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When identical visual targets move directly toward and then past one another, they appear either to stream past one another or to bounce off each other. Bertenthal et al (1993
When a small drone plane appears to be a normal-sized airplane, it appears to be very far away and moving too fast. This is the airplane illusion. In the illusory situation, familiar size determines the apparent size and distance of the plane. It sets the depth for the frontal-plane component of the perceived motion and the relative depth difference for the motion-in-depth component. Because these perceived distances are very large, the perceived velocities are very large in the respective directions. Cognition can override familiarity and produce a veridical perception of the drone.
Duration-discrimination thresholds of the silent interval (gap) between two successive tones (markers) were measured in four Japanese monkeys. The task was serial discrimination, and monkeys were required to release the lever when the gap duration decreased from 200 ms. Monkeys successfully acquired the task, and gap thresholds of monkeys were revealed to be larger than previous data with human subjects. Gap thresholds were not affected by marker frequency when the two markers were identical in frequency, though the thresholds increased when large frequency differences existed between markers. The effect of marker frequency disparity on gap thresholds in monkeys is discussed in terms of the difficulty in integrating information from discrete frequency channels.
In six experiments we demonstrate that the vertical–horizontal illusion that is evoked when viewing photographs and line drawings is relatively small, whereas the magnitude of this illusion when large objects are viewed is at least twice as great. Furthermore, we show that the illusion is due more to vertical overestimation than horizontal underestimation. The lack of a difference in vertical overestimation between pictures and line drawings suggests that vertical overestimation in pictures depends solely on the
The adaptation to inverting prisms and mirror spectacles was studied in four subjects over periods of six to ten days. Subjects showed rapid adaptation of visuomotor functions, but did not report return of upright vision. The persistence of the transformed visual image was confirmed by the subjects' perception of shape from shading. No alteration of the retinotopy of early visual cortical areas was seen in the functional magnetic resonance images. These results are discussed in the context of previous claims of upright vision with inverting prisms and mirror spectacles.
The question whether object representations in the human brain are object-centered or viewer-centered has motivated a variety of experiments with divergent results. A key issue concerns the visual recognition of objects seen from novel views. If recognition performance depends on whether a particular view has been seen before, it can be interpreted as evidence for a viewer-centered representation. Earlier experiments used unfamiliar objects to provide the experimenter with complete control over the observer's previous experience with the object. In this study, we tested whether human recognition shows viewpoint dependence for the highly familiar faces of well-known colleagues and for the observer's own face. We found that observers are poorer at recognizing their own profile, whereas there is no difference in response time between frontal and profile views of other faces. This result shows that extensive experience and familiarity with one's own face is not sufficient to produce viewpoint invariance. Our result provides strong evidence for viewer-centered representations in human visual recognition even for highly familiar objects.
The speeded categorisation of gender from photographs of men's and women's faces under conditions of vertical brow and vertical head movement was explored in two sets of experiments. These studies were guided by the suggestion that a simple cue to gender in faces, the vertical distance between the eyelid and brow, could support such decisions. In men this distance is smaller than in women, and can be further reduced by lowering the brows and also by lowering the head and raising the eyes to camera. How does the gender-classification mechanism take changes in pose into account? Male faces with lowered brows (experiment 1) were more quickly and accurately categorised (there was little corresponding ‘feminisation’ of raised-brow faces). Lowering gaze had a similar effect, but failed to interact with head lowering in a simple manner (experiment 2). We conclude that the initial classification of gender from the facial image may not involve normalisation of the face image to a canonical state (the ‘mug-shot view’) for expressive pose (brow movement and direction of gaze). For head pose (relative position of the features when the face is not viewed head-on), normalisation cannot be ruled out. Some perceptual mechanisms for these effects, and their functional implications, are discussed.
Through about 130 years of the history of experimental aesthetics, preferences of figures have been summarized in representative values such as the golden ratio. Researches especially in the golden-section hypothesis overshadowed the basic and profound problem of how people's individual preference would be decided. In the present study I returned to simple quadrangles, and investigated each person's subjective preferences by a production method, recording eye movements, and having qualitative interviews. Two basic scanning patterns on quadrangles emerged through the analysis of eye movements, and more complicated patterns were made by various combinations of these two. The distribution of subjects' preferred proportions showed that squares and square-like quadrangles were chosen most frequently, although the average of height/width ratios came close to the golden ratio in most quadrangle types. The results of interviews revealed various characteristics of decision processes of preferred shapes in the subjects. A discussion is provided on dealing with the golden ratio, and the importance of studying subjects' processes of preferences is proposed for the future of empirical aesthetics.
A circular array of six discs, three green and three orange in alternate positions, was presented against a uniform grey background. Sixteen observers maintained steady fixation at the centre of the array, and were instructed to direct their attention to three discs of one colour and to ignore the three discs of the other colour. In about 10 s (mean = 11.35 s), some discs started to fade away from awareness. Of those starting to fade, most (mean = 81.3%) were those selected for attention. The faded discs remained out of awareness for up to a few seconds (mean = 1.55 s) during which other discs were clearly visible. The fading increased with eccentricity, a defining characteristic of Troxler fading. However, the selectivity of the fading strongly suggests that voluntary attention can have an inhibitory effect on early sensory processing. Were the fading entirely due to local sensory adaptation, the unattended stimuli would have to be equally adapted and yet somehow remain visible for seconds, which is not plausible.
We investigated whether infants from 8–22 weeks of age were sensitive to the illusory contour created by aligned line terminators. Previous reports of illusory-contour detection in infants under 4 months old could be due to infants' preference for the presence of terminators rather than their configuration. We generated preferential-looking stimuli containing sinusoidal lines whose oscillating, abutting terminators give a strong illusory contour in adult perception. Our experiments demonstrated a preference in infants 8 weeks old and above for an oscillating illusory contour compared with a stimulus containing equal terminator density and movement. Control experiments excluded local line density, or attention to alignment in general, as the basis for this result. In the youngest age group (8–10 weeks) stimulus velocity appears to be critical in determining the visibility of illusory contours, which is consistent with other data on motion processing at this age. We conclude that, by 2 months of age, the infant's visual system contains the nonlinear mechanisms necessary to extract an illusory contour from aligned terminators.
