This article argues that popular culture can make an important contribution to security studies, and especially critical security studies, either by offering alternative narratives that challenge the dominant view of security or by deconstructing the process of securitization. It then examines a genre of popular culture that until now has been largely ignored by security studies, noir police procedural novels, and shows how the contemporary police detective can no longer be viewed in the same way as the defender of the status quo depicted in the traditional police procedural. At the same time, he or she does not correspond to the portrait of the security professional, a member of those forces that contribute to the way security is officially defined. He or she has become, instead, a critic of prevailing security practices. To illustrate how this has happened, the article takes novels from two well-known authors of noir procedurals –
Research article
The contemporary fictional police detective as critical security analyst: Insecurity and immigration in the novels of Henning Mankell and Andrea Camilleri
Alex Macleod
Abstract