Perception

Our ability to perceive many aspects of the human face is so acute that some would propose that we possess specialised face-processing mechanisms. One example of this exquisite performance is our ability to discriminate differences in the lateral separation of the eyes in pairs of otherwise identical faces—see Kemp et al (1990, Perception 19 531–543). However, we have found that our ability to estimate our own interpupillary distance (IPD) shows no such accuracy. Subjects were asked to indicate, without undue rumination, their own IPD and, by way of control, the distance from the bridge to the tip of their own nose. Compared to the true distances, IPD was overestimated by more than 30% while nose length was underestimated by 11%. Although a plausible reason for the nose length underestimation is foreshortening of the image, the reason for the overestimation of eye separation remains obscure.

Changing the luminance of one side of the sclera induces an apparent shift of the perceived direction of gaze toward the darker side of the sclera. This luminance-induced gaze shift was measured in photographic and schematic images of eyes. The effect was substantial: a moderate darkening of one side of the sclera induced an apparent shift of 8 to 10 deg of gaze; the maximum darkening induced a shift of 15 deg of gaze or more. The effect of scleral darkening was also compared to the gaze shift induced by an actual shift of the iris. The effects of the two cues were measured independently and in combination. When pitted against each other, their effects could be nulled, demonstrating that they act on a common level. Predictions of the relative strengths of the luminance and iris shift cues were developed for two simple luminance-based mechanisms: flux ratio and luminance centroid. The data showed the luminance cue was less effective than the models predicted in determining gaze direction. As an alternative source for the gaze shift, irradiation effects on apparent size could create a perceived shift in the iris position but a direct measure of the irradiation shift showed that this was far too small. The results suggest that at least one important mechanism for gaze judgment is based on low-level analysis of the luminance configuration within the eye.

In a face photo in which the two eyes have been moved up into the forehead region, configural spatial relations are altered more than categorical relations; in a photo in which only one eye is moved up, categorical relations are altered more. Matching the identities of two faces was slower when an unaltered photo was paired with a two-eyes-moved photo than when paired with a one-eye-moved photo, implicating configural relations in face identification. But matching the emotional expressions of the same faces was slower when an unaltered photo was paired with a one-eye-moved photo than when paired with a two-eyes-moved photo, showing that expression recognition uses categorically coded relations. The findings also indicate that changing spatial-relational information affects the perceptual encoding of identities and expressions rather than their memory representations.

A generic problem in vision is to know which information drives the perception of a stimulus. We address this problem in a case study that involves the perceptual reversal of an ambiguous image (here, Dali's painting the Slave Market with the Disappearing Bust of Voltaire 1940). In experiment 1, we use ‘bubbles’ (Gosselin and Schyns, 2001 Vision Research 41 2261–2271) to disambiguate the image and to determine the specific visual information that drives each possible perception (here, the nuns versus the bust of Voltaire). Experiment 2 validates that this information does determine the selective perception of the ambiguous image. We adapted the spatial-frequency channels of observers selectively to the information that mediates one of the two perceptions, to induce the opposite perception of the ambiguous image in a transfer phase. Together, the results suggest a method of revealing the visual information that drives perception.

Chromatically homogeneous surfaces can be seen as single figures but also as two or more overlapping figures. Local factors such as relatability have been proposed in order to explain perception of two or more figures (Kellman and Shipley, 1991 Cognitive Psychology 23 141 – 221). However, even when these factors are at work, there are conditions favouring the perception of a single figure, which have not been explored so far. Here we propose that one such factor is the mirror symmetry of the surface. Three experiments were designed to test: (a) the main hypothesis, that mirror symmetry enhances perception of a single figure; (b) the role of orientation; (c) the effect of the number of axes of symmetry. The results show that (i) there is a good general correlation between mirror symmetry and perception of a single figure; (ii) vertical and horizontal axes of symmetry are the most effective; and (iii) the more axes of symmetry a surface has, the more likely is the perception of a single figure. These results suggest that mirror symmetry is an important factor in the perception of chromatically homogeneous displays. Some explanations are discussed, particularly one based on the rejection-of-coincidence principle [Rock, 1983 The Logic of Perception (Cambridge, MA: MIT Press)], and a version of the minimum principle in which the strength of the global solution depends on symmetry, whereas the strength of the splitting solution depends on the strength of local factors. In brief, global and local factors compete in determining the perceptual outcome in chromatically homogeneous surfaces.

Some interpretations of the Munker–White illusion were evaluated by designing new versions of this illusion devoid of T-junctions (Munker–White-like images). The magnitudes of both Munker–White and Munker–White-like illusions were then quantified by using a brightness-matching technique. The results showed the effect to persist in all proposed versions. Since the illusion still remains despite the absence of explicit T-junctions and any explanation considering transparency, mechanisms other than those proposed by these interpretations must be responsible.

Vision is the most highly developed sense in man and represents the doorway through which most of our knowledge of the external world arises. Visual imagery can be defined as the representation of perceptual information in the absence of visual input. Visual imagery has been shown to complement vision in this acquisition of knowledge—it is used in memory retrieval, problem solving, and the recognition of properties of objects. The processes underlying visual imagery have been assimilated to those of the visual system and are believed to share a neural substrate. However, results from studies in congenitally and cortically blind subjects have opposed this hypothesis. Here I review the currently available evidence.

Colour constancy refers to the stable perception of object colour under changing illumination conditions. This problem has been reformulated as relational colour constancy, or the ability of the observer to discriminate between material changes and changes in illumination. It has been suggested that local cone excitation ratios play a prominent role in achieving such constancy. Here we show that perceptual colour constancy measured by achromatic adjustments is to a large part complete after 25 ms. This speaks against a prominent role for receptor adaptation, which takes significantly longer. We also found no difference in colour constancy between colour changes that were compatible with a change of illuminant, and between colour changes where local cone ratios were uncorrelated between the two illuminants. Our results show that constant cone ratios are not necessary for colour constancy.

Perception of raised-line pictures in blindfolded-sighted, congenitally blind, late-blind, and low-vision subjects was studied in a series of experiments. The major aim of the study was to examine the value of perspective drawings for haptic pictures and visually impaired individuals. In experiment 1, subjects felt two wooden boards joined at 45°, 90°, or 135°, and were instructed to pick the correct perspective drawing from among four choices. The first experiment on perspective found a significant effect of visual status, with much higher performance by the low-vision subjects. Mean performance for the congenitally blind subjects was not significantly different from that of the late-blind and blindfolded-sighted subjects. In a further experiment, blindfolded subjects drew tangible pictures of three-dimensional (3-D) geometric solids, and then engaged in a matching task. Counter to expectations, performance was not impaired for the 3-D drawings as compared with the frontal viewpoints. Subjects were also especially fast and more accurate when matching top views. Experiment 5 showed that top views were easiest for all of the visually impaired subjects, including those who were congenitally blind. Experiment 5 yielded higher performance for 3-D than frontal viewpoints. The results of all of the experiments were consistent with the idea that visual experience is not necessary for understanding perspective drawings of geometrical objects.