Thesis Eleven

Here I explore how the island was transformed into the site of the instrumentalization of evil, allowing Kant to expand its conception as a land of truth concerning its default genealogy in the homeland, lending purposiveness to evil to ensure this land of truth is protected from natural illusion. By contrast, Rousseau proposed the opposite course, which surprisingly bears important links to contemporary predicaments, in line with the idea of modern progress premised on a generalizing moral ecology. By the turn of the 20th century, reason usurped a new title claiming this land as a planetary system, touted as the second Copernican revolution. This new revolution overlaps with the geological acknowledgment of the turn to the Anthropocene in the century that follows. The article concludes with an interpretation of the Anthropocene as an anxious competition for misrepresenting the future, borrowing the Deleuzian sense of the desert island and the power of the false, vis-a-vis Derrida’s no-world spatiality, altogether shaped by a new relational ontology in a time of climate change compounded by post-truth challenges to political democracy.

The Easybeats’ 1960s career is viewed as being in two halves. In the first, they played pop songs composed by Stevie Wright and George Young. The group was incredibly successful in Australia spawning the term Easyfever to describe the adulation heaped on them by mainly teenage girls. In the second half, the group go to England and Young starts writing with Harry Vanda. The group had one huge international hit ‘Friday On My Mind’ and then their popularity declines as their audience loses interest in the group’s more complex music and seemingly sophisticated lyrics. In this article I argue that the earlier songs can be read in terms of power pop avant la lettre and that a continuity can be discerned between the earlier songs and certain key later songs as Vanda and Young begin to develop a harder melodic rock sound anchored in power pop aesthetics that will be the template for AC/DC, a group that included Young’s two younger brothers, and which helped define the generic form of Oz rock. I argue for the importance of Snowy Fleet’s Merseybeat experience in the creation of the early sound, analyse the group’s appeal for teenage girls and discuss the later song ‘Good Times’ as a melodic hard rock precursor of the kind of music played by AC/DC.

Hanna Pitkin explains that Arendt’s defense of collective political action tends to reify and mystify an opposing concept Arendt calls ‘the Social’. Was Arendt actually right about the rise of ‘the Social’? Does the deep-set global mass entertainment culture tend to sap action even when it purportedly celebrates it? And what can viewing publics and counter-publics tell us about the meaning and reception of ‘the Social’, especially in this massively online era? This article surveys different ways of thinking about the basic problem presented by American popular action cinema, and especially big-budget Hollywood action films, through an Arendtian lens. In presenting this overview, the article looks to reorient traditional philosophical concerns about screen violence and its censorship, and to offer a holistic reappraisal of ‘the Social’ and ‘action’ by placing democratic theory in closer dialogue with film studies.

The concept of abolition of labour (Aufhebung der Arbeit) appeared in some of Marx’s posthumously published works. Few of his notable successors highlighted this concept as key to opposing the Fordist stage of capitalism. Marcuse viewed this stage as a new peak in the repression of imagination and free instincts, bound to ‘the performance principle’. However, the rise of neo-liberalism presents unforeseen challenges to the criticism of labour. While the Keynesian welfare state is collapsing, its universal services are commodified and inequality rates are skyrocketing – some factors of the abolition of labour are surprisingly uplifted. This article will examine the evolution of some factors of abolition of labour that thrive with the spread of neo-liberalism and the erosion of other vital factors; we will elucidate the diminishing role of Marcuse’s performance principle, unravel the reality principle replacing it and discuss the relevance of the concept ‘abolition of labour’ today.

As the discipline of the social sciences finds itself at a crossroads hedged in by the remnants of empire, with the ‘decolonisation’ of its conceptual and methodological foundations being the only productive path forward, the question is no longer whether to take this route, but how. In their recent book, Colonialism and Modern Social Theory, Gurminder K Bhambra and John Holmwood offer a stimulating and resourceful guide to this objective, setting forth a provocative approach in disrupting and radically reinterpreting dominant sociological understandings of modern world society. The following book review essay discusses the authors’ interventions by highlighting their interrogations of the canonical figures who would shape the problematic trajectory of the discipline for generations. I assess the book’s core argument of advocating for a need to recentre imperial encounters and relations at an explanatory level in the shaping of capitalist modernity, concluding with considerations for a reflexive and epistemic reconstruction of the sociological canon.