Book Review: The Nature of the Beast: Cultural Diversity and the Visual Arts Sector. A Study of Policies,Initiatives and Attitudes 1976—2006,Richard Hylton. Bath: ICIA,2007. 168 pp. ISBN 0—86197—136—1,£14.95 (pbk)

Araeen, R. (1988) `The Emergence of Black Consciousness in Contemporary Art in Britain: Seventeen Years of Neglected History', in The Essential BLACK ART. Exhibition catalogue, Kala Press . Cited in Hylton (2007): 53.

Chambers, E. (1999) `Mainstream Capers: Black Artists White Institutions ', in `Run Through the Jungle: Selected Writings by Eddie Chambers '. Annotations 5: 19. London: inIVA Institute of International Visual Arts. Cited in Hylton (2007): 81.

Chambers, E. (2000) `2000's got to be Black', in B. L. Croft (ed.) Beyond the Pale, p.16. Adelaide: Adelaide Biennale of Australian Art, Art Gallery of South Australia, Cited in Hylton (2007): 111—2.

Chambers, E. (2001) `Dead Artists' Society'. Art Monthly 244: 52. Cited in Hylton (2007): 116.

Frayling, C. (2005) `The Only Trustworthy Book . . .' Art and Public Value, p.3. Arts Council England. Cited in Hylton ( 2007): 128.

Jantjes, G. (1992) `The Long March from “Ethnic Arts” to “New Internationalism”', in K. Owusu (ed.) Black British Culture and Society, A Text Reader . London and New York: Routledge. Cited in Hylton (2007): 108.

Khan, N. (1976) The Arts Britain Ignores, The Arts of Ethnic Minorities in Britain. Supported by the Arts Council of Great Britain, Calouste Gulbenkian Foundation and Community Relations Commission.

Ratnam, N. (2004) `Decibel: Running to Stand Still', in Spin Cycle, Exhibition Catalogue. Spike Island and Systemisch. Cited in Hylton (2007): 39.