
Editorial
Select search scope: search across all journals or within the current journal

Grid illusions, including the Hermann grid and scintillating grid (in which light disks are superimposed upon the grid intersections), are diminished by curving the alleys that limn the repeating pattern. Curvature might either disrupt the processes that induce the illusion, or simply make the illusory effects harder to see. To determine which mechanism might be invoked, we examined the effects of curving the alleys upon the vanishing-disk illusion, a phenomenon in which a single disk in a grid intersection is rendered less detectable. This illusion is of reduced visibility, rather than generating an illusory apparition as in the Hermann grid or scintillating grid. Thus, inhibition of illusory influence would enhance disk visibility, while a general reduction of visibility would render disks even harder to detect. We find that thresholds for both scintillation and the disk itself increase in a graded manner with increased curvature. Measuring the effect of curvature upon the vanishing disk with traditional forced-choice staircase methods demonstrates that the effect of curvature is upon detection, not subjective criterion. Furthermore, disks that are easy to detect within a rectilinear grid are more difficult to detect when the alleys are curved. Thus, curvature of the alleys induces a general tendency to inhibit the visibility of features, and is not specifically a repression of illusory effects.
A single experiment was designed to investigate perceptual learning and the discrimination of 3-D object shape. Ninety-six observers were presented with naturally shaped solid objects either visually, haptically, or across the modalities of vision and touch. The observers' task was to judge whether the two sequentially presented objects on any given trial possessed the same or different 3-D shapes. The results of the experiment revealed that significant perceptual learning occurred in all modality conditions, both unimodal and cross-modal. The amount of the observers' perceptual learning, as indexed by increases in hit rate and
A vertical bar is salient among horizontal ones by orientation contrast, and, traditionally, bottom—up salience is viewed as caused only by feature contrast. Recently, it has been proposed that the primary visual cortex (V1) creates a bottom—up salience map in its outputs, which depends on direct inputs and on contextual inputs by intra-cortical interactions (Li Zhaoping, 2002
Line drawings of everyday objects were modified into silhouettes by filling-in the complete area enclosed by boundary contours, and outline versions were created by extracting the contours from the silhouettes. A large number of participants was asked to try to identify these silhouette and outline versions in experiment 1. Identifiability ranged from 0% to 100% correct responses with a large range in-between. Several kinds of errors and several reasons for difficulties with identification emerged in our data set. In experiment 2, we compared the original identification rates to those of inverted silhouettes (white figures on a black background), and in experiment 3 we compared the original identification rates of objects with filled-in holes or background parts to those of versions without filling-in. These stimuli and identification norms are useful for additional research on priming and context effects of object identification, neuropsychological deficits of object identification, and all kinds of studies with silhouettes where the role of top down knowledge could be of interest.
Attneave (1954
Although Attneave (1954
We examined absolute-pitch (AP) and short-term musical memory abilities of five musical savants with congenital blindness, seven musicians, and seven non-musicians with good vision and normal intelligence in two experiments. In the first, short-term memory for musical phrases was tested and the savants and musicians performed statistically indistinguishably, both significantly outperforming the non-musicians and remembering more material from the C major scale sequences than random trials. In the second experiment, participants learnt associations between four pitches and four objects using a non-verbal paradigm. This experiment approximates to testing AP ability. Low statistical power meant the savants were not statistically better than the musicians, although only the savants scored statistically higher than the non-musicians. The results are evidence for a musical module, separate from general intelligence; they also support the anecdotal reporting of AP in musical savants, which is thought to be necessary for the development of musical-savant skill.

The texture of a rolling circle depicts the translational and rotational components of its motion. In the case of a homogeneous circle, however, visual cues to the rotational component of motion are absent. To examine how the visual system resolves undetermined motion cues, optically neutral circles were displaced so that changes in their orientation were invisible. Contextual cues systematically triggered the perception of illusory rotation, suggesting that the visual system uses contextual cues along with intrinsic surface cues to compute percepts of rolling objects. This might also explain why people rarely experience the perception of ambiguous motion.
Previous studies have shown that conscious awareness of hill slant is overestimated, but visually guided actions directed at hills are relatively accurate. Also, steep hills are consciously estimated to be steeper from the top than the bottom, possibly because they are dangerous to descend. In the present study, participants stood at the top of a hill either on a skateboard or a wooden box of the same height. They gave three estimates of the slant: a verbal report, a visually matched estimate, and a visually guided action. Fear of descending the hill was also assessed. Those participants who were scared (by the skateboard) consciously judged the hill to be steeper than unafraid participants. However, the visually guided action measure was accurate across conditions. These results suggest that explicit awareness of slant is influenced by the fear associated with a potentially dangerous action that could be performed on the hill.
Most cognitive scientists know that an airplane tends to lose its engine when the display is flickering. How does such prior experience influence visual search? We recorded eye movements made by vision researchers while they were actively performing a change-detection task. In selected trials, we presented Rensink's familiar ‘airplane’ display, but with changes occurring at locations other than the jet engine. The observers immediately noticed that there was no change in the location where the engine had changed in the previous change-blindness demonstration. Nevertheless, eye-movement analyses indicated that the observers were compelled to look at the location of the unchanged engine. These results demonstrate the powerful effect of prior experience on eye movements, even when the observers are aware of the futility of doing so.