
Editorial
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“Where eagles dare” is an ethno-fable about the conversion of the toxic Rocky Mountain Arsenal to wildlife nature preserve, supplemented by an academic and personal subsurface guide that considers Arsenal remediation beneath the surface.
Landscapes are often discursively constructed as wildernesses through an erasure of the histories of people in the landscape. Current representations of Bikini Atoll in the Marshall Islands as an Edenic wilderness are no different. What is unusual about conceptualizations of Bikini Atoll as a pristine wilderness is that it is the site of a recent history of colonial appropriation and massive landscape transformation through nuclear-weapons testing. Although people both outside and within the Bikinian community regularly represent the atoll as a kind of paradise, there are strong differences of opinion regarding what the future uses of the atoll should be. This is because there is a sharp division between representations of the atoll as a pristine wilderness with visually pleasing landscapes and seascapes that need to be preserved and locally produced representations of the atoll as an Eden with an abundance of useable natural resources.
The environmental–racial order in northern New Mexico is maintained through a process of racial triangulation in which Anglos, Native Americans, and Hispanos are valued relative to one another along axes of environmental stewardship and victimization (Kim C J, 1999, “The racial triangulation of Asian Americans”
In British Columbia, Canada, industrial sustained-yield forest regulation was embraced together with a system of forest tenures governing private access to public forest lands in the mid-19408. This approach has underpinned forest exploitation and regulation ever since, despite sometimes significant reforms over the years. Yet this approach to forest policy has also come under fire in recent years because of pervasive signs of economic, social, and environmental exhaustion. In this paper I analyze the political circumstances surrounding adoption of this particular approach to governing forest access and forest use in the province of British Columbia. In particular, I draw on historical documentation related to two key provincial Royal Commissions on Forestry conducted in the 1940s and 1950s. These commissions provided an arena for debating alternative approaches to forest regulation in the province, and resulted in a series of recommendations that were key influences on postwar forest policy. Drawing on the debate and particularly on the positions adopted by socialists and trade unionists, I link the politics of forest regulation to the politics of class struggle and class compromise in early postwar British Columbia. This serves the purpose of highlighting important, alternative ideas about forest use values and exchange values that contrast with those that underpin conventional, commodity-oriented forestry in the province, as well as with contemporary alternatives to mainstream forestry. It also serves the purpose of exploring the organization of political consent around industrial, sustained-yield forestry, treating this model of regulation not as something ‘natural’, but rather as something politically contingent and negotiated. And finally, I examine seldom explored links between the politics of producing and regulating nature, and the politics of class struggle under capitalism more generally.
Bruno Latour's
In this paper I argue for building dialogues between scientific and Maasai knowledge articulations, utilizing knowledge of wildebeest as an example. By locating Maasai and scientific knowledges regarding a particular subject (wildebeest) in relation to each other—in discourse and in practice—my intention is to create the space for their active engagement. I strive to (1) expose the situatedness, strengths, and weaknesses of
In this paper we discuss the geographical contexts within which nations are reproduced. Although geographers have carried out much interesting and insightful work in their studies of nationalism, we contend that the majority of authors have tended to focus on the way in which particular sites and landscapes come to
This paper is about narratives of regional identity. In it I look at how they are formed and at the complex (and at times contradictory) cultural and political uses to which they are put. I examine the poetry of Basil Bunting, in particular his sonata
