Abstract
This paper examines how ethnic Shan singers use the Burmese language to redefine their own ethnic identity, in the process helping to construct Shans' place in the Burmese national imaginary. The paper focuses on the songs of two Shan artists, Sai Htee Saing and Sai Sai Mao. These two singers have been singing in Burmese for three decades. Both have gained nationwide popularity and are now among the most famous singers in Burma's music industry. The paper consists of two parts. The first one discusses the dynamics of self-representation, examining how Shan artists select and adapt dominant discourses about them to their own task of crafting themselves. The second part investigates the audience reception of these two singers, exploring how particular groups of audience members bring their own ethnicity into interpreting a media text. Through participant observation, interviews with audiences and with the singers themselves, the author seeks to illuminate how such self-fashioning and listening practices reveal complex relations between ethnicity and the popular construction of identity.