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This article deals with the relationship between the creator of psychoanalysis, Sigmund Freud, and the Latvian-born Chilean professor of physiology – and endocrinologist and anthropologist – Alejandro (or Alexander) Lipschütz. Up till now, the historiography of psychoanalysis in Chile has ignored the existence of this relationship, that is to say, the fact that there exists an interesting exchange of correspondence as well as references to Lipschütz in some important works published by Freud and in Freud’s correspondence with the Hungarian psychoanalyst Sándor Ferenczi. There are also references to works on psychoanalysis carried out by Lipschütz in Chile. The Freud–Lipschütz relationship allows us to examine two interesting topics in contemporary historiographical approaches to psychoanalysis. First, it permits us to reflect on the connections that Freud and Ferenczi sought to establish between psychoanalysis and biology (endocrinology in particular) as a strategy to address criticism of the scientific foundations of psychoanalysis and, therefore, to help legitimize psychoanalysis in the field of science. Second, the relationship between Freud, working in a culturally influential city such as Vienna, and Lipschütz, working in a ‘peripheral’ country such as Chile, paves the way to reflect on the consequences of a history of psychoanalysis written from the perspective of the ‘margins’. This is a history that focuses not on regions where early industrialization and modernization processes, along with an important academic and scientific tradition, help explain the interest in and reception of psychoanalysis, but on regions where different sets of conditions have to be examined to explain appropriation and dissemination processes.
Today, complaints about information overload – associated with an overwhelming deluge of data – are commonplace. Early modernists have reacted to these concerns by showing that similar ones have arisen before. While this perspective is useful, it leaves out what was novel about the concept of information overload, which relied on a historically specific model of the human being. I trace the term’s history back to 1960, when the American psychologist and systems theorist James Grier Miller published his article on ‘information input overload and psychopathology’. In Grier Miller’s usage, the idea of information overload signalled as much a reconceptualization of human beings as communication channels whose capacity could be overwhelmed as it did concerns about the volume of reading material to manage. Through his work, and the broader subsequent adoption of the term in academic and journalistic venues, I show how ‘information overload’ reflected intellectual and social trends specific to its time.
Twentieth-century anthropology has been operating with the assumption of one nature and many cultures, one reality experienced and lived in many different ways. Its primary job, therefore, has been to render the otherness of the other understandable, to demonstrate that although different it is also the same; in short, to show that although other, others are people like us. The latest theoretical paradigm, known as the ‘ontological turn’, appears to reverse this assumption and to posit many natures and one culture. Whether it does in fact reverse it and constitutes a meta-ontology, as critics have pointed out, or it is only a heuristic, methodological device, as some of the proponents of the ‘turn’ have recently argued, the contention of my article is the same: first, this move – the ontological – is made in the hope of doing a better job in redeeming otherness than earlier anthropological paradigms; second, it fails as they did – in the same way and for the same reasons.
An early proponent of the social sciences, Frédéric Le Play, was the occupant of senior positions within the French state in the mid- to late 19th century. He was writing at a time when science was ascending. There was for him no doubt that scientific observation, correctly applied, would allow him unmediated access to the truth. It is significant that Le Play was the organizer of a number of universal expositions because these expositions were used as vehicles to demonstrate the ascendant position of western civilization. The fabrication of linear time is a history of progress requiring a vision of history analogous to the view offered the spectator at a diorama. Le Play employed the design principles and spirit of the diorama in his formulations for the social sciences, and
The Cambridge Malting House, an experimental school, serves here as a case study for investigating the tensions within 1920s liberal elites between their desire to abandon some Victorian and Edwardian sets of values in favour of more democratic ones, and at the same time their insistence on preserving themselves as an integral part of the English upper class. Susan Isaacs, the manager of the Malting House, provided the parents – some of whom were the most famous scientists and intellectuals of their age – with an opportunity to fulfil their ‘fantasy’ of bringing up children in total freedom. In retrospect, however, she deeply criticized those from their milieu for not fully understanding the real socio-cultural implications of their ideological decision to make independence and freedom the core values in their children’s education. Thus, 1920s progressive education is a paradigmatic case study of the cultural and ideological inner contradictions within liberal thought in the interwar era. The article also shows how psychoanalysis – which attracted many progressive educators – played a crucial role in providing liberals of all sorts with a new language to articulate their political visions, but, at the same time, explored the limits of the liberal discourse as a whole.
There has been consistent interest in telepathy within psychoanalysis from its start. Relational psychoanalysis, which is a relatively new development in psychoanalytic theory and practice, seems more receptive to experiences between patient and analyst that suggest ostensibly anomalous communicative capacities. To establish this openness to telepathic phenomena with relational approaches, a selection of papers recently published in leading academic journals in relational psychoanalysis is examined. This demonstrates the extent to which telepathy-like experiences are openly presented and seriously considered in the relational community. The article then discusses those characteristics of the relational approach that may facilitate greater openness to telepathic experience. The argument is that relational psychoanalysis provides a coherent framework in which otherwise anomalous phenomena of patient–analyst interaction can be understood.
Historically, American political science has rarely engaged popular culture as a central topic of study, despite the domain’s outsized influence in American community life. This article argues that this marginalization is, in part, the by-product of long-standing disciplinary debates over the inadequate political development of the American public. To develop this argument, the article first surveys the work of early political scientists, such as John Burgess and Woodrow Wilson, to show that their reformist ambitions largely precluded discussion of mundane activities of social life such as popular culture. It then turns to Harold Lasswell, who produced some of the first investigations of popular culture in American political science. Ironically, however, his work – and the work of those who adapted similar ways of speaking about popular culture after him – only reinforced skepticisms concerning the American public. It has thus helped keep the topic on the margins of disciplinary discourse.

