 2 we used an intensity-rating task and static images as well as dynamic ones to examine whether effects were due to total time of the displays or to the speed of sequence. Accuracies of expression judgments were derived from the rated intensities and the results were similar to those of experiment 1 for angry and sad expressions (surprised and happy were close to ceiling). Moreover, the effect of display time was found only for dynamic expressions and not for static ones, suggesting that it was speed, not time, which was responsible for these effects. These results suggest that representations of basic expressions of emotion encode information about dynamic as well as static properties.

In this paper we demonstrate the existence of simultaneous lightness contrast in displays in which the target patches are both more luminant than their surrounds. These effects are not predicted by theories of lightness that assume that the highest luminance in a scene is perceived as white, and anchors all the other luminances. We show that the strength of double-increment illusions depends crucially on the luminance of both the surrounds and the target patches. Such luminance prerequisites were not met in previous studies, which explains why simultaneous contrast with incremental targets has so far been regarded as extremely weak or nonexistent.