Perception

In 1981 Leviant devised Enigma, a figure that elicits perceived rotary motion in the absence of real motion. However, despite its striking appearance there is no good explanation for this motion illusion to date. Gregory (1993 Proceedings of the Royal Society of London B 253 123) pointed out a similarity to MacKay's ‘complementary’ afterimage in his ray pattern and suggested accommodative fluctuations and small eye movements as a potential origin for these phenomena. Furthermore, Zeki et al (1993 Proceedings of the Royal Society of London B 252 215–222) found PET-activation in response to Enigma in visual area V5 and immediately surrounding areas (called V5 complex) suggesting that the illusory motion could be mediated by the same neurons as real motion. In the experiments reported here, I show that the rotary motion is perceived on coloured as well as achromatic annuli intercepting the radial lines. More importantly, the illusory streaming motion continues to be seen with a cycloplegic lens as well as through a pinhole (ie ruling out transient changes of accommodation), and in the positive afterimage (ie in the absence of eye movements). Apparent rotation is strongest with radial inducers impinging at right angles onto the annuli, but persist, although to a lesser degree, when the inducing lines are tilted in opposite directions, non-collinear, or replaced by dotted lines or lines with rounded terminators. For an explanation, the Enigma illusion requires a neural mechanism that uses lines abutting an empty annulus to elicit orthogonal streaming motion in one or the other direction.

The Alternating Brightness Star (ABS) is an illusion that provides insight into the relationship between brightness perception and corner angle. Recent psychophysical studies of this illusion have shown that corner salience varies parametrically with corner angle, with sharp angles leading to strong illusory percepts and shallow angles leading to weak percepts. It is hypothesized that the illusory effects arise because of an interaction between surface corners and the shape of visual receptive fields: sharp surface corners may create hotspots of high local contrast due to processing by center–surround and other early receptive fields. If this hypothesis is correct, early visual neurons should respond powerfully to sharp corners and curved portions of surface edges. Indeed, the primary role of early visual neurons may be to localize the discontinuities along the edges of surfaces. If so, all early visual areas should show greater BOLD responses to sharp corners than to shallow corners. On the other hand, if corner processing is exclusively constrained to certain areas of the brain, only those specific areas will show greater responses to sharp vs shallow corners. To address this we explored the BOLD correlates of the ABS illusion in the human visual cortex using fMRI. We found that BOLD signal varies parametrically with corner angle throughout the visual cortex, offering the first neurophysiological correlates of the ABS illusion. This finding provides a neurophysiological basis for the previously reported psychophysical data that showed that corner salience varied parametrically with corner angle. We propose that all early visual areas localize discontinuities along the edges of surfaces, and that specific cortical corner-processing circuits further establish the specific nature of those discontinuities, such as their orientation.

Some search tasks involve looking for a category target in clutter. This is the task faced, for example, by a baggage screener looking for weapons in a suitcase. Such tasks presumably involve the segmentation and recognition of the target object, but it is unknown whether they also involve the segmentation and recognition of the distractor objects. To examine the depth of distractor processing in this task, we had observers search through cluttered displays composed of normal and chimerical distractors. The normal distractors were photographs of recognizable objects, while the chimerical distractors were created by interchanging parts between the normal objects. The obsever's task was to identify the display quadrant that contained an animal or a vehicle target. We varied the difficulty of the search task by varying target and distractor discriminability, target uncertainty, and target occlusion. Only when the target was partially occluded did we find an effect of distractor type. In this case, observers may have found the target through a process of mentally eliminating whole distractor objects. When the target was unoccluded, we found no evidence that observers selected and rejected whole distractors during search. This second result supports our previous claim that often the items for search in clutter are not whole objects.

Over the past two decades psychophysical experiments have firmly established that binocular half-occlusions are useful sources of information for the human visual system. The existing literature has focused on simplified stimuli that have no additional cues to depth, apart from stereopsis. From this large body of work we can be confident that the visual system is able to exploit binocular half-occlusions to aid depth perception; however, we do not know if this signal has any influence on perception when observers view complex stereoscopic stimuli with multiple sources of depth information. This issue is addressed here with the use of stereoscopic images of natural scenes, some of which have been digitally altered to manipulate a major half-occlusion signal. Our results show that depth-ordering judgments for these relatively complex stimuli are significantly affected by the nature of the half-occlusion signal, but only when highly textured surfaces are viewed. Under such conditions, the replacement of a binocular half-occlusion with background texture slows reaction time relative to performance when the occluded region is consistent with the foreground object. This result is specific to conditions when the depth ordering is correct (ie not reversed) and depends upon the size of the half-occlusion. The influence of the half-occlusion information in the presence of potent depth cues such as perspective, texture gradient, shading, and interposition is convincing evidence that this information plays a significant role in human depth perception.

Research on the perception of facial attractiveness has been dominated by aspects of averageness, symmetry, and secondary sex characteristics of faces. Almost absent is systematic research on the spatial scale (coarseness) of detail sufficient to carry information about facial attractiveness. In the present study, subjects were asked to evaluate the attractiveness of faces while the coarseness of detail of the face images was systematically decreased. Subjects discriminated a set of attractive faces from the set of unattractive faces when the coarseness of spatial quantisation changed from 10 to 17 pixels per face. Some of the faces regarded as attractive had the steepest shift in the rating towards the more attractive end of the scale at different resolutions. Once perceived as attractive in the coarse scale of image resolution, the faces generally did not return to the unattractive group with a subsequent finer scale of description. No single critical scale of detail was revealed that would have dramatically changed the perception of facial attractiveness from uncertain to distinct.

In three experiments we examined whether memory for object locations in the peripersonal space in the absence of vision is affected by the correspondence between encoding and test either of the body position or of the reference point. In particular, the study focuses on the distinction between different spatial representations, by using a paradigm in which participants are asked to relocate objects explored haptically. Three frames of reference were systematically compared. In experiment 1, participants relocated the objects either from the same position of learning by taking as reference their own body (centred egocentric condition) or from a 90° decentred position (allocentric condition). Performance was measured in terms of linear distance errors and angular distance errors. Results revealed that the allocentric condition was more difficult than the centred egocentric condition. In experiment 2, participants performed either the centred egocentric condition or a decentred egocentric condition, in which the body position during the test was the same as at encoding (egocentric) but the frame of reference was based on a point decentred by 90°. The decentred egocentric condition was found to be more difficult than the centred egocentric condition. Finally, in experiment 3, participants performed in the decentred egocentric condition or the allocentric condition. Here, the allocentric condition was found to be more difficult than the decentred egocentric condition. Taken together, the results suggest that also in the peripersonal space and in the absence of vision different frames of reference can be distinguished. In particular, the decentred egocentric condition involves a frame of reference which seems to be neither allocentric nor totally egocentric.

We investigated the angular resolution subserving the haptic perception of raised-line drawings by measuring how accurately observers could discriminate between two angle sizes under various conditions. We found that, for acute angles, discrimination performance is highly dependent on exploration strategy: mean thresholds of 2.9° and 6.0° were found for two different exploration strategies. For one of the strategies we found that discriminability is not dependent on the bisector orientation of the angle. Furthermore, we found that thresholds almost double when the angular extent is increased from 20° to 135°. We also found that local apex information has a significant influence on discrimination for acute as well as obtuse angles. In the last experiment we investigated the influence of depiction mode but did not find any effect. Overall, the results tell us that the acuity with which angles in raised-line drawings are perceived is determined by the exploration strategy, local apex information, and global angular extent.

Blindfolded participants felt pairs of raised-line drawings simultaneously, one with each index finger. The stimuli presented at each fingertip were 180° rotations of each other (eg 6 and 9). One finger moved (either actively or passively), and this in turn caused movement of a matched raised line underneath the stationary finger on the other hand, in a yoked manner. Thus, a 6 at the moving finger would be felt as a 9 on the stationary finger. On all trials there was a raised line moving underneath the stationary fully passive finger. For the moving finger, a raised line was present on only half of the trials. When a raised line could be felt at the moving fingertip, the shape followed by this finger was more often reported than was the shape present at the other (stationary) fingertip. However, when no line was present under the moving finger (ie when movement became the major cue for shape), subjects reported experiencing the shape moved under the stationary fingertip. Results are interpreted as an indication that cutaneous information can be more ‘attention-getting’ than kinaesthetic information, and are considered to support the modality-appropriateness theory.

Percussionists inadvertently use visual information to strategically manipulate audience perception of note duration. Videos of long (L) and short (S) notes performed by a world-renowned percussionist were separated into visual (Lv, Sv) and auditory (La, Sa) components. Visual components contained only the gesture used to perform the note, auditory components the acoustic note itself. Audio and visual components were then crossed to create realistic musical stimuli. Participants were informed of the mismatch, and asked to rate note duration of these audio-visual pairs based on sound alone. Ratings varied based on visual (Lv versus Sv), but not auditory (La versus Sa) components. Therefore while longer gestures do not make longer notes, longer gestures make longer sounding notes through the integration of sensory information. This finding contradicts previous research showing that audition dominates temporal tasks such as duration judgment.

Listeners reported the perceptual completion of a sound in stimuli consisting of two crossing frequency glides of unequal duration that shared a short silent gap (40 ms or less) at their crossing point. Even though both glides shared the gap, it was consistently perceived only in the shorter glide, whereas the longer glide could be perceptually completed. Studies on perceptual completion in the auditory domain reported so far have shown that completion of a sound with a gap occurs only if the gap is filled with energy from another sound. In the stimuli used here, however, no such substitute energy was present in the gap, showing evidence for perceptual completion of a sound without local stimulation (‘modal’ completion). Perceptual completion of the long glide occurred under both monaural and dichotic presentation of the gap-sharing glides; it therefore involves central stages of auditory processing. The inclusion of the gap in the short glide, rather than in both the long and the short glide, is explained in terms of auditory event and stream formation.

Three previous psychophysical studies have demonstrated that interaural time difference (ITD) coding mechanisms can undergo frequency-specific, selective adaptation. We sought to determine whether this phenomenon extends to the pitch domain, by employing the same psychophysical paradigm as one used previously, but with harmonic tone complexes lacking energy at the fundamental frequency. Ten normal listeners participated in experiment 1. Psychometric functions for ITDs were obtained for harmonic tone complexes with fundamental frequencies of 110 Hz and 185 Hz, before and after selective adaptation with complexes of the same fundamental frequencies lateralised to opposite sides. In experiment 1, each subject was tested twice. On separate days, subjects were tested with 110 Hz and 185 Hz stimuli that were either partially resolvable complexes or unresolvable ones. Both partially resolved and unresolved stimuli supported adaptation, and at both fundamental frequencies. In experiment 2, which employed nine listeners, the adaptor tone complexes were presented in conjunction with a diotic noise background designed to mask difference tones generated by the adaptor stimuli. The use of the masker had little effect on the mean strength of the adaptation effected by the unresolved adaptor stimuli, and only slightly weakened the adaptation effect found with the partially resolved adaptor stimuli. Taken together, these data constitute the first demonstration of selective adaptation exerted on a central mechanism in the pitch domain.

Unfamiliar odours are harder to discriminate than familiar odours. We explored the phenomenal basis of this difference. In experiments 1a and 1b, participants profiled odour quality for two sets of familiar and unfamiliar odours. In both cases unfamiliar odours were redolent of more odour qualities than familiar stimuli. In experiment 2, participants received (i) a set of familiar and unfamiliar odours and learnt their names, and (ii) a further set of familiar and unfamiliar odours to which they were exposed. Participants then profiled these stimuli as well as a further unexposed set of familiar and unfamiliar odours. Exposure, but not naming, led to a significantly smaller difference between the familiar and unfamiliar stimuli, in terms of their redolence to other odours, when compared to unexposed control stimuli. Unfamiliar exposed odours were also judged as less redolent than unexposed unfamiliar odours. These observations are consistent with a mnemonic basis for odour-quality perception.

We describe and attempt to explain a new and unusual optical-geometrical illusion with three levels of distortion. The illusory figure is made up of three juxtaposed bands of the same width, which, when appropriately juxtaposed, appear to be of different widths. We hypothesised that the effect would depend on the combined action of various factors: (i) the band shapes and their reciprocal spatial position; (ii) the degree of coincidence of the sides of the juxtaposed bands; and (iii) the inability of the perceptual system to account for all the projective transformations. An experiment was conducted in which the shape of three stimuli was manipulated through affine transformation as well as variation of side lengths. The participants' task was to evaluate the width of the bands. The results revealed a robust and stable illusory effect; the factors that seem to influence the illusion most are band shape and conjoining side lengths.