Convergence: The International Journal of Research into New Media Technologies

In recent years, the spread of mobile communication devices such as smartphones has been markedly rapid. With this technological diffusion, mobile health (mHealth) has become an increasingly important issue. In particular, there is an increasing interest in smartphone apps improving public health. Although there is increased availability of mobile devices and health apps, little is known about motivational factors predicting health app adoption and use. The aim of this study was to identify motivational factors that predict the adoption and use of health apps (i.e. health app engagement). To identify the motivational factors, 391 college students were surveyed and survey questions considered the effects of media exposure to health information, interpersonal communication on health issues, and psychological factors (e.g. attitude, usefulness, peer norm, and self-efficacy) on health app engagement. Our results confirm the effect of attitude (β = 0.36) and usefulness are (β = 0.33) on mHealth App usage. Furthermore, we found that age (β = 0.11) and reading news articles about health (β = 0.13) predict mHealth App usage. Theoretical and practical implications and suggestions for future research are discussed.

Whilst social media like Twitter and Facebook carry with them the potential for the practice of journalism, novelties like these are also associated with adaptation difficulties – perhaps especially when it comes to the interactive capabilities that services like these afford. This study employs a multi-method approach to study the different uses of Twitter and Facebook by one media company – the Swedish public service broadcaster (PSB) Sveriges Television – during the 2014 election year. Utilizing both quantitative and qualitative data, we find that Twitter was used more extensively and in a comparably more interactive fashion than Facebook. Hence we suggest Twitter, used more for interaction, functions as a ‘chat room’; whilst Facebook, used more for broadcasting messages, can be viewed as functioning like a ‘showroom’. As Twitter is often associated with societal elites in the Swedish context, it raises a question about the suitability for a PSB to engage to such a degree on this particular platform.

The 2015 General Election in the United Kingdom was the first to take place in the United Kingdom with Twitter as an important part of the social media landscape. This pilot project looked at 16 constituencies along England’s South Coast in order to investigate what impact, if any, Twitter had had on both the campaign and the result and to investigate the efficacy, or otherwise, of using Twitter as a tool for studying election campaigns in terms of candidate and local party activism. On the basis of an analysis of almost half a million tweets, the analysis concluded that there appeared to be a correlation between the rate at which parties and/or candidates responded to incoming tweets and their relative electoral performance but this was not demonstrable for all parties (it applied in particular to Labour and UK Independence Party candidates). In addition, high rates of reply also appeared to have a positive impact on constituency turnout figures. The findings are not yet conclusive but suggest that Twitter could be a good indicator of general levels of local party activism. The research also sought to understand how candidates used Twitter differently and established a number of candidate ‘classifiers’. It also investigated the issues agenda that was dominating Twitter conversations during the campaign and found that Twitter’s agenda was closer to the public’s than was that of the national media. The research also monitored the regional and local media in the 16 constituencies and discovered that their issues agenda was closer still to the public’s. Overall, it is difficult to conclude that Twitter had a major impact on the election campaign and result.

The virtual or online community was considered by Mark Poster (1995) to be central to what he called the second media age, marked as distinct from the first media age by new modes interactivity and subjectivity afforded by internet technologies. Community is also central to participatory culture, the study of which began at the cusp of the second media age. This paper critically examines the technocultural formation of online community in the context of fandom and its relationship to specific platforms from Usenet to Tumblr. Based on the analysis of interview data collected from participatory fans (n = 33), I argue that not all platforms enable community formation. While the participants had a sense of community as members of listservs, Yahoo groups and LiveJournal, the same was not true of Facebook, Twitter and Tumblr, even though they afforded a number of fannish pleasures. These findings raise questions as to the ongoing centrality of online community in the late second media age.

Music-streaming services embed social features that enable users to connect to one another and use music as social objects. This article examines how these features are experienced within negotiations of music as personal and social through the acts of sharing music and of following others. The analysis relies on 23 focus-group interviews with 124 Spotify and/or Tidal users and a mixed-method study including music-diary self-reports, online observation and interviews with 12 heavy users. Our findings suggest that users incorporate social awareness in non-sharing, selective-sharing and all-sharing approaches with strong, weak and absent ties. These ties are characterized by different configurations of social and music homophily. Negotiations of music as personal and social shape how music-streaming services are experienced.

Radio is a resilient medium. As in different countries around the world celebrations are being planned to mark the 100th anniversaries of the first regular domestic radio services, early predictions of its demise have so far been proven wrong. Radio transmission remains overwhelmingly analogue in a world where digital switchover of television currently preoccupies many governments and audiences alike.