2a:T499,

Drawing on ethnographic research with children in Athens, the authors examine sensual, performative and embodied aspects of children’s photographic representations of a monument that is central in the Greek national, cultural and historical discourse, the Acropolis. Moving away from the hermeneutics of cultural domination, the focus of this article is on how the pictures depicted the monument and how they were used by the children. Assuming an analytical framework which incorporates aspects of sensual experience in the analysis of the photography, the authors discuss how the children’s pictures of the Acropolis not only make visual records of the monument, and thus are not simply visual evidence of the centrality of the mainstream Greek national and historical discourse, but also how they entail the children’s embodied relation to it, and what this relation might tell us about childhood expressions of heritage and belonging, and by extension about politics in childhood. The analytical focus on embodied aspects of children’s photography illuminates complexities of cultural representation and their gestural, discursive and political significance.

2b:T4a2,

This study aims to explore how political leaders used Instagram to execute self-presentation strategies in mayoral elections, including the dominant use of personalized tactics. The article reports findings of a visual framing analysis of 2,776 images featuring 2019 Istanbul mayoral election candidates Ekrem İmamoğlu (the Republican People’s Party, CHP) and Binali Yıldırım (the Justice and Development Party, AKP). The case is unusual because the initial election, which had resulted in İmamoğlu’s victory, was cancelled and a re-run was subsequently held. After many events, İmamoğlu succeeded again, becoming the first opposition politician to take control of Istanbul from the ruling AKP. In this study, we adapt Grabe and Bucy’s (2009) quantitative visual framing analysis to examine Instagram posts, from candidacy announcements until the election re-run. The results show that both candidates used the Ideal Candidate frame, with occasional increases in the frequency of the application of the Populist Campaigner frame. Self-frames in different time periods during this election are discussed, as well the frames that voters engaged with most frequently.

2c:T4fa,

This article synthesizes modes of representation in documentary films with strategies of legitimation. It develops a framework of documentary legitimation, where each of the six modes recognized by Bill Nichols in Representing Reality: Issues and Concepts in Documentary (1991) and Introduction to Documentary (2017) – expository, participatory, observational, performative, reflexive and poetic modes – tends to highlight certain legitimating strategies. For instance, the expository mode mainly legitimates through voice-of-God commentary, expert speeches and expository intertitles, the participatory mode legitimates through witness testimony and the observational mode legitimates through audience observation, and so on. The proposed framework is applied to a case study of a documentary entitled The Lockdown: One Month in Wuhan produced by China Global Television Network (CGTN). Analysis demonstrates how legitimation of the Wuhan lockdown during the early outbreak of COVID-19 is realized by adopting different representation modes and legitimating strategies. The article illustrates how an interdisciplinary approach may lead to a more comprehensive understanding of legitimation and its realization.

2d:T60f,